ES Thomson returns us to the gruesome and macabre world of Victorian Medicine in this excellent historical mystery series featuring medic Jem Flockhart, and Will Quatermain, the able draughtsman working for architects. In this brilliant novel, Jem is to get hold of items that relate to her mother, a mother she has scarce knowledge as she died giving birth to Jem, but is Jem ready to face up to the possibility of it destabilising the picture she has of her mother? Additionally, Jem is feeling the need for a new challenge and aware that the role of the apothecary is being downgraded, the lure of mainstream medicine has her in its thrall. Only the widespread misogyny of the profession and society combine to exclude women, despite many, who like Jem, and the Crowe sisters are head and shoulders more gifted than most of their male counterparts. The relationship Jem has with Will is threatened as he becomes enamoured with Lilith, will their friendship, that verges on family, survive?
Jem discovers a dissected hand left at the Great Exhibition at Crystal Palace featuring the work of Dr Silas Strangeway, with his extraordinary wax anatomical modelling. Being Jem, the search is on for the person to which the hand belongs, only to find herself thrust in the middle of chilling and menacing goings on at Corvus Hall, a private anatomy school aiming to train surgeons. Corvus Hall is run by the eminent Dr Crowe, with the help of his daughters, Lilith, the blind Sorrow and the deaf Silence, women with extraordinary abilities but who terrify the male students, many of whom are simply not cut out to be surgeons. Will is hired by Dr Crowe to use his draughtsman's abilities to illustrate the good doctor's latest medical tome. Jem finds the body to which the hand belongs, but despite her identification of the victim, no-one believes her. Death is the currency of Corvus Hall, so the horror that occurs there feels almost dangerously normal within this setting and Jem has her work cut out to find a killer.
A conspiracy of silence has been maintained by a group going back decades to events that occurred back in Edinburgh in 1830, accounts of what happened are related through the form of precognitions. However, the past refuses to remain buried as a killer seeks vengeance. Thomson evokes the atmosphere of the Victorian era, London and the grotesque state of medicine of the period beautifully. There are elements of the gothic in the story, not to mention the weird, along with the lack of ethics in the acquisition of corpses by the medical profession. It is the characters of the incomparable Jem with her port wine facial birthmark, and the Crowe sisters that hold centre stage, although the host of supporting characters such as Mrs Roseplucker and Mrs Speedicut make this an unmissable piece of historical fiction. A fantastic and gloriously compelling read that I have no hesitation in recommending highly. Many thanks to Little, Brown for an ARC.