[Read as single issues]
It’s no mystery that the Venom symbiote is from out among the stars. But when agents from both the Kree and the Skrull empires arrive on Earth to fight over it, Eddie Brock and his Other are thrust into the middle of an intergalactic war that stretches back eons. And when the Venom symbiote’s offspring turns out to be Eddie’s only hope to stop the fighting and rescue his stolen Other, will he put a child on the line to save his partner from perpetual enslavement?
I’ve sung the praises of the current Cates/Stegman run on Venom already recently, but this series which was released alongside the first arc of it is definitely worthy of a mention as well. This is essentially what would have been Mike Costa’s next/final arc of the previous series, repurposed into a mini-series instead. It picks up right from the end of the last uninterrupted Costa arc and deals with all of the dangling plot threads that Costa hadn’t had time to wrap up, so I’m going to treat it as Volume 5 of Venom’s, rather than its own separate entity, because it requires a lot of background reading to really stand on its own.
Most of Costa’s Venom run was very grounded, despite Venom being dragged into space for Poison-X (and the less said about that the better). He may have fought super-criminals and dinosaurs, but they were all earthbound threats rather than the interstellar kind, which sets this final arc apart. We begin fairly grounded, yes, but it’s not long before Costa takes his characters and his writing out of his comfort zone and literally shoots them into space. He folds the Venom symbiote’s history into that of the Kree/Skrull War (and back further) seamlessly, and although the Kree and Skrull characters that inhabit the story aren’t the most inventive of creations, they’re good vehicles for putting Eddie, the Venom symbiote, and their offspring Sleeper through their paces.
Costa’s interpretation of the interactions between Eddie and the symbiote, building on the previous Agent Venom stuff from the last few runs, is fast becoming my definitive way I’d describe it as well. Even with Eddie and Venom separate for some of this arc, it’s always a story about how much they care about each other, and the addition of Sleeper into the mix just complicates their dynamic as the two become parents caring for a child with a mind of its own. The ultimate resolution of the story is initially extremely unexpected, but it’s the culmination of everything Sleeper has learned from its parents, so once the violence of it fades away it becomes a little more obvious that this was always how things were going to end.
This series was originally meant to be drawn entirely by Mark Bagley, but the accelerated weekly schedule meant that Ron Lim and Paco Diaz had to be enlisted to help get the book out on time. Bagley is of course one of the definitive Venom artists, while Lim’s more laid back style stands out compared to him. He’s drafted to draw a lot of the Kree/Skrull stuff though, so it’s appropriate that an artist famous for his collaborations with Jim Starlin gets the cosmic stuff, while Diaz finds himself with the leftovers. They’re not a bad trio, but it is a shame that Bagley wasn’t able to finish this all himself.
First Host is a series that I feel like people will skip over, but if you were invested in Mike Costa’s previous run then you owe it to yourself to see this one through. It’s a little different to what came before, but it’s no less impressive despite the artistic dissonance. At its heart, this is a wholesome story about two parents trying to save their child from their mistakes, and the individuality of that type of story in comics makes First Host worth checking out, even without the Venom label attached.