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Inspeção
Novo livro do autor de Caixa de pássaros, que já vendeu mais de 210.000 exemplares no Brasil
Às vezes, o que existe atrás de uma porta pode libertar ou matar você.
Até onde vai a sua curiosidade?
Rapazes e garotas estão sendo criados em escolas especiais. Um grupo não sabe da existência do outro — até agora. No alto de uma torre embrenhada em uma floresta e isolada do restante do mundo, temos J. Ele é um dos vinte e seis rapazes de um internato que tem como objetivo formar prodígios em artes, ciências e atletismo.
Até hoje J só teve contato com as outras pessoas que vivem ali: os colegas são sua única família e todos acreditam ser filhos do fundador da escola. A vida acadêmica é tudo o que conhecem — e tudo o que lhes é permitido conhecer. Mas J suspeita da existência de algo mais fora dali, para além da Torre em que vive, algo que não querem que ele veja. É então que começa a questionar. Qual o verdadeiro propósito daquele lugar? Por que os alunos não podem sair? E que segredos o pai está escondendo deles? Enquanto isso, do outro lado da floresta, em um internato muito parecido com o de J, uma jovem chamada K vem se fazendo as mesmas perguntas.
Ao investigar os mistérios por trás de suas estranhas escolas, talvez os dois acabem descobrindo algo... que não deveriam.
382 pages, Kindle Edition
First published March 19, 2019
764 people are currently reading
19198 people want to read
About the author
Josh Malerman
91 books8,432 followersJosh Malerman is the New York Times best selling author of BIRD BOX, MALORIE, GOBLIN, PEARL, GHOUL n THE CAPE, and more.
He's also one of two singer/songwriter for the rock band The High Strung.
He's also one of two singer/songwriter for the rock band The High Strung.
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Displaying 1 - 30 of 1,559 reviews
March 30, 2019
Josh Malerman is best known for his disturbing, deeply original novel “Bird Box,” about a mother determined to save her two young children, even though it will mean rowing 20 miles down a river, blindfolded. The brilliant elevator pitch behind that book? When you see it, whatever it is, you will kill yourself on the spot: hence, the mother’s need for the blindfold. The novel became a frightening movie and then an even more terrifying cult phenomenon, as people began vying for Darwin Awards by doing stupid things while blindfolded — including, yes, driving.
A sequel, “Malorie,” is set to publish in October. In the meantime, we have “Inspection,” a novel whose premise is also claustrophobic and unsettling, but more ambitious than that of “Bird Box.” A married couple, convinced that “genius is distracted by the opposite sex,” create an elaborate world in the woods of northern Michigan where 26 boys are raised from birth in one tower and 26 girls in another; neither group is allowed to know another sex exists. Humans are not the result of procreation but quite literally grow on trees. The goal is to raise “the world’s greatest engineers, scientists, and mathematicians.”
The children have special teachers, special novels and special movies, all of which reinforce a one-gender world. There are also plenty of ex-cons to keep the adult faculty and support staff in line. The children, meanwhile, fear something called simply “the corner,” where two boys and one girl have been sent — and from which they never returned. They were, in the parlance of the adults running this experiment, spoiled rotten. (It is worth noting that it seems not to have crossed the minds of Malerman’s husband and wife visionaries that some of their boys and girls will be gay, a variable that would certainly impact an experiment designed to remove love and romance as intellectual distractions.)
When the novel opens, the “Alphabet Boys” are 12 years old and the “Letter Girls” are 11. In other words, they are on the cusp of puberty. So, even Richard and Marilyn — a.k.a., “D.A.D.” and “M.O.M.” — the married mad scientists behind this endeavor, anticipate that what they refer to as the “delicate years” will be problematic. But like all mad scientists (or parents of any middle-school aged child), they seriously underestimate what looms ahead.
Two especially precocious tweens, a boy named J and a girl named K, figure out something is amiss. (The fact that the children are referred to by letters, instead of names, makes it difficult to differentiate all of them except for J and K and also results in sentences like this: “There had long been tension between conservative E and funny B.”)
J learns the world is not as they have all been taught from an adult, who, overwhelmed by his guilt at the way he and his peers have been lying to their charges, goes rogue and writes a tell-all book: a novel for the boys to read that actually has women in it. Separately, K begins to suspect the “parenthood” has been lying to her when she spies the second tower in the distance and then does some seriously impressive sleuthing.
“Inspection” is rich with dread and builds to a dramatic climax. The last hundred pages are tense as we watch these young kids make decisions that will lead either to emancipation or the corner — which, it is pretty clear, is a euphemism for where the ex-cons quite literally bury the bodies. This is where the book is at its best.
And even as the young people do battle with the ultimate monsters, “M.O.M.” and “D.A.D.” and their ex-con inspectors, Malerman reminds us the real horror is not the blood that will splatter the towers. It is not the loss of innocence precisely, but something subtler and more poignant — the malevolence that could see yearning and love as something negative in the first place:
“[K] thought … of the feelings she had for J. Of the way he made her feel. The things he liked. His worries. His life. His voice. His eyes.
“She paused in the pines, infused suddenly with what could only be called inspiration.
“And she wondered, aloud, what kind of cruel people could consider such feelings a distraction.”
Indeed. The children are not in cages in Malerman’s eerie new book. But they are lab rats.
(This review originally ran in the Washington Post Book World on March 26, 2019.)
A sequel, “Malorie,” is set to publish in October. In the meantime, we have “Inspection,” a novel whose premise is also claustrophobic and unsettling, but more ambitious than that of “Bird Box.” A married couple, convinced that “genius is distracted by the opposite sex,” create an elaborate world in the woods of northern Michigan where 26 boys are raised from birth in one tower and 26 girls in another; neither group is allowed to know another sex exists. Humans are not the result of procreation but quite literally grow on trees. The goal is to raise “the world’s greatest engineers, scientists, and mathematicians.”
The children have special teachers, special novels and special movies, all of which reinforce a one-gender world. There are also plenty of ex-cons to keep the adult faculty and support staff in line. The children, meanwhile, fear something called simply “the corner,” where two boys and one girl have been sent — and from which they never returned. They were, in the parlance of the adults running this experiment, spoiled rotten. (It is worth noting that it seems not to have crossed the minds of Malerman’s husband and wife visionaries that some of their boys and girls will be gay, a variable that would certainly impact an experiment designed to remove love and romance as intellectual distractions.)
When the novel opens, the “Alphabet Boys” are 12 years old and the “Letter Girls” are 11. In other words, they are on the cusp of puberty. So, even Richard and Marilyn — a.k.a., “D.A.D.” and “M.O.M.” — the married mad scientists behind this endeavor, anticipate that what they refer to as the “delicate years” will be problematic. But like all mad scientists (or parents of any middle-school aged child), they seriously underestimate what looms ahead.
Two especially precocious tweens, a boy named J and a girl named K, figure out something is amiss. (The fact that the children are referred to by letters, instead of names, makes it difficult to differentiate all of them except for J and K and also results in sentences like this: “There had long been tension between conservative E and funny B.”)
J learns the world is not as they have all been taught from an adult, who, overwhelmed by his guilt at the way he and his peers have been lying to their charges, goes rogue and writes a tell-all book: a novel for the boys to read that actually has women in it. Separately, K begins to suspect the “parenthood” has been lying to her when she spies the second tower in the distance and then does some seriously impressive sleuthing.
“Inspection” is rich with dread and builds to a dramatic climax. The last hundred pages are tense as we watch these young kids make decisions that will lead either to emancipation or the corner — which, it is pretty clear, is a euphemism for where the ex-cons quite literally bury the bodies. This is where the book is at its best.
And even as the young people do battle with the ultimate monsters, “M.O.M.” and “D.A.D.” and their ex-con inspectors, Malerman reminds us the real horror is not the blood that will splatter the towers. It is not the loss of innocence precisely, but something subtler and more poignant — the malevolence that could see yearning and love as something negative in the first place:
“[K] thought … of the feelings she had for J. Of the way he made her feel. The things he liked. His worries. His life. His voice. His eyes.
“She paused in the pines, infused suddenly with what could only be called inspiration.
“And she wondered, aloud, what kind of cruel people could consider such feelings a distraction.”
Indeed. The children are not in cages in Malerman’s eerie new book. But they are lab rats.
(This review originally ran in the Washington Post Book World on March 26, 2019.)
January 8, 2019
Right now is a great time to be Josh Malerman.
The success of the Netflix Original, BIRD BOX, based on his horror novel of the same title, is staggering. I'm not at all surprised. Great books make great movies. Everything that is excellent about the film, is due to the fact that Malerman's story is a sweet set up for a film adaptation. I *felt* that book in a very tangible way so it was so cool to see that translated to the screen by people in the industry that respected Malerman's work and honored the story.
During the maelstrom of the movie buzz and Bird Box memes, I received, INSPECTION in the mail.
(thanks Del Rey & Josh)
I went into this novel totally blind (not blindfolded though, I wanted to SEE)
I actually only read the synopsis right when I was ready to read it. I was excited to learn that this story could be Malerman trying his hand at a coming of age tale! To me, INSPECTION sounded like a dark fantasy with horror undertones and a coming of age theme and that is exactly what it was but SO MUCH MORE as well because absolutely no author working today shares Josh's imagination.
This book is totally original.
It's almost alien in origin because everything is so completely unexpected.
Broken up into acts, Act one is the set up and an introduction to Malerman's world building. At first blush, you're tempted to be overwhelmed by all the newness. Young characters are identified as letters of the alphabet, special words are capitalized to signify importance (I kept track of these in a notebook), phrases are repeated, some adults have acronyms for names, I mean, this isn't lazy reading. Josh Malerman wants you sitting up in bed with your reader-engagement turned on. I got a real sense that I wasn't going to be spoon-fed some sloppy drama but that there was some serious intentionality going on.
In fact, I felt like I was reading this book for my Freshman lit teacher, Mr. Emmett who taught his class all the signs of good storytelling like, mood, story arcs, narrative, symbolism and foreshadowing...yes! All those things! Pay attention Reader--Josh Malerman is *doing* something here.
Moving into Act 2 was so exciting because the focus turned to the young protagonists. There was some great dialog and character development here and I was thankful for it. Also, some important themes are set in place in Act 2 that will carry through the rest of the book and then BLOW YOUR MIND as the conclusion begins to unfold.
And then from about the middle of the book to the end--I was SPELLBOUND.
What a strange, insidious, magical, beautiful story this was.
There's nothing like it and there will never be anything quite like it again. This is, at its core, a cautionary tale. It tackles some big themes of Love and Loss. Hope. Fear. Oppression. Revenge. Uprisings. Passion.
The human spirit.
Unquenchable desires.
Nature vs. Nurture.
Raising children.
Freedom and Restraint.
I could write an essay. I really could.
But this is one of the first reviews and all the reader discovery needs to be yours.
I'm just here to tell you that I loved this book and you should preorder it. Now. Don't forget.
Releases in April.
(I hope they make another movie)
The success of the Netflix Original, BIRD BOX, based on his horror novel of the same title, is staggering. I'm not at all surprised. Great books make great movies. Everything that is excellent about the film, is due to the fact that Malerman's story is a sweet set up for a film adaptation. I *felt* that book in a very tangible way so it was so cool to see that translated to the screen by people in the industry that respected Malerman's work and honored the story.
During the maelstrom of the movie buzz and Bird Box memes, I received, INSPECTION in the mail.
(thanks Del Rey & Josh)
I went into this novel totally blind (not blindfolded though, I wanted to SEE)
I actually only read the synopsis right when I was ready to read it. I was excited to learn that this story could be Malerman trying his hand at a coming of age tale! To me, INSPECTION sounded like a dark fantasy with horror undertones and a coming of age theme and that is exactly what it was but SO MUCH MORE as well because absolutely no author working today shares Josh's imagination.
This book is totally original.
It's almost alien in origin because everything is so completely unexpected.
Broken up into acts, Act one is the set up and an introduction to Malerman's world building. At first blush, you're tempted to be overwhelmed by all the newness. Young characters are identified as letters of the alphabet, special words are capitalized to signify importance (I kept track of these in a notebook), phrases are repeated, some adults have acronyms for names, I mean, this isn't lazy reading. Josh Malerman wants you sitting up in bed with your reader-engagement turned on. I got a real sense that I wasn't going to be spoon-fed some sloppy drama but that there was some serious intentionality going on.
In fact, I felt like I was reading this book for my Freshman lit teacher, Mr. Emmett who taught his class all the signs of good storytelling like, mood, story arcs, narrative, symbolism and foreshadowing...yes! All those things! Pay attention Reader--Josh Malerman is *doing* something here.
Moving into Act 2 was so exciting because the focus turned to the young protagonists. There was some great dialog and character development here and I was thankful for it. Also, some important themes are set in place in Act 2 that will carry through the rest of the book and then BLOW YOUR MIND as the conclusion begins to unfold.
And then from about the middle of the book to the end--I was SPELLBOUND.
What a strange, insidious, magical, beautiful story this was.
There's nothing like it and there will never be anything quite like it again. This is, at its core, a cautionary tale. It tackles some big themes of Love and Loss. Hope. Fear. Oppression. Revenge. Uprisings. Passion.
The human spirit.
Unquenchable desires.
Nature vs. Nurture.
Raising children.
Freedom and Restraint.
I could write an essay. I really could.
But this is one of the first reviews and all the reader discovery needs to be yours.
I'm just here to tell you that I loved this book and you should preorder it. Now. Don't forget.
Releases in April.
(I hope they make another movie)
March 20, 2019
I think I'll be keeping this one brief, as I don't want to spoil anything and I am a middle of the road reviewer for this book. As others before me have stated, this one is a super slow burn, which isn't bad, but I think keeps the books from feeling as sinister as it could. I completely agree with Dennis's recommendation that fans of suspense that are a bit squeamish of straight up horror may really take to this story. The ending was epic, and 100 points to Malerman's Hogwarts House for all the creativity with this story. Seriously, it was incredibly imaginative and highly unique.
*Many thanks to the publisher for providing my review copy.
January 31, 2019
Best laid plans and all that......
What happens when good old D.A.D and M.O.M keep their "children" in the dark? That really is the question! J is one of the 26 Alphabet boys. They are being raised by D.A.D. and his "staff". The boys are smart, they are being raised to be prodigies. They only know each other, their school, their D.A.D. and the people who work at the school. They fear disease almost as much as they fear becoming spoiled rotten and being sent to the Corner. *shivers* J has always been happy with the status quo, but he like the other boys are getting older, they are maturing, and they are beginning to ask questions. Meanwhile, another school exists. A school run by M.O.M who raises 26 girls, one of whom is named K. She has questions as well.
This book was a slow burn for me. Very different from Malerman's books such as Bird Box and Unbury Carol. Kudos for him for originality and creativity. Seriously, my hat is off for him thinking outside of the box and being unique. But this was a little slow for me until, well, it wasn't. The end of the book really kicks things into high gear. What happens when people are kept in the dark? What happens when you learn about the existence of others? What happens when those you trusted kept secrets and lied to you? What happens when you learn the truth?
I do like the use of the alphabet or letters for the children. I thought he did a good job showing how the adults stayed detached. No real names for the kids- unless the letter of the alphabet constitutes as a name Reminded me of Bird Box when the children were known as boy or girl. They have an identity and yet not an identity at the same time.
This was a solid 3 star read for me. The slowness brought it down a little for me. It is thought provoking. A great book for discussion. I love the premise but would have liked more intensity throughout. I can almost see this played out as a movie. There is a sense of dread throughout the book. As a reader, I wanted to know what would happen when the "truth" came out. What happens when those who were never supposed to meet, do in fact meet? Plus, I really wanted to know how one became spoiled rotten and got sent to the Corner? What was the corner?
Thank you to Random House Publishing Group-Ballantine and NetGalley for proving me with a copy of this book in exchange for an honest review. All the thoughts and opinions are my own.
What happens when good old D.A.D and M.O.M keep their "children" in the dark? That really is the question! J is one of the 26 Alphabet boys. They are being raised by D.A.D. and his "staff". The boys are smart, they are being raised to be prodigies. They only know each other, their school, their D.A.D. and the people who work at the school. They fear disease almost as much as they fear becoming spoiled rotten and being sent to the Corner. *shivers* J has always been happy with the status quo, but he like the other boys are getting older, they are maturing, and they are beginning to ask questions. Meanwhile, another school exists. A school run by M.O.M who raises 26 girls, one of whom is named K. She has questions as well.
This book was a slow burn for me. Very different from Malerman's books such as Bird Box and Unbury Carol. Kudos for him for originality and creativity. Seriously, my hat is off for him thinking outside of the box and being unique. But this was a little slow for me until, well, it wasn't. The end of the book really kicks things into high gear. What happens when people are kept in the dark? What happens when you learn about the existence of others? What happens when those you trusted kept secrets and lied to you? What happens when you learn the truth?
I do like the use of the alphabet or letters for the children. I thought he did a good job showing how the adults stayed detached. No real names for the kids- unless the letter of the alphabet constitutes as a name Reminded me of Bird Box when the children were known as boy or girl. They have an identity and yet not an identity at the same time.
This was a solid 3 star read for me. The slowness brought it down a little for me. It is thought provoking. A great book for discussion. I love the premise but would have liked more intensity throughout. I can almost see this played out as a movie. There is a sense of dread throughout the book. As a reader, I wanted to know what would happen when the "truth" came out. What happens when those who were never supposed to meet, do in fact meet? Plus, I really wanted to know how one became spoiled rotten and got sent to the Corner? What was the corner?
Thank you to Random House Publishing Group-Ballantine and NetGalley for proving me with a copy of this book in exchange for an honest review. All the thoughts and opinions are my own.
October 31, 2020
fulfilling my 2019 goal to read (at least) one book each month that i bought in hardcover and put off reading long enough that it is now in paperback.
SPOOKY BOOKTOBER CONTINUES!!!!!
this. book. is. slow.
until it explodes.
i love how josh malerman just writes whatever he wants. his breakout debut, Bird Box, was a wonderful, original, propulsive piece of high-tension horror, and everything he’s written since has been…different. not bad, by any means—i am one of the people who freaking LOVED Unbury Carol, because it was such a weird-ass mash-up romp of a book, and i’ve read everything of his i could get my hands on (just recently discovering he wrote On This, the Day of the Pig—a very karen-sounding piece of animal-horror with a VERY limited print run that i am COVETING PLEASE AND THANK YOU).
this one i did not love. i don’t mind a slow build, i don’t mind being unmoored as a reader, not sure what is going on, i’m willing to be patient while an author constructs a story at their own pace, withholding details, leading the reader down a carefully constructed path until they decide it is time to pull back the curtain. i’m fine with proust taking three pages of digressive and clause-riddled sentences to describe a freaking flower or with speculative fiction that throws you in the deep end before gradually revealing what’s floating in the water with you. that metaphor got away from me a bit, but you take my meaning, yeah?
this remained obscure well past my comfort level, and it didn’t hold my interest—there’s only so long i can suspend my ‘WTF is this situation?’ before my mind starts to wander, and i become distracted by other things, such as the WEALTH of competitive halloween-themed programming on the food network.
the concept is strong, but the pacing was rough-going, and the focus so narrow and undefined for so long, studded with those arbitrarily capitalized words so popular in YA and dystopian lit: Effigy Meet, Mister Tree, D.A.D., The Corner, Parenthood, and—of course—Inspection. suspended in a bowl of word-soup, there was nothing to hook me apart from my desire to know more about the situation, which was a looong time coming, and the strain of such sustained anticipation was exhausting. the few times that the POV switched from j to another character were welcome reliefs, but while those characters had more depth and a richer, broader perspective on their experiences, being snapped back afterwards to j’s narrative voice and his sheltered existence and simmering curiosity only made me more frustrated. if k’s storyline had started even fifty pages sooner, it would have worked better for me, but until that shift occurred, it was a slow-going struggle to maintain interest in characters who are, necessarily, shallowly conceived and fairly indistinguishable.
i will say that the ending is spectacular, a series of events with enough action-packed payoff to almost make up for the drag of getting to it, but the overall experience was a middle-of-the-road three for me.
this all makes me sound like a lazy-reading wanker, i know, but in my defense, there is A LOT of competitive halloween-themed programming on the food network.
come to my blog!
SPOOKY BOOKTOBER CONTINUES!!!!!
this. book. is. slow.
until it explodes.
i love how josh malerman just writes whatever he wants. his breakout debut, Bird Box, was a wonderful, original, propulsive piece of high-tension horror, and everything he’s written since has been…different. not bad, by any means—i am one of the people who freaking LOVED Unbury Carol, because it was such a weird-ass mash-up romp of a book, and i’ve read everything of his i could get my hands on (just recently discovering he wrote On This, the Day of the Pig—a very karen-sounding piece of animal-horror with a VERY limited print run that i am COVETING PLEASE AND THANK YOU).
this one i did not love. i don’t mind a slow build, i don’t mind being unmoored as a reader, not sure what is going on, i’m willing to be patient while an author constructs a story at their own pace, withholding details, leading the reader down a carefully constructed path until they decide it is time to pull back the curtain. i’m fine with proust taking three pages of digressive and clause-riddled sentences to describe a freaking flower or with speculative fiction that throws you in the deep end before gradually revealing what’s floating in the water with you. that metaphor got away from me a bit, but you take my meaning, yeah?
this remained obscure well past my comfort level, and it didn’t hold my interest—there’s only so long i can suspend my ‘WTF is this situation?’ before my mind starts to wander, and i become distracted by other things, such as the WEALTH of competitive halloween-themed programming on the food network.
the concept is strong, but the pacing was rough-going, and the focus so narrow and undefined for so long, studded with those arbitrarily capitalized words so popular in YA and dystopian lit: Effigy Meet, Mister Tree, D.A.D., The Corner, Parenthood, and—of course—Inspection. suspended in a bowl of word-soup, there was nothing to hook me apart from my desire to know more about the situation, which was a looong time coming, and the strain of such sustained anticipation was exhausting. the few times that the POV switched from j to another character were welcome reliefs, but while those characters had more depth and a richer, broader perspective on their experiences, being snapped back afterwards to j’s narrative voice and his sheltered existence and simmering curiosity only made me more frustrated. if k’s storyline had started even fifty pages sooner, it would have worked better for me, but until that shift occurred, it was a slow-going struggle to maintain interest in characters who are, necessarily, shallowly conceived and fairly indistinguishable.
i will say that the ending is spectacular, a series of events with enough action-packed payoff to almost make up for the drag of getting to it, but the overall experience was a middle-of-the-road three for me.
this all makes me sound like a lazy-reading wanker, i know, but in my defense, there is A LOT of competitive halloween-themed programming on the food network.
come to my blog!
March 8, 2019
1-1.5 stars.
A husband and wife duo decide to live out a "thought experiment" where 26 boys and 26 girls are kept in separate towers in the Michigan wilderness. It is their hypothesis that if each sex is raised independently of each other and without knowledge that the other exists, the "genius" that will come as a byproduct of this upbringing will far outweigh the controversial nature in which this experiment was conducted.
Where to begin? I'm going to be quite blunt. This book was awful. I mean, really, really awful. I would absolutely have abandoned this after about 25 pages had it not been an ARC and by the author of "Bird Box". My expectations were very high because "Bird Box" was amazing. The book begins with the reader being plopped into this bizarre world where naked boys are led single file into a room where one by one they go through an "inspection". Grown men use magnifying glasses and dogs to quite literally inspect the boys for anything out of sorts. It is creepy, but you feel confused because as you continue reading you feel like you just started watching Game of Thrones or something equally complex in the middle of season 4. You have no idea what is going on, who people are or why these kids are being held here. At around 50%, enough clues have been doled out, but at that point I could have cared less. There was nothing in the story to make me feel anything about the plight of these boys. Then the girls are introduced to the story and you just re-hash the same crap from their perspective. Oh and did I forget the make out scenes? With 12 year olds? Who just discovered the opposite sex exists and that their whole world is a lie? Of course there were make out scenes! Why wouldn't there be? It's the most logical thing on the planet when being confronted with the reality that you have no idea how you came to be in this place, why you weren't told there is an entire world past your building and you've been lied to your entire life.
I won't spoil the ending, but do yourself a favor and save yourself the time. This is a slow burn for no gain.
Thanks to Netgalley, Random House, Ballantine Books for the opportunity to read this e-galley and provide an honest review.
Publication date: April 23rd
A husband and wife duo decide to live out a "thought experiment" where 26 boys and 26 girls are kept in separate towers in the Michigan wilderness. It is their hypothesis that if each sex is raised independently of each other and without knowledge that the other exists, the "genius" that will come as a byproduct of this upbringing will far outweigh the controversial nature in which this experiment was conducted.
Where to begin? I'm going to be quite blunt. This book was awful. I mean, really, really awful. I would absolutely have abandoned this after about 25 pages had it not been an ARC and by the author of "Bird Box". My expectations were very high because "Bird Box" was amazing. The book begins with the reader being plopped into this bizarre world where naked boys are led single file into a room where one by one they go through an "inspection". Grown men use magnifying glasses and dogs to quite literally inspect the boys for anything out of sorts. It is creepy, but you feel confused because as you continue reading you feel like you just started watching Game of Thrones or something equally complex in the middle of season 4. You have no idea what is going on, who people are or why these kids are being held here. At around 50%, enough clues have been doled out, but at that point I could have cared less. There was nothing in the story to make me feel anything about the plight of these boys. Then the girls are introduced to the story and you just re-hash the same crap from their perspective. Oh and did I forget the make out scenes? With 12 year olds? Who just discovered the opposite sex exists and that their whole world is a lie? Of course there were make out scenes! Why wouldn't there be? It's the most logical thing on the planet when being confronted with the reality that you have no idea how you came to be in this place, why you weren't told there is an entire world past your building and you've been lied to your entire life.
I won't spoil the ending, but do yourself a favor and save yourself the time. This is a slow burn for no gain.
Thanks to Netgalley, Random House, Ballantine Books for the opportunity to read this e-galley and provide an honest review.
Publication date: April 23rd
March 14, 2019
Once again I find myself branching out into the dystopian world. How could I possibly resist the latest release from Josh Malerman. I absolutely loved his previous release of Bird Box.
While Bird Box rests comfortably on my favorite shelf, this one just fell a bit shy of reaching that status for me.
An ingenious premise that promised an explosive mind-blowing read. But I just couldn’t quite let go and be taken there. While I really liked it...I just can't say I loved it as much as Bird Box.
There are two groups of children being raised completely separate from the other. The Alphabet boys and the Letter girls. Neither group is aware of the others’ existence. All raised to reach their full potential without the distraction of knowing that there’s another sex alive, well, and being raised just 3 miles away.
The book began just a bit slow for me, but I was eventually deeply drawn into this world of Letter Children. But the ending left me wanting more. I haven’t heard of a follow up...but a girl can dream!
I do recall I felt the same way with Bird Box. I wanted more! Is that Josh Malerman’s sneaky style? I believe it is. Will it stop me from reaching for his next release? Not a chance! Already looking!
A buddy read with Susanne! Thank you Susanne for reading this one with me!
Thank you to NetGalley, Random House Publishing Group Ballantine and Josh Malerman for an ARC to read and review.
While Bird Box rests comfortably on my favorite shelf, this one just fell a bit shy of reaching that status for me.
An ingenious premise that promised an explosive mind-blowing read. But I just couldn’t quite let go and be taken there. While I really liked it...I just can't say I loved it as much as Bird Box.
There are two groups of children being raised completely separate from the other. The Alphabet boys and the Letter girls. Neither group is aware of the others’ existence. All raised to reach their full potential without the distraction of knowing that there’s another sex alive, well, and being raised just 3 miles away.
The book began just a bit slow for me, but I was eventually deeply drawn into this world of Letter Children. But the ending left me wanting more. I haven’t heard of a follow up...but a girl can dream!
I do recall I felt the same way with Bird Box. I wanted more! Is that Josh Malerman’s sneaky style? I believe it is. Will it stop me from reaching for his next release? Not a chance! Already looking!
A buddy read with Susanne! Thank you Susanne for reading this one with me!
Thank you to NetGalley, Random House Publishing Group Ballantine and Josh Malerman for an ARC to read and review.
March 17, 2019
Original, Zany and Perplexing...
From the author of Bird Box, this novel completely threw me for a loop. A mesmerizing cover and a promising premise had me diving in with high expectations.
From the first chapters I was aware of something dark and secretive going on with this group of boys duped "the alphabet boys". They are living in a tower at a remote location as part of an "experiment". These boys are being raised to become the worlds best in science, engineering and math.
While I enjoyed the creative idea, I felt it lacked the suspense and tension that I was craving. I was interested in finding out more about what was happening at the "Parenthood" , but parts were repetitive and all the kids with the letter names became confusing. Although there is a nice plot turn towards the end, it happened a bit late in the game for me.
Thank you to NG and the Pub for my review copy. This book releases on 4/24/19
From the author of Bird Box, this novel completely threw me for a loop. A mesmerizing cover and a promising premise had me diving in with high expectations.
From the first chapters I was aware of something dark and secretive going on with this group of boys duped "the alphabet boys". They are living in a tower at a remote location as part of an "experiment". These boys are being raised to become the worlds best in science, engineering and math.
While I enjoyed the creative idea, I felt it lacked the suspense and tension that I was craving. I was interested in finding out more about what was happening at the "Parenthood" , but parts were repetitive and all the kids with the letter names became confusing. Although there is a nice plot turn towards the end, it happened a bit late in the game for me.
Thank you to NG and the Pub for my review copy. This book releases on 4/24/19
January 10, 2019
4 BIG-TIME STARS FOR ORIGINALITY!
Like so many, I love, love, loved BIRD BOX, (both novel and movie) enjoyed THE HOUSE AT THE BOTTOM OF THE LAKE and UNBURY CAROL, and now after reading INSPECTION, one thing I know for sure is....with Josh Malerman, you never know what you're going to get!
"They deserve the truth."
Malerman sets the stage by introducing the reader to a bizzare school of trusting young teens (with letters for names) living in a secluded world of strict laws and fear of disease. One must ALWAYS stay clean and NEVER, EVER become spoiled rotten or consequences could be fatal.....with a trip down to T.H.E. C.O.R.N.E.R.
Daily morning INSPECTIONS are invasive and bare all, but innocence turns surprisingly dark when suspicions bring about dangerous adventures that expose a shocking world of lies.
I prefer the even darker, more suspenseful (BIRD BOX) side of Malerman, but sign me up for whatever he dreams up next!
*ARC provided by Random House Publishing House Ballantine via NetGalley in exchange for review*
March 10, 2019
3.75 Stars* (rounded up).
Well, that was different. In truth, I couldn’t tear my eyes away!
What can I say without giving too much away? “Inspection” is weird and wild and had a really interesting concept. The first part was a little slower for me and took a while to get into and then BAM!!, the second part took off and I was all in. The characterizations hooked me. K and B, got me and and they got me good. Reality is not what you think it is and truth well, what is the truth? Be honest and you are safe or Lie and the Corner will await. What do you think and what do you actually know? Not much!
Let me leave you with this: Girls rule and boys drool. Baah!!
“Inspection” was definitely unlike any other book I have ever read. I have to hand it to Josh Malerman. He continues to think out of the box - for which I give him kudos. There is one part of the novel I thought was unnecessary and was ultimately too graphic and for which I was forced to cover my eyes... thus I must warn people in advance.
For those of you looking for something a little different, I suggest giving this one a try. Yes it’s totally out there, completely weird and totally unlike “Bird Box” but that’s the beauty of it. It’s wholly original.
This was a buddy read with Kaceey! Thanks for reading this with me Kace! It was a weird, wild ride!
Thank you to NetGalley, Random House Publishing Group - Ballantine and Josh Malerman for an arc of this novel in exchange for an honest review.
Published on NetGalley and Goodreads on 3.10.10.
Will be published on Amazon and Twitter on 3.19.19.
Well, that was different. In truth, I couldn’t tear my eyes away!
What can I say without giving too much away? “Inspection” is weird and wild and had a really interesting concept. The first part was a little slower for me and took a while to get into and then BAM!!, the second part took off and I was all in. The characterizations hooked me. K and B, got me and and they got me good. Reality is not what you think it is and truth well, what is the truth? Be honest and you are safe or Lie and the Corner will await. What do you think and what do you actually know? Not much!
Let me leave you with this: Girls rule and boys drool. Baah!!
“Inspection” was definitely unlike any other book I have ever read. I have to hand it to Josh Malerman. He continues to think out of the box - for which I give him kudos. There is one part of the novel I thought was unnecessary and was ultimately too graphic and for which I was forced to cover my eyes... thus I must warn people in advance.
For those of you looking for something a little different, I suggest giving this one a try. Yes it’s totally out there, completely weird and totally unlike “Bird Box” but that’s the beauty of it. It’s wholly original.
This was a buddy read with Kaceey! Thanks for reading this with me Kace! It was a weird, wild ride!
Thank you to NetGalley, Random House Publishing Group - Ballantine and Josh Malerman for an arc of this novel in exchange for an honest review.
Published on NetGalley and Goodreads on 3.10.10.
Will be published on Amazon and Twitter on 3.19.19.
July 14, 2019
For me, this is either a 3-star or a 4-star book. Not a 3.5 - just one or the other. I am not sure if that makes sense as I often just find myself averaging this sort of thing out, but it just doesn't feel right in this case. I am flipping a coin and going with 4-stars.
For the first part of the book I felt like I was riding a thin line between understanding and being completely lost. Like the first hour or so of an M. Night Shyamalan movie, it's weird but interesting. You know things are going to get clearer at some point, but you hope you are still interested at that point. I feel confident in saying that a good portion of readers will lose interest in the book during this part.
As I am always trying to avoid spoilers, I will be as vague as possible in this paragraph. There is a point part way through - and I feel that it is obviously as clear as the flick of a switch - that it suddenly clicks and it become much more interesting and starts to really make sense. If you can make it to this part, you should be golden through the end of the book as it definitely kept my interest after that point.
If you are a fan of weird, psychological thrillers and have a lot of patience to wade through the mire that is the first third of this book, I cannot say for sure that you will enjoy it, but I think you will at least appreciate what Malerman was trying to do here.
For the first part of the book I felt like I was riding a thin line between understanding and being completely lost. Like the first hour or so of an M. Night Shyamalan movie, it's weird but interesting. You know things are going to get clearer at some point, but you hope you are still interested at that point. I feel confident in saying that a good portion of readers will lose interest in the book during this part.
As I am always trying to avoid spoilers, I will be as vague as possible in this paragraph. There is a point part way through - and I feel that it is obviously as clear as the flick of a switch - that it suddenly clicks and it become much more interesting and starts to really make sense. If you can make it to this part, you should be golden through the end of the book as it definitely kept my interest after that point.
If you are a fan of weird, psychological thrillers and have a lot of patience to wade through the mire that is the first third of this book, I cannot say for sure that you will enjoy it, but I think you will at least appreciate what Malerman was trying to do here.
April 26, 2019
I am pretty disappointed with this one, not gonna lie. I absolutely loved Bird Box and A House at the Bottom of a Lake by this author, so I assumed I would love this one too. This story has a great concept - it’s about boys and girls living in separate towers who aren’t aware of the fact that the other gender even exists. I was really excited to read it.
I had a few problems with this book: the first thing being that it’s way too fucking long. This idea would have probably worked better for a short story, but this book is nearly 400 pages long. There is so much filler and the beginning takes so long to get into. I don’t think this book is remotely interested until around 200 pages in. Another disappointing thing about this book is it doesn’t feel like a horror novel at all. I think this hardly even passes as a thriller let alone a horror novel. There was nothing thrilling about it for me.
Very mild spoiler next but I didn’t realize that the reason these people decided to raise boys and girls separate is to prevent “distraction” in the form of romance and desire I guess and it’s like.....? Did they not think any of these kids would be gay? And if they were only raised around other boys aren’t the chances pretty high that they will develop crushes on other boys anyways? Idk I thought that was a huge oversight by the author.
Overall, I’m disappointed because I wanted to love this but Josh Malerman can do better and has done better.
I had a few problems with this book: the first thing being that it’s way too fucking long. This idea would have probably worked better for a short story, but this book is nearly 400 pages long. There is so much filler and the beginning takes so long to get into. I don’t think this book is remotely interested until around 200 pages in. Another disappointing thing about this book is it doesn’t feel like a horror novel at all. I think this hardly even passes as a thriller let alone a horror novel. There was nothing thrilling about it for me.
Very mild spoiler next but I didn’t realize that the reason these people decided to raise boys and girls separate is to prevent “distraction” in the form of romance and desire I guess and it’s like.....? Did they not think any of these kids would be gay? And if they were only raised around other boys aren’t the chances pretty high that they will develop crushes on other boys anyways? Idk I thought that was a huge oversight by the author.
Overall, I’m disappointed because I wanted to love this but Josh Malerman can do better and has done better.
March 19, 2019
★★★½
In my opinion, Josh Malerman has a very abstract way of storytelling, and with all abstract art forms, it is open to interpretation. Although Inspection is more of a straightforward story once you have all the information, there are still some interesting concepts that lay underneath.
Because the mystery component is dependent on the reader having zero information about the plot line, I must refrain from incorporating any sort of synopsis into this review. But the themes I took away from my reading experience say plenty: trust and obedience, misinformation and power, and the absolute necessity for authority to be questioned...and inspected.
In this book, the literal horror may not begin until the final 5 percent of the book, but the overall story in itself is indeed horrifying. Innocent coming of age collides with a karmic level of authoritarian impeachment any good educator would be proud (and scared) of. What's your favorite letter of the alphabet, folks? Check it out.
Thank you to the following for permitting me access to an advance reader's copy (ARC) of Inspection. This generosity did not impact my honesty when rating/reviewing.
Source: NetGalley
Author: Josh Malerman
Publisher: Random House Publishing Group - Ballantine, Del Rey
Genres: Horror, Mystery & Thrillers
Pub Date: March 19, 2019
January 11, 2019
Copy furnished by Net Galley for the price of a review.
Experiments do not always come to fruition in the way that is expected. This is a whole new twist on the concept of Parenthood. The dreaded daily Inspections, checking for disease and rot. If there is any sign of spoilage, the Corner awaits. The Corner hums and croons and sometimes it rumbles. What goes on behind that door?
I applaud this author's fresh ideas, how he eschews the formulaic recipes and has yet to use a cookie-cutter. I loved Bird Box and also really liked Unbury Carol. Unfortunately, I couldn't gain much traction with this one. A little too YA-ish for my taste, but that may add to the appeal for plenty of others.
Experiments do not always come to fruition in the way that is expected. This is a whole new twist on the concept of Parenthood. The dreaded daily Inspections, checking for disease and rot. If there is any sign of spoilage, the Corner awaits. The Corner hums and croons and sometimes it rumbles. What goes on behind that door?
I applaud this author's fresh ideas, how he eschews the formulaic recipes and has yet to use a cookie-cutter. I loved Bird Box and also really liked Unbury Carol. Unfortunately, I couldn't gain much traction with this one. A little too YA-ish for my taste, but that may add to the appeal for plenty of others.
January 29, 2019
Malerman gives a master class in mood-building with this deliciously creepy coming-of-age story. I don’t want to spoil anything because you need to savor every line, but I’d call it Dead Poets Society as directed by Tim Burton. Sounds good, doesn’t it?
March 30, 2019
Josh Malerman returns with another of his novels that bends the mind while captivating the reader’s attention from the get-go. Full of intriguing twists alongside layers of social commentary, Malerman has created yet another book that will have people thinking, even without a Netflix adaptation. A group of twenty-four boys live in a tall building, isolated from anyone else. These boys, each given a letter rather than a name—two boys, A and Z, are no longer with the group—were plucked from the jaws of death by undeserving or incapable mothers and placed in this fine-tuned social experiment. Honed to become geniuses in their fields, the Alphabet Boys are kept on a strict academic and social regimen, which includes no knowledge of the opposite sex. The leaders, known as The Parenthood, keep the boys isolated through lectures and literature that makes no mention of girls, as that would surely prove to be a distraction to genius behaviour. Regular ‘inspections’, which are both physican and mental tests, ensure the boys are in tip-top shape as they forge onwards to becoming the smartest they can be. However, there are some within The Parenthood who do not entirely agree with the social experiment, which has been going on for upwards of a dozen years, offering hints of the opposite sex in a piece of literature that is an epiphany and revelation rolled into one. Meanwhile, on the other side of the same isolated forest, someone looks up into the trees and sketches something that looks less arboreous and more along the lines of their own spired dwelling. Whispers begins and The Parenthood are alerted to the start of the disintegration of the social experiment. With the inspections come new truths and the Alphabet Boys have their blinders removed, as key members of The Parenthood scramble to herd their flock together. What will happen when all is revealed and will it change the dynamics of these young lives? Malerman does a fantastic job at keeping the reader guessing until the final pages, forcing deep thought while the reader is entertained by the premise. Recommended for those who have enjoyed some of Josh Malerman’s past novels that push the envelop.
I read Malerman before all the television hype, so I was expecting something with a great deal of controversy as I began this piece. I will admit that I was not fully enthralled when I started, but things progressed nicely and, by the halfway point, I was sold and needed to know how things would progress. There is so much to learn from Malerman and the characters he places in the middle of his story. While many of the Alphabet Boys play key roles, it would seem that J is the one the narrative chooses as a protagonist. A boy of twelve with high intellect, J seeks to better understand his surroundings without knowing anything different. What he does discover shocks many and leaves the reader quite interesting, pulling them deeper into the story. There are other key characters, though their exploration at this point would spoil too much. The premise of the novel was quite ingenious, pushing themes of scholastic focus and segregation of the sexes, using a social experiment as its foundation. One can only hope that Malerman has other books that push the limits. With chapters that go into great detail and offer up different angles of the entire situation, the reader is treated to a thorough analysis of the situation at hand and the fallout from the cracks that emerge. Truly some worthwhile food for thought, in this well-written piece that will have readers talking for some time.
Kudos, Mr. Malerman, for another winner. I cannot wait to find more of your work on which to feast and exercise my mind.
Love/hate the review? An ever-growing collection of others appears at:
http://pecheyponderings.wordpress.com/
A Book for All Seasons, a different sort of Book Challenge: https://www.goodreads.com/group/show/...
I read Malerman before all the television hype, so I was expecting something with a great deal of controversy as I began this piece. I will admit that I was not fully enthralled when I started, but things progressed nicely and, by the halfway point, I was sold and needed to know how things would progress. There is so much to learn from Malerman and the characters he places in the middle of his story. While many of the Alphabet Boys play key roles, it would seem that J is the one the narrative chooses as a protagonist. A boy of twelve with high intellect, J seeks to better understand his surroundings without knowing anything different. What he does discover shocks many and leaves the reader quite interesting, pulling them deeper into the story. There are other key characters, though their exploration at this point would spoil too much. The premise of the novel was quite ingenious, pushing themes of scholastic focus and segregation of the sexes, using a social experiment as its foundation. One can only hope that Malerman has other books that push the limits. With chapters that go into great detail and offer up different angles of the entire situation, the reader is treated to a thorough analysis of the situation at hand and the fallout from the cracks that emerge. Truly some worthwhile food for thought, in this well-written piece that will have readers talking for some time.
Kudos, Mr. Malerman, for another winner. I cannot wait to find more of your work on which to feast and exercise my mind.
Love/hate the review? An ever-growing collection of others appears at:
http://pecheyponderings.wordpress.com/
A Book for All Seasons, a different sort of Book Challenge: https://www.goodreads.com/group/show/...
March 28, 2019
INSPECTION is a wildly imaginative and thought-provoking tale!
What would happen if boys were raised without any knowledge of the opposite sex? That's the basic premise behind this book, (there's more to it, but I won't get spoiler-y.) Just think about that for a minute, think about what would be involved. How to explain where the boys came from, for instance? How to explain puberty and changes to the body? The answer to those questions and more is easy. You LIE. And what happens when those lies are discovered? You'll have to read INSPECTION to find out!
I've never read a story quite like this before. That's a good thing. Josh Malerman's work may not always work 100% for me, but at this point, I know that I can always count on him for an original tale.
There were a few moments when the narrative took a completely different direction, the first one worked for me and worked well. But the second one? Not so much. I didn't think that much of a change was totally believable and I deducted one star for that. Don't get me wrong: I did enjoy the denouement, but I don't think it will work for everyone.
I had a LOT of fun reading this and stayed up way too late last night to finish it. When I'm willing to sacrifice the next day at work, to stay up reading- because I just have to know? That's a sign of a great book to me, and if you decide to try out INSPECTION? It might be good to arrange to have the next day off.
Recommended!
Get your copy here: https://amzn.to/2UdNPUC
*Thanks to Del-Rey and NetGalley for the e-ARC of this book in exchange for my honest feedback. This is it.*
What would happen if boys were raised without any knowledge of the opposite sex? That's the basic premise behind this book, (there's more to it, but I won't get spoiler-y.) Just think about that for a minute, think about what would be involved. How to explain where the boys came from, for instance? How to explain puberty and changes to the body? The answer to those questions and more is easy. You LIE. And what happens when those lies are discovered? You'll have to read INSPECTION to find out!
I've never read a story quite like this before. That's a good thing. Josh Malerman's work may not always work 100% for me, but at this point, I know that I can always count on him for an original tale.
There were a few moments when the narrative took a completely different direction, the first one worked for me and worked well. But the second one? Not so much. I didn't think that much of a change was totally believable and I deducted one star for that. Don't get me wrong: I did enjoy the denouement, but I don't think it will work for everyone.
I had a LOT of fun reading this and stayed up way too late last night to finish it. When I'm willing to sacrifice the next day at work, to stay up reading- because I just have to know? That's a sign of a great book to me, and if you decide to try out INSPECTION? It might be good to arrange to have the next day off.
Recommended!
Get your copy here: https://amzn.to/2UdNPUC
*Thanks to Del-Rey and NetGalley for the e-ARC of this book in exchange for my honest feedback. This is it.*
April 12, 2019
I sincerely do not know how to rate this. How do you rate a book that held you entranced, kept you turning pages because you had to KNOW what was ultimately going to happen, and yet you still found problematic to a degree? Also, I feel a rant coming on, because I've read a number of reviews for this one just now, and I have something to say.
Let's address that first. People and expectations. Here's the thing about Josh Malerman, the sensational new voice in horror fiction who penned the fantastic novel Bird Box which became a Netflix movie phenomenon. Josh Malerman has actually been around for quite a while. And now that everyone has seen Bird Box on Netflix they are picking up the book. And they want more Bird Box. But Josh isn't that kind of writer. He sincerely reinvents himself with each new book, and no two are even remotely alike. So no, you're not going to find another Bird Box amongst his existing work. I'm happy that Josh has found a new readership and serious acclaim for his story, but these new fans need to know that he's an eclectic writer who explores new sub-genres in all his books. He's not just the writer of Bird Box.
But enough about those new Bird Box fans. I'm also reading that horror fans are disappointed because this isn't "true" horror. This is something that has bothered me for a while now, and the more I read it in reviews the more agitated I become. I almost wish we didn't lock books into genres. My reviews and my reading experiences are based on two simple questions: is it good writing, and did I enjoy the story? Define horror. Because horror has grown to mean so many different things to each person. What scares you may not scare me. What disgusts you, may not faze me. And so I don't feel as if you can hold a book up to the "is it horror" lens. If you give a book a bad review because it doesn't fall into what your idea of horror is, you're missing the point. If you didn't like the story, that's a whole different situation. But expectations are a slippery slope. That's why I don't have any when I start a book.
Enough ranting. Time to review INSPECTION. This one is impossible to try to discuss without spoilers. I've just finished it, and I have a lot feelings right now. The story grabbed me immediately. It's definitely a slow burn, but I think that's important for the world building. I liked the characters, I liked the concept, and for the most part I enjoyed the writing and the execution. However, Malerman does ask the reader to suspend disbelief.
Many people are disappointed in this novel because it inaccurately depicts sexuality. I read an interview where Malerman said that he purposely made his characters 12-year-olds so that he wouldn't have to deal with sexuality, and yet even at 12 children are starting to notice a change in their bodies. Most girls start their periods way earlier than 12, and so I think there would still be the issue of sexuality even in children that young. If you were raised to believe that there is only one gender, your gender, it seems very likely that you would discover sex anyway and that it would be natural for you to engage in the early stages of a sexual awakening with the boys/girls you are with every day. You simply cannot remove sexuality from the equation. It would just change to fit the environment.
But this is fiction. Yes, it's grounded in reality, but this is Malerman's story to tell, and this is how he chose to tell it. So while I respect those who did not enjoy this novel because it eliminates the reality of sexuality in today's society, I also enjoyed the story. Yes, it did sort of nag me in the back of my mind that the situation was unrealistic, but let's be honest here. The entire situation is rather unrealistic. So I did suspend disbelief, and I kept turning pages, and I enjoyed this one for what it is. Would I have preferred a more accurate account of children on the cusp of puberty? Yes. But if anything INSPECTION will spark discussion, and that's what books are for. And now I'm eager to discuss this one with my friends.
Let's address that first. People and expectations. Here's the thing about Josh Malerman, the sensational new voice in horror fiction who penned the fantastic novel Bird Box which became a Netflix movie phenomenon. Josh Malerman has actually been around for quite a while. And now that everyone has seen Bird Box on Netflix they are picking up the book. And they want more Bird Box. But Josh isn't that kind of writer. He sincerely reinvents himself with each new book, and no two are even remotely alike. So no, you're not going to find another Bird Box amongst his existing work. I'm happy that Josh has found a new readership and serious acclaim for his story, but these new fans need to know that he's an eclectic writer who explores new sub-genres in all his books. He's not just the writer of Bird Box.
But enough about those new Bird Box fans. I'm also reading that horror fans are disappointed because this isn't "true" horror. This is something that has bothered me for a while now, and the more I read it in reviews the more agitated I become. I almost wish we didn't lock books into genres. My reviews and my reading experiences are based on two simple questions: is it good writing, and did I enjoy the story? Define horror. Because horror has grown to mean so many different things to each person. What scares you may not scare me. What disgusts you, may not faze me. And so I don't feel as if you can hold a book up to the "is it horror" lens. If you give a book a bad review because it doesn't fall into what your idea of horror is, you're missing the point. If you didn't like the story, that's a whole different situation. But expectations are a slippery slope. That's why I don't have any when I start a book.
Enough ranting. Time to review INSPECTION. This one is impossible to try to discuss without spoilers. I've just finished it, and I have a lot feelings right now. The story grabbed me immediately. It's definitely a slow burn, but I think that's important for the world building. I liked the characters, I liked the concept, and for the most part I enjoyed the writing and the execution. However, Malerman does ask the reader to suspend disbelief.
Many people are disappointed in this novel because it inaccurately depicts sexuality. I read an interview where Malerman said that he purposely made his characters 12-year-olds so that he wouldn't have to deal with sexuality, and yet even at 12 children are starting to notice a change in their bodies. Most girls start their periods way earlier than 12, and so I think there would still be the issue of sexuality even in children that young. If you were raised to believe that there is only one gender, your gender, it seems very likely that you would discover sex anyway and that it would be natural for you to engage in the early stages of a sexual awakening with the boys/girls you are with every day. You simply cannot remove sexuality from the equation. It would just change to fit the environment.
But this is fiction. Yes, it's grounded in reality, but this is Malerman's story to tell, and this is how he chose to tell it. So while I respect those who did not enjoy this novel because it eliminates the reality of sexuality in today's society, I also enjoyed the story. Yes, it did sort of nag me in the back of my mind that the situation was unrealistic, but let's be honest here. The entire situation is rather unrealistic. So I did suspend disbelief, and I kept turning pages, and I enjoyed this one for what it is. Would I have preferred a more accurate account of children on the cusp of puberty? Yes. But if anything INSPECTION will spark discussion, and that's what books are for. And now I'm eager to discuss this one with my friends.
October 21, 2019
I would say this one was part dystopia or sci-fi and part horror. If you read it you will find out why I say this. It’s not Sci-fi in any futuristic sort of way but there is an experiment being conducted here.
All of it is supposed to be in the name and honor of genius. Genius minds being formed without — distraction.
Money? No.
Power. No. I guess they are fine with that too.
Religion ... I do see it and it does come to their thoughts; as well as certain individuals parading around trying to be an idol.
The one thing these kids cannot have is the truth.
Misinformation and fluff are what they are given. Inspections, and weird daily questions.
Their names are letters. J and K. Q and R. They are being raised with great censorship and they are being raised each without the knowledge that the other exists. Boys know nothing of women or girls.. of the her or she. The girls know no male, the him and his. But we all know what a bunch of genius 11 year old girls who began to put the pieces together and a 12 year old thoughtful genius boy, who keeps seeing someone and questioning things as they are .....
this is where the horror comes in! The experiment concludes in an usual way. And I had to include that it is this part that makes the rest of the book worthwhile. Completely.
This author is often completely subtle in his works and sometimes I don’t get them. Sometimes they hit me and I’m amazed. This one, well it will club you over the head. Or should.
P.s. I saw nothing at all mentioned in here about anyone telling the kids about homosexuality. Or anything else. They seem smart. They only told them about invented diseases you could catch from even slightly disobeying rules.
3.5-4
All of it is supposed to be in the name and honor of genius. Genius minds being formed without — distraction.
Money? No.
Power. No. I guess they are fine with that too.
Religion ... I do see it and it does come to their thoughts; as well as certain individuals parading around trying to be an idol.
The one thing these kids cannot have is the truth.
Misinformation and fluff are what they are given. Inspections, and weird daily questions.
Their names are letters. J and K. Q and R. They are being raised with great censorship and they are being raised each without the knowledge that the other exists. Boys know nothing of women or girls.. of the her or she. The girls know no male, the him and his. But we all know what a bunch of genius 11 year old girls who began to put the pieces together and a 12 year old thoughtful genius boy, who keeps seeing someone and questioning things as they are .....
this is where the horror comes in! The experiment concludes in an usual way. And I had to include that it is this part that makes the rest of the book worthwhile. Completely.
This author is often completely subtle in his works and sometimes I don’t get them. Sometimes they hit me and I’m amazed. This one, well it will club you over the head. Or should.
P.s. I saw nothing at all mentioned in here about anyone telling the kids about homosexuality. Or anything else. They seem smart. They only told them about invented diseases you could catch from even slightly disobeying rules.
3.5-4
This entire review has been hidden because of spoilers.
March 21, 2019
After having more discussions with people after this book was released, I'm more frustrated by it than I already was, and I think my experience was closer to 2⭐ instead of 3⭐.
This is a difficult review to write since I have really mixed feelings on Inspection. I enjoyed some parts of it, and was quite annoyed by others.
Even if I don't always love the outcome, Josh Malerman always has creative concepts for his books. I was intrigued by the synopsis of this book, and a fair amount of the story was mysterious and held my attention.
I have to be so vague about my thoughts on this book because I don't want to spoil anything. My biggest issue with this book is that it's already outdated, and it hasn't even been released yet. If you've read the synopsis, then you know that boys and girls are separated while they're growing up. There's more that I can't go into, but it's completely illogical to not even address the possibility of homosexuality in this setting. Kids (even outside of this setting, even without being taught what sex is) can figure out what feels good, and could probably figure out that it would feel good if someone else did it, too. They are so obsessed with keeping boys and girls apart, but there's never any mention of what would happen if they liked each other. It's weird to pretend like it's not an option, and it threw off my enjoyment of the book. It doesn't make sense to never mention it, and it's an out of touch thought process. Gender is show in these neat little boxes, and there's no other option except to be one of two things. I hoped there would be more to the book than what the synopsis described, but I was wrong.
Some parts of this book dragged and got repetitive, but I still liked reading it for the most part. I was very interested to find out what was going on, but I didn't feel like the pay-off was enough. It felt like it could have been very sinister in the beginning, and then never really went to the horrific level that it could have. It just sort of flatlined up until the end, and then I couldn't really buy into the ending. That's all I'm going to say about it.
Overall, it was an interesting story, but I just had too many issues to fully get into it. The synopsis in my ARC called this a "sinister and evocative gender equality anthem", but I'm not sure who and what era this is supposed to be an equality anthem for, because it doesn't really work for 2019.
This is a difficult review to write since I have really mixed feelings on Inspection. I enjoyed some parts of it, and was quite annoyed by others.
Even if I don't always love the outcome, Josh Malerman always has creative concepts for his books. I was intrigued by the synopsis of this book, and a fair amount of the story was mysterious and held my attention.
I have to be so vague about my thoughts on this book because I don't want to spoil anything. My biggest issue with this book is that it's already outdated, and it hasn't even been released yet. If you've read the synopsis, then you know that boys and girls are separated while they're growing up. There's more that I can't go into, but it's completely illogical to not even address the possibility of homosexuality in this setting. Kids (even outside of this setting, even without being taught what sex is) can figure out what feels good, and could probably figure out that it would feel good if someone else did it, too. They are so obsessed with keeping boys and girls apart, but there's never any mention of what would happen if they liked each other. It's weird to pretend like it's not an option, and it threw off my enjoyment of the book. It doesn't make sense to never mention it, and it's an out of touch thought process. Gender is show in these neat little boxes, and there's no other option except to be one of two things. I hoped there would be more to the book than what the synopsis described, but I was wrong.
Some parts of this book dragged and got repetitive, but I still liked reading it for the most part. I was very interested to find out what was going on, but I didn't feel like the pay-off was enough. It felt like it could have been very sinister in the beginning, and then never really went to the horrific level that it could have. It just sort of flatlined up until the end, and then I couldn't really buy into the ending. That's all I'm going to say about it.
Overall, it was an interesting story, but I just had too many issues to fully get into it. The synopsis in my ARC called this a "sinister and evocative gender equality anthem", but I'm not sure who and what era this is supposed to be an equality anthem for, because it doesn't really work for 2019.
March 19, 2019
Ok, so I’m probably one of the few readers out there that actually has not yet read Bird Box. I’ve certainly wanted to after seeing tons and tons of readers that loved it and now going on to make it to the screen with a major actress like Sandra Bullock. So when seeing that Inspection by Josh Malerman was coming out I wanted to beat the masses and read the next hit first…well….not so much.
Inspection really feels more dystopian than horror which to me shouldn’t be a bad thing as I love a good dystopian read too but only when the creativity of the world is blended well with plenty of action and intrigue. Inspection had the creativity but seemed to stall out there with an incredibly slow pace which leads to me losing interest and not becoming invested.
The idea behind Inspection of having boys named with all the letters of the alphabet and raised by D.A.D then finding out about girls in a separate location and their M.O.M. had potential. The whole thing gave me a bit of a Maze Runner vibe so I had high hopes but instead finished with more of a bah humbug feeling than excitement. I won’t let this deter me from trying Josh Malerman again but Inspection was only so-so to me.
I received an advance copy from the publisher via NetGalley.
For more reviews please visit https://carriesbookreviews.com/
Inspection really feels more dystopian than horror which to me shouldn’t be a bad thing as I love a good dystopian read too but only when the creativity of the world is blended well with plenty of action and intrigue. Inspection had the creativity but seemed to stall out there with an incredibly slow pace which leads to me losing interest and not becoming invested.
The idea behind Inspection of having boys named with all the letters of the alphabet and raised by D.A.D then finding out about girls in a separate location and their M.O.M. had potential. The whole thing gave me a bit of a Maze Runner vibe so I had high hopes but instead finished with more of a bah humbug feeling than excitement. I won’t let this deter me from trying Josh Malerman again but Inspection was only so-so to me.
I received an advance copy from the publisher via NetGalley.
For more reviews please visit https://carriesbookreviews.com/
February 1, 2019
This was my first book by Josh Malerman and was ecstatic to get this approval!
I have heard amazing things about Bird Box... and I'm pretty sure I'm about the only person in the world that hasn't read Bird Box yet haha ;).
What happens when parents keep their children away from everything? The alphabet boys are being raised by D.A.D. and his staff members. The boys are very smart and only know what is being "taught" to them at school. The boys fear diseases like no ones business! One of the boys J is starting to mature even more and ask questions. What could possibly go wrong?
This book was a serious slow burn for me. I put it down multiple times in the beginning and had a hard time picking it back up. Finally... the story picked up and was crazy at the end. I gave the author absolute kudos for his creativity! I definitely will have to say this is something that I've never read before!!
I would say that this is a steady 3 star for me due to the slow pace of the book. I think this would be fantastic for a book group to read together. I was intrigued throughout the story and it kept me turning those pages to see what would happen with the alphabet boys.
Huge thank you to Random House Publishing Group Ballantine and Netgalley for the arc in exchange for an honest review.
Publication date: 3/19/19
Published to Goodreads: 1/31/19
I have heard amazing things about Bird Box... and I'm pretty sure I'm about the only person in the world that hasn't read Bird Box yet haha ;).
What happens when parents keep their children away from everything? The alphabet boys are being raised by D.A.D. and his staff members. The boys are very smart and only know what is being "taught" to them at school. The boys fear diseases like no ones business! One of the boys J is starting to mature even more and ask questions. What could possibly go wrong?
This book was a serious slow burn for me. I put it down multiple times in the beginning and had a hard time picking it back up. Finally... the story picked up and was crazy at the end. I gave the author absolute kudos for his creativity! I definitely will have to say this is something that I've never read before!!
I would say that this is a steady 3 star for me due to the slow pace of the book. I think this would be fantastic for a book group to read together. I was intrigued throughout the story and it kept me turning those pages to see what would happen with the alphabet boys.
Huge thank you to Random House Publishing Group Ballantine and Netgalley for the arc in exchange for an honest review.
Publication date: 3/19/19
Published to Goodreads: 1/31/19
August 22, 2021
don't spend time wondering about dumb things like how well boys would do without girls in their lives or vice versa. don't continue with this so-called review if you don't like outright SPOILERS AHEAD. don't read Dead Poet's Slaughter Society if you don't like reading about growing up or mass murder. also,
after my aggravating experience reading Goblin, I'm glad that Malerman restored my faith in him with this sweet, tightly paced, mainly well-written, occassionally brutal, and eventually very bloody coming of age tale. Inspection has its weaknesses, such as the self-indulgence in depicting a pretentious teacher and the weak motivation for the novel's two striking villains. to the latter: placing the blame on a sour feminist for creating this sick mini-dystopia was a terribly cringey decision. all that said, I loved how well the kids are characterized. empathetic and I think realistically done. the setting is well-drawn and the atmosphere is eerie from beginning to end - the author clearly grew past his Goblin mistakes. and it was great seeing some girls really take care of business when the tone moves from dreamlike to frantic in an expected but still charmingly berserk finale. kill 'em all, kiddos!
after my aggravating experience reading Goblin, I'm glad that Malerman restored my faith in him with this sweet, tightly paced, mainly well-written, occassionally brutal, and eventually very bloody coming of age tale. Inspection has its weaknesses, such as the self-indulgence in depicting a pretentious teacher and the weak motivation for the novel's two striking villains. to the latter: placing the blame on a sour feminist for creating this sick mini-dystopia was a terribly cringey decision. all that said, I loved how well the kids are characterized. empathetic and I think realistically done. the setting is well-drawn and the atmosphere is eerie from beginning to end - the author clearly grew past his Goblin mistakes. and it was great seeing some girls really take care of business when the tone moves from dreamlike to frantic in an expected but still charmingly berserk finale. kill 'em all, kiddos!
February 14, 2021
J is a student in a school building which makes up his entire world. He, and 25 others, were raised entirely inside the building's confines. For them, cities do not exist, social media does not exist, the majority of TV, music, and books do not exist. The opposite sex does not exist.
J and his friends are now reaching their twelfth year and still have failed to realise they are an experiment. Even when two of their number were lost they failed to voice their questions. However, in a constructed world free from all distraction, these boys are each gifted individuals and have honed skills far beyond what is usual for their age. These very skills are what J is now utilising to attempt an understanding and reshaping of his surroundings, and the questions this raises are becoming increasingly harder not to explore.
Like all of Malerman's other books, that I have so far read, it was this chilling synopsis that initially intrigued me. The concept was provided with a deep exploration and its construction formed much of the book's focus. What begun once both reader and students' alike began to truly understand their surroundings was far more alarming than I could ever have imagined...
Despite remaining suspenseful and interesting throughout, this book's pacing remained very slow, until the last handful of pages. I read it in one sitting, as it was chosen for a readathon I was participating in, but I believe it is a book that, under usual circumstances, would benefit from being read over an extended timeline, for a full absorption.
The entire novel is spent building to its dramatic and terrible climax and I both appreciated the novel's innovative genesis and how it continued to build upon it, as its young and gifted characters pushed at their confines. It lacked the terror of Bird Box but was no less horrifying a creation, once one considers who the true monsters are that roam its pages.
J and his friends are now reaching their twelfth year and still have failed to realise they are an experiment. Even when two of their number were lost they failed to voice their questions. However, in a constructed world free from all distraction, these boys are each gifted individuals and have honed skills far beyond what is usual for their age. These very skills are what J is now utilising to attempt an understanding and reshaping of his surroundings, and the questions this raises are becoming increasingly harder not to explore.
Like all of Malerman's other books, that I have so far read, it was this chilling synopsis that initially intrigued me. The concept was provided with a deep exploration and its construction formed much of the book's focus. What begun once both reader and students' alike began to truly understand their surroundings was far more alarming than I could ever have imagined...
Despite remaining suspenseful and interesting throughout, this book's pacing remained very slow, until the last handful of pages. I read it in one sitting, as it was chosen for a readathon I was participating in, but I believe it is a book that, under usual circumstances, would benefit from being read over an extended timeline, for a full absorption.
The entire novel is spent building to its dramatic and terrible climax and I both appreciated the novel's innovative genesis and how it continued to build upon it, as its young and gifted characters pushed at their confines. It lacked the terror of Bird Box but was no less horrifying a creation, once one considers who the true monsters are that roam its pages.
March 24, 2019
I bought this thing for full price on release day. I should’ve known better, maybe, but after having a good time with Unbury Carol I thought it’d be safe. Nope. I was wrong.
(No I’m not reviewing this. I’m angry.)
(No I’m not reviewing this. I’m angry.)
April 2, 2019
Where to even begin with this train wreck of a book? The initial concept is interesting, I'll give it that, but it’s poorly executed, and it simply didn't need to be as long as it is. This should've been a short story. A novella at best. As it is, Inspection is 90% filler. 100% suspense with no pay-off.
So we have 24 boys being raised in a tower in more or less total isolation, brought up completely unaware of the existence of women, and 25 girls in another tower (a scant three miles away) raised vice versa. All the kids are brought up with no understanding of basic biology (and yet somehow they’re expected to one day become the world’s best scientists?), and are instead told they were born from trees in the orchards outside the tower called “Living Trees”.
The Living Trees (while an obvious lie) was a fascinating concept and I still firmly believe that had the kids actually been grown from trees (and the reality of The Corner made substantially more terrifying), Inspection would have been an infinitely better book. But that's neither here nor there, because instead we’re strapped with layers upon layers of disappointment, and honestly? Lazy writing. The "reveal" of what The Corner actually is, after made out to be this horrifying almost living thing—the focal point of most of the book's suspense—is utterly disappointing, especially considering the way the book ends.
Almost all the characters felt like husks, with exactly one or two character-defining traits, and it was difficult to relate to or really root for anyone. And this isn’t even getting into how stilted and contrived the dialogue is throughout this book. For me, D (J’s best friend) ended up being the most sympathetic character, but then he gets swept out of the narrative almost entirely about halfway through. On the other hand, Warren Bratt is BY FAR the most obnoxious person in the book, mostly for the impression that he is less a character and more a self-insert for Malerman himself. There are entirely too many pages devoted to him and his self-pitying moping and I found myself hating his POV chapters more than anything else.
On the note of pages, the book has way too many. And you would think that maybe this would mean that these pages are used to flesh out the routines of the towers themselves or to give more context to the situation at large, but no. These pages are filled with tedious pacing—repetition after repetition: Warren whining, J having the same two thoughts over and over again, K having two slightly different thoughts, and endlessly vague allusions to The Corner,
There is also the issue of the premise itself. Richard (D.A.D.) and Marilyn (M.O.M.) have no clear motivation for conducting this experiment with the kids. What do they personally get out of it if they succeed or fail? Why are they even married? The first time we see Marilyn, she abhors the idea of marriage and the way it's changed her girlfriends. If I remember correctly, she blatantly compares it to Stockholm syndrome. And then what? A surly disheveled Richard teeters into her apartment and we're supposed to believe that changed her mind? Okay. None of these questions are ever answered though, because this book really isn't concerned with explaining, or even understanding, its own premise.
This is even further underscored in the book's overarching theme of "budding sexuality". The kids are 12, almost 13, yet there is no mention of any natural biological signs of actually growing up. Apparently no one masturbates, there is nothing to suggest the girls having to deal with their periods, and the boys just, what? Have never experienced an erection before? Okay. Does Malerman actually remember what it was like to be a preteen kid? This book makes it seem like he doesn't. And for a narrative driven almost solely by the implications of sexual maturity, the children are portrayed as entirely too sterile and robotic. Hormones exist, whether you’ve seen a girl or not. I mean, seriously.
On that point, my most scathing complaint is how heteronormative this book is. We have 24 boys, raised in isolation, and 25 girls, raised the same, and there is no mention of even one of them being anything other than straight. This was the crux upon which I just could no longer suspend my disbelief. In a world where the same sex is, for all intents and purposes, your entire life and all you know, I'm supposed to believe there was never any experimenting? Not even innocent kissing or hand holding? The suggestion is nothing short of lazy, like Malerman didn't even consider it or didn't want to, and above all insulting. Especially considering that the bonds J and D (boys), and conversely K and B (girls), share early on are leagues more nuanced than anything between J and K (boy and girl). Which, that kiss. Ew. And the bed scene post-reeling-in-life-shattering-trauma? No. These scenes were so uncomfortable, written in a way completely inappropriate for two 12-year-olds, that I was very (unfortunately) aware that this passage was written by an adult man. And there were too many other instances where I was reminded of it. Such as a line of Warren's inner monologue: "of all things, a woman."
"Things". Great. Warren is also the same character who says an existence without women is "criminal", but apparently misses the point (and maybe Malerman does also) that it isn't so much about being unaware of the opposite sex as it is being groomed to believe your entire life is the standard, when it is in fact a mind-bending lie. It's not always about tits.
And then we have the ending of this book. Oh, man. So, apparently, what's the first thing you'd expect a group of brilliant 12-year-olds to do upon discovering they've been lied to their entire lives? Exactly. it's clearly written as what's supposed to be grisly and bone-chilling, but it just comes off as surreal and hilariously stupid. It's far too easy, as K says. Too easy. Too rushed. Not earned at all. Malerman spends the whole book meticulously building suspense, and forgets that suspense has to actually lead to some kind of pay-off. There is none here. And even worse, we're supposed to believe that details of a grimy bar are the basis of the kids wanting nothing more, , than to go to Milwaukee? LOL. Did I mention they're 12 years old? Right.
At the end of the day, I just don't know what Inspection is supposed to be. It's not horror, and it's definitely not a coming of age story. There was no satisfaction in reading this book. No lingering or haunting thoughts after finishing it. It also feels, already, incredibly outdated. Like it would have made a better old Twilight Zone episode than a book published in 2019. It’s definitely the most out of touch Malerman novel I’ve ever read, and if I didn’t know better, I would have guessed it was written maybe a decade or two ago for how little it seems to understand the current climate of the human condition.
I loved Bird Box. It's one of the most original books I've read in years (and this was years before the Netflix movie). But after the huge disappointments this and Black Mad Wheel turned out to be, I think I've given up on Malerman. Maybe Bird Box was his one-hit wonder.
So we have 24 boys being raised in a tower in more or less total isolation, brought up completely unaware of the existence of women, and 25 girls in another tower (a scant three miles away) raised vice versa. All the kids are brought up with no understanding of basic biology (and yet somehow they’re expected to one day become the world’s best scientists?), and are instead told they were born from trees in the orchards outside the tower called “Living Trees”.
The Living Trees (while an obvious lie) was a fascinating concept and I still firmly believe that had the kids actually been grown from trees (and the reality of The Corner made substantially more terrifying), Inspection would have been an infinitely better book. But that's neither here nor there, because instead we’re strapped with layers upon layers of disappointment, and honestly? Lazy writing. The "reveal" of what The Corner actually is, after made out to be this horrifying almost living thing—the focal point of most of the book's suspense—is utterly disappointing, especially considering the way the book ends.
Almost all the characters felt like husks, with exactly one or two character-defining traits, and it was difficult to relate to or really root for anyone. And this isn’t even getting into how stilted and contrived the dialogue is throughout this book. For me, D (J’s best friend) ended up being the most sympathetic character, but then he gets swept out of the narrative almost entirely about halfway through. On the other hand, Warren Bratt is BY FAR the most obnoxious person in the book, mostly for the impression that he is less a character and more a self-insert for Malerman himself. There are entirely too many pages devoted to him and his self-pitying moping and I found myself hating his POV chapters more than anything else.
On the note of pages, the book has way too many. And you would think that maybe this would mean that these pages are used to flesh out the routines of the towers themselves or to give more context to the situation at large, but no. These pages are filled with tedious pacing—repetition after repetition: Warren whining, J having the same two thoughts over and over again, K having two slightly different thoughts, and endlessly vague allusions to The Corner,
There is also the issue of the premise itself. Richard (D.A.D.) and Marilyn (M.O.M.) have no clear motivation for conducting this experiment with the kids. What do they personally get out of it if they succeed or fail? Why are they even married? The first time we see Marilyn, she abhors the idea of marriage and the way it's changed her girlfriends. If I remember correctly, she blatantly compares it to Stockholm syndrome. And then what? A surly disheveled Richard teeters into her apartment and we're supposed to believe that changed her mind? Okay. None of these questions are ever answered though, because this book really isn't concerned with explaining, or even understanding, its own premise.
This is even further underscored in the book's overarching theme of "budding sexuality". The kids are 12, almost 13, yet there is no mention of any natural biological signs of actually growing up. Apparently no one masturbates, there is nothing to suggest the girls having to deal with their periods, and the boys just, what? Have never experienced an erection before? Okay. Does Malerman actually remember what it was like to be a preteen kid? This book makes it seem like he doesn't. And for a narrative driven almost solely by the implications of sexual maturity, the children are portrayed as entirely too sterile and robotic. Hormones exist, whether you’ve seen a girl or not. I mean, seriously.
On that point, my most scathing complaint is how heteronormative this book is. We have 24 boys, raised in isolation, and 25 girls, raised the same, and there is no mention of even one of them being anything other than straight. This was the crux upon which I just could no longer suspend my disbelief. In a world where the same sex is, for all intents and purposes, your entire life and all you know, I'm supposed to believe there was never any experimenting? Not even innocent kissing or hand holding? The suggestion is nothing short of lazy, like Malerman didn't even consider it or didn't want to, and above all insulting. Especially considering that the bonds J and D (boys), and conversely K and B (girls), share early on are leagues more nuanced than anything between J and K (boy and girl). Which, that kiss. Ew. And the bed scene post-reeling-in-life-shattering-trauma? No. These scenes were so uncomfortable, written in a way completely inappropriate for two 12-year-olds, that I was very (unfortunately) aware that this passage was written by an adult man. And there were too many other instances where I was reminded of it. Such as a line of Warren's inner monologue: "of all things, a woman."
"Things". Great. Warren is also the same character who says an existence without women is "criminal", but apparently misses the point (and maybe Malerman does also) that it isn't so much about being unaware of the opposite sex as it is being groomed to believe your entire life is the standard, when it is in fact a mind-bending lie. It's not always about tits.
And then we have the ending of this book. Oh, man. So, apparently, what's the first thing you'd expect a group of brilliant 12-year-olds to do upon discovering they've been lied to their entire lives? Exactly. it's clearly written as what's supposed to be grisly and bone-chilling, but it just comes off as surreal and hilariously stupid. It's far too easy, as K says. Too easy. Too rushed. Not earned at all. Malerman spends the whole book meticulously building suspense, and forgets that suspense has to actually lead to some kind of pay-off. There is none here. And even worse, we're supposed to believe that details of a grimy bar are the basis of the kids wanting nothing more, , than to go to Milwaukee? LOL. Did I mention they're 12 years old? Right.
At the end of the day, I just don't know what Inspection is supposed to be. It's not horror, and it's definitely not a coming of age story. There was no satisfaction in reading this book. No lingering or haunting thoughts after finishing it. It also feels, already, incredibly outdated. Like it would have made a better old Twilight Zone episode than a book published in 2019. It’s definitely the most out of touch Malerman novel I’ve ever read, and if I didn’t know better, I would have guessed it was written maybe a decade or two ago for how little it seems to understand the current climate of the human condition.
I loved Bird Box. It's one of the most original books I've read in years (and this was years before the Netflix movie). But after the huge disappointments this and Black Mad Wheel turned out to be, I think I've given up on Malerman. Maybe Bird Box was his one-hit wonder.
February 2, 2022
4 Stars for Inspection (audiobook) by Josh Malerman read by Michael Crouch and Brittany Pressley.
This was a really unique story. It’s a fun concept to contemplate. I liked Bird Box more, but I enjoyed this one too.
This was a really unique story. It’s a fun concept to contemplate. I liked Bird Box more, but I enjoyed this one too.
January 2, 2019
Engaging and suspenseful! Malerman creates a fiendish fairy tale of a world where boy was never meant to meet girl and the hell unleashed when they finally do.
April 6, 2019
Bir ceviriyi daha bitirmis olmanin verdigi gurur ve mutluluk. Josh Malerman bu defa bir distopyayla karsimizda. Lakin o alisilageldik kiyamet sonrasi distopyalarindan degil Teftis. Su anda, yani basimizda vuku bulan bir distopya. Dunya icinde dunya. Acimasiz bir dunya.
Bu kitap bir korku ya da gerilim romani degil. Lakin kendinizi karakterlerin yerlerine koydukca okurken gerileceginiz dogru. Ustelik kitabin benzetmelere dayali, kelime tekrarlariyla zenginlesen dilinin de bunda cok buyuk katkisi var. Pek cogunuz ilk 50 sayfada, "Ben ne okuyorum yahu!" diyebilir. Lakin Malerman bunu bile kitabin sonraki sayfalarinda bir cocugun agzindan cikan tek bir cumleyle aciga kavusturuyor.
Kurguda gedik yok. Kitabin bir basi, bir de sonu var. Dahasi yuz sayfa once oylesine okuyup gectiginiz bir cumle 100 sayfa sonra size bambaska kapilar aciyor.
Teftis yazarin her kitabinda, bambaska bir usluba ve konuya sahip olan Kafes'i aramayan okuyucunun ziyadesiyle sevecegini dusundugum bir roman. Ben sevdim. Cok sevdim. Uzun zamandir bir kitap cevirirken beynim boylesine yanmamisti.
Bu kitap bir korku ya da gerilim romani degil. Lakin kendinizi karakterlerin yerlerine koydukca okurken gerileceginiz dogru. Ustelik kitabin benzetmelere dayali, kelime tekrarlariyla zenginlesen dilinin de bunda cok buyuk katkisi var. Pek cogunuz ilk 50 sayfada, "Ben ne okuyorum yahu!" diyebilir. Lakin Malerman bunu bile kitabin sonraki sayfalarinda bir cocugun agzindan cikan tek bir cumleyle aciga kavusturuyor.
Kurguda gedik yok. Kitabin bir basi, bir de sonu var. Dahasi yuz sayfa once oylesine okuyup gectiginiz bir cumle 100 sayfa sonra size bambaska kapilar aciyor.
Teftis yazarin her kitabinda, bambaska bir usluba ve konuya sahip olan Kafes'i aramayan okuyucunun ziyadesiyle sevecegini dusundugum bir roman. Ben sevdim. Cok sevdim. Uzun zamandir bir kitap cevirirken beynim boylesine yanmamisti.
July 29, 2019
The premise was original, I have to give Josh Malerman points for that. This began (and stayed) a slow burn read for most of the novel. This is not necessarily a "bad" thing, as I've really enjoyed some books that focused on the building of atmosphere. The problem, for myself, was that this was one of those that I just felt I needed to have a little more to go on in order to really get invested in the characters.
I have to say, what would have been a two star read for me was elevated at the end--which was considerably more action packed that the first 3/4 of the book. If some of this momentum were interspersed among the earlier sections, I think my connection to the characters and their situation would have been stronger. However, by the time that happened, I was already "not caring as much" for them; I just wanted a conclusion.
Overall, another unique idea written by Josh Malerman, I only wish the pacing could have been a little faster throughout the beginning 3/4 of the novel as well.
I have to say, what would have been a two star read for me was elevated at the end--which was considerably more action packed that the first 3/4 of the book. If some of this momentum were interspersed among the earlier sections, I think my connection to the characters and their situation would have been stronger. However, by the time that happened, I was already "not caring as much" for them; I just wanted a conclusion.
Overall, another unique idea written by Josh Malerman, I only wish the pacing could have been a little faster throughout the beginning 3/4 of the novel as well.
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