电影是什么？

by André Bazin, 崔君衍 (Translator)

正版授权 卖家 : Boolee
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书名:电影是什么？
简介:巴赞奉献给广大影迷的“电影圣经”。豆瓣评分9.0的电影学经典著作，迎向2018巴赞诞辰100周年纪念，终结绝版，荣耀归来！
作者:(法) 安德烈·巴赞
出版社:商务印书馆
出版时间:2017年09月
装订方式:平装-胶订
分类:艺术|影视/媒体艺术|新媒体艺术

379 pages, Paperback

Published September 1, 2017

About the author

Writings of French critic and film theorist André Bazin influenced the development of cinema of New Wave.

André Bazin founded the renowned and pioneering journal, Cahiers du cinéma.

Bazin saw and argued to depict "objective reality," such as documentaries of the Italian neo-realism school and "invisible" directors, such as Howard Winchester Hawks. He advocated the use of deep focus as George Orson Welles and wide shots as Jean Renoir "in depth," and he preferred "true continuity" through mise en scène over experiments in editing and visual effects. This preference placed him in opposition of the 1920s and 1930s to those who emphasized ability to manipulate reality. Theory of Bazin to leave the interpretation of a scene to the spectator linked the concentration on objective reality, deep focus, and lack of montage.

Bazin thought to represent a personal vision, rooted in the spiritual beliefs, known as personalism, of a director. A pivotal importance of these ideas on the auteur; François Truffaut in 1954 wrote the manifesto "A Certain Tendency of the French Cinema," article in Cahiers. People also know Bazin as a proponent of encouraging only "appreciative," constructive reviewers.

After World War II, Bazin, a major force, studied. He edited Cahiers until his death, and people then published a posthumous four-volume collection, titled Qu'est-ce que le cinéma? ( What is Cinema? ), to 1962. In the late 1960s and 1970s, people translated two of these volumes, mainstays of courses in the United States and England.

In response to widespread dissatisfaction with existing English translations, Caboos, the publisher of Montréal, in 2009 brought out a translation of selected essays from What is Cinema?

Reviews

[Qingxin · Rating 5 out of 5]

经典的影评，作者没有拍过电影，但靠影评在电影史上留名！
其中谈到戏剧与电影的区别给了我思考线上、线下事工的视角。

[VIlle · Rating 3 out of 5]

不知道是巴赞不会说人话，还是翻译不会说人话

[Chelsea · Rating 5 out of 5]

如果说成为一门独立的艺术/学科在于其建立一套自己的语言，那么托尼·巴赞 就是那位艺术哲学家-建立了电影的语言。《电影是什么》就是托尼.巴赞对于电影语言的构建和电影批评的合集。对于戏剧，小说与电影，电影承袭于戏剧结构但不完全等同于戏剧，巴赞认为戏剧文学为我们提供了正确理解人类灵魂的知识，但这些知识对于人来说，类似于经典物理学之于物质，只适用于某些重大的现象。当然，小说在细化这些知识方面做到了极致，普鲁斯特的情感物理学是微观层面的。但这些微观层面是内在的，也就是记忆。电影没有必要在探究人的存在这个方面取代小说，电影具有某种小说没有的优势，就是只展现当下的人物。而更为重要的对于电影的本质的概括“电影可以述说一切，而不能展示一切“，否则就会沦为记录片, 电影在于运用抽象语言，元素，镜头，事件的结构去表达。