Thiết Đinh Án là tác phẩm trong bộ tiểu thuyết trinh thám quan án viết về Địch Nhân Kiệt – vị thần thám danh tiếng lẫy lừng triều Đường, dưới thời Võ Tắc Thiên trị vì: Series Địch Công kỳ án.
Năm 676, Địch Công nhậm chức Thứ sử Bắc Châu tại vùng biên giới xa xôi. Sự yên bình của Bắc Châu bị phá vỡ khi hàng loạt các vụ án bí ẩn xảy ra: một cô tiểu thư cành vàng lá ngọc bị mất tích giữa chợ đông người, một vị phu nhân bị sát hại dã man trong căn phòng khóa kín và một vị võ sư bị đầu độc một các hèn hạ.
Trong khi các vụ án còn chưa phá giải được thì khắp Bắc Châu đã lan truyền một tin động trời rằng: vì Thứ sử vô cớ quật mộ một thương gia đã qua đời từ nửa năm về trước để nghiệm thi nên mới dẫn đến bao sóng gió ở trong thành. Người dân vô cùng phẫn nộ và yêu cầu Địch Công phải từ quan.
Bắc Châu sắp rơi vào cảnh hỗn loạn, một trong bốn trợ thủ đặc lực của Địch Công cũng bị sát hại khiến ông như mất đi một cánh tay. Địch Công sẽ phải làm như thế nào khi kết quả khám nghiệm tử thi không có gì bất thường? Liệu ông có tìm ra chân tướng sự việc, phá giải vụ án hóc búa này, vỗ về lòng dân cũng như người trợ thủ đã hết lòng giúp đỡ cho mình?
Robert Hans van Gulik was a Dutch diplomat best known for his Judge Dee stories. His first published book, The Celebrated Cases of Judge Dee, was a translation of an eighteenth-century Chinese murder mystery by an unknown author; he went on to write new mysteries for Judge Dee, a character based on a historical figure from the seventh century. He also wrote academic books, mostly on Chinese history.
The 4th in the series of the magnificent Judge Dee detective novels the wise magistrate and his four trusted , able assistants have arrived in the northern frontier town of Pei-chow where a war with the Tartars, who live just across the border may begin any moment, and a Chinese army of 100,000 soldiers nearby nervous but ready for action . Nevertheless everything seems calm on the surface in the small town, just one important case of note for Dee to investigate, the disappearance of Liao Lien-fang the daughter of a wealthy merchant. Many people believe she ran away with a secret lover, the stunned fiance Yu Lang doesn't of course and fears foul play. Soon something happens and Judge Dee almost forgets about that , when a woman's headless, bloody body is found in bed and the husband Pan Feng, is suspected of this heinous crime, he denies killing his wife, like all murderers do... Her two brothers want sweet revenge, Yeh Pin, Yeh Tai ( in China surnames come first). Since ancient Chinese mysteries had three murderous cases each, Robert van Gulik the Dutch scholar , diplomat and writer of these stories follows this custom. A renowned Chinese boxer Lan Tao-kuei is poisoned in a bathhouse by an unknown villain dressed in Tartar clothes, this man who had brought glory to the north and was one of the best athletes in the nation shocks the already anxious town. Unrest is brewing and not just the tea, the army offers to send troops but the wise, we hope magistrate, refuses, this was caused when Judge Dee accuses the beautiful widow Mrs. Loo of killing her husband who died five months ago, unexpectedly and under strange circumstances, before the magistrate came to town. It doesn't help that the insolent widow mostly naked, was viciously whipped in public on orders from Dee in court. The whole city is furious, an innocent lady they think, tortured by the cruel judge. A riot almost breaks out in the tribunal but another will if the desperate Dee can't solve this baffling mystery...even a death close to home causes pain and the great man sinks in despair...He the tranquil, always with a placid face to the people, the symbol of the 7th century Tang dynasty , the mighty Empire, is rocked...The judge will have to use all his wisdom to recover. A book that is a remarkably entertaining, not just another detective book it has heart, and surprisingly pathos...as the all powerful official learns , not everything needed can be found in the law books...
Οι υποθέσεις του Δικαστή Τι στο βιβλίο αυτό, μου άρεσαν λίγο λιγότερο απο τις υπόλοιπες ιστορίες που έχω διαβάσει, στο Το αίνιγμα του κινέζικου καρφιού είναι πολύπλοκες, παράξενες και ολίγον τι υπερβολικές. Στο σύνολο του όμως μου άρεσε πολύ σαν βιβλίο διότι είδα περισσότερο την ανθρώπινη πλευρά του δικαστή. Τον βλέπουμε να σπάει, να τα χάνει και απο την απελπισία του κυριολεκτικά να ασπρίζουν τα μαλλιά του. Ενδιαφέρουσα πλευρά απο έναν χαρακτήρα αλύγιστο, λογικό και μετρημένο που ποτέ μα ποτέ δεν δείχνει συναισθηματισμούς.
Šī bija trešā izvēle detektīvu tēmai Grāmatu klubā. Par to, ka grāmata ir vēsturisks detektīvs es uzzināju nejauši (pateicoties leonietēm), jo vāks nudien nekādus mājienus par to man nedeva. Droši vien es esmu mazākumā, jo detektīvi ir populārs žanrs, bet parasta detektīva vāciņš manī neizrausa nekādu interesi pat izlasīt anotāciju. Taču saturs gan izrādījās ļoti interesants, tajā vides attaisnojums ir tikpat lielā mērā svarīgs kā sižets, lai man patiktu. Ļoti cietos un nelasīju grāmatas beigas pirms tās pienāk un izrādījās, ka vienu noziegumu atrisināju daļēji, otru pilnībā. Jāatzīst, ka ļoti noderēja grāmatas sākumā esošais darbojošos personu saraksts, jo tos ķīniešu vārdus iegaumēt nebija iespējams. Lai nu kā, ļoti ticams, ka lasīšu arī citas grāmatas par tiesnesi Di.
From Wikipedia: Judge Dee (also, Judge Di) is a semi-fictional character based on the historical figure Di Renjie, county magistrate and statesman of the Tang court. The character appeared in the 18th-century Chinese detective and gong'an crime novel "Di Gong An". After Robert van Gulik came across it in an antiquarian book store in Tokyo, he translated the novel into English and then used the style and characters to write his own original Judge Dee historical mystery stories. -------------------------------------------------------------- This is No. 15 out of 17 in Robert van Gulik's "Judge Dee" series. In the olden days of China, a judge or magistrate had investigative powers and often doubled as a sort of detective in getting to the bottom of a case before passing his verdict (sort of like the French system now). I have not read any other book in this series before and chose this because I read an article saying this was one of the better ones.
There are actually three murder / missing person cases going on simultaneously in this book, which, at the outset, we are unsure as to whether they are related. The web of characters, clues and developments is very wide and at times it was a challenge keeping up with the entire thing. Fans of puzzle mysteries will probably find this complexity fun. The novel really focuses more on the process of evidence discovery, as such, character development is not a primary factor, although it does get a bit more "feely" towards the second half. Overall, I quite enjoyed reading this since it was based in an ancient setting. [Final rating: 3.75*]
Early July: I hear about a new Tsui Hark film, "Detective Dee," and try to attend a screening, only to find out that it's part of a film festival that has long since sold out. Still, my curiosity is piqued about a martial artist investigator.
Days later: I peruse a table of second-hand books near my apartment and pick out a book called "The Chinese Gold Murders." The description on the back intrigues me, and I think, "Hell, one dollar? Why not?"
One day later: my friend D_Davis and I find out, through Goodreads, that we both picked this up around the same time. We talk it over, and I find out that the Hark film is based on this character.
Late August: one of my colleagues at my school has a set of "The Chinese Gold Murders" at his desk. Turns out he intended to assign it as summer reading at the end of the previous year, and that he is a big fan of the series.
Thanksgiving week: I am in Michigan over break, where I discover a used bookstore called "Classic Books." It fucking rules. There are loads of tough-to-find books just spilling from the shelves--and, what's this: over half of the Judge Dee books, right there in all of their paperback glory. I swoon.
Now that You're in My Life...
It took me a few months to get to Judge Dee, and once I did, I was a very happy reader.
These are such singular books--at least, they are in my reading experience. Van Gulik combines his encyclopedic knowledge of Chinese life in the later quarter of the first millennium with a excellent sense of strong mystery plotting. Bodies pile up on Judge Dee's docket with a speed that strains against the slim size of this volume, and each new mystery introduces a bevy of characters, each of whom brings an individual vitality to the story through brief, well-written exposition.
Put simply: this is great story-telling in a unique setting.
Last Word
This volume is set late in Judge Dee's career. As a magistrate, the Judge has a wide range of powers and privileges, and van Gulik examines how the Judge handles these responsibilities, and how they have affected his character. Diminutive as this book may be, it contains surprising depths.
Robert van Gulik's Judge novels so reward the reader that it's nearly impossible to pick a favorite; however, I think that The Chinese Nail Murders may be my favorite so far.
In The Chinese Nail Murders, Judge Dee presides at the last magisterial post of his career before being promoted to the capital. That post, Pei-chow, is a bitterly frigid bastion on the untamed northern frontier of the Chinese Empire. In the novel’s first chapter, Judge Dee hears the complaint from two brothers that their sister has been beheaded and murdered by her husband, a curios merchant. Not to spoil the plot, let’s just say the case isn’t nearly as simple as that. All Judge Dee mysteries are supposed to consist of three cases, but this one actually includes four: two more unrelated murders — that of a cotton merchant and a boxer — and the case of a missing fiancée with some blackmail thrown in for good measure, although the crimes are intertwined. Near the end of the novel, Judge Dee’s own life becomes endangered and yet another, previously unknown crime comes to light. With so many subplots crissing and crossing, The Chinese Nail Murders gets quite suspenseful — especially the last 50 pages!
The ancient Chinese game of Seven Board plays a recurring role in the novel. In one of the cases, it even provides the solution to one of the murders.
In a rare move by author Robert van Gulik, he casts The Chinese Nail Murders, the sixth book in the Judge Dee mystery series, as a story told about Judge Dee’s exploits during the 7th century T’ang Dynasty to one brother by another, the latter the magistrate of the same district as Dee, centuries later during the Ming Dynasty. That element, with some supernatural overtones, doesn’t add anything to the main storyline.
The Chinese Nail Murders proves to be yet another delightful Judge Dee mystery. For those saddened at the thought that this novel marks the van Gulik’s final Judge Dee novel, fear not! Judge Dee novels aren’t in chronological order, so you needn’t despair that his novel — despite being set at the end of Judge Dee’s career — will be the last. Fear not! There are plenty more novels that follow!
of all the Judge Dee books that I have read so far, this has been a most heart wrenching story.
I felt so much hopelessness when I read this book.
the case of the missing girl and death of Mrs Pan were okay.
However when it comes to the case of Sargent Hoong, it felt like a stab in my heart. it was just so not worth it.
I am disappointed at the Case of Mrs Loo as the plot was very similar to the plot of a previous book that I read. was it "the poisoned bride and others mysteries"?
it was sad about Mrs Kou too.
despite the good news in the ending , I still feel uneasy. it was like this book show the more "human" side of Judge Dee.
I would have given this book 5 stars if it has not been because of Mrs Loo's case which reason of my disappointment ststed above.
More than ever, Judge Dee begins to doubt himself and question his capabilities to solve crimes correctly and timely. (In his postscript, van Gulik argues that this was his intent, especially in Nail Murders.) Not only that but the price he pays for being slow on the uptake is the loss of one of his long-time lieutenants. It's one of the more shocking scenes in any Judge Dee mystery, when this dependable ally is murdered towards the end of the book. So, full of regrets, second guesses, and missed chances, the Dee of Nail Murders has a modern air about him, a detective vulnerable to misdirection and even intimidation. (Also modern is the style of writing. In the past, I've noted how especially in the later novels van Gulik seems to employ a hardboiled way of expressing himself. Again, in the postscript, he comments on turning the old Chinese detective stories into pieces of action, with "concise" depictions of the settings and movements.)
Nail Murders apparently is also the final book in the five series of fictional Dee novels van Gulik first penned. It has a sense of conclusion about it, in fact. As with the others in the "first five" Nail Murders is longer and more complicated. This also is something van Gulik addresses in one of the postscripts, noting how he reduced from 20 or 24 the number of characters to merely a dozen in the next series of Dee novels he was preparing at the time this story went off to the publishers. For these reasons, I must admit that it is the earlier Dee stories I most enjoy. The problem was that van Gulik felt he was overwhelming the majority of his readers with novels too involved with difficult to remember characters and situations. Was he wrong? Probably not. The market for paperback mysteries preferred shorter and shorter efforts as the 60s and 70s came upon the scene. Van Gulik would not have been the only author to take this path, either.
This may be my new favourite Judge Dee book. Unlike the others he actually seemed to get involved in the case, staking his reputation on what he thought had happened. He appeared much more human and much more sympathetic. There was also an unexpected death which surprised me a great deal. The mystery was more normal, not too shocking, though I will never look at snowmen the same again. I do love the Judge Dee novels, while ahistorical in that they are supposedly set in the Tang dynasty but are written as if it were the Ming I still really enjoy the culture and the setting. I'm definitely going to read them all.
До какво води един нещастен брак и една всепоглъщаща любов? Могат ли греховете от миналото да се изкупят? Ди Жендзие трябва да отговори на този и още куп въпроси в Китай от династията Тан, сблъсквайки се с поредните три заплетени случая. И ще трябва да отговори и на някои неудобни въпроси пред самия себе си.
Another great entry in the Judge Dee series. Here Dee solves the mysteries of a headless corpse, a murdered martial-arts expert, and gets into a tough spot with a cold case that puts him on the chopping block.
Keďže sa mi termin operácie* posunul a mala som trochu času na čítanie, siahla som po tejto detektívke. Nenáročné čítanie, kde sa veľmi podareným spôsobom opisujú prípady Sudcu Ti, no zároveň nás vtiahne do dobovej Činy. Robí to tak prirodzeným spôsobom, že som následné hodiny nemyslela na nič, len na to ako dokáže rozlúsknuť prípad bezhlavého tela. (*ideálne) V knihe boli krásne ilustrácie, ktoré mojej predstavivosti dosť pomohli dotvoriť si mesto a okolie, ktoré sa v knihe spomína, takže palec hore.
I want to give this book 3+ stars if only because we finally get a glimpse at the personal cost of Dee's devotion to Confucianism when he discovers that a woman who he's falling in love with murdered her first husband (in her defense: he was abusive) but the Law and propriety demand that she pay the price.
Bản dịch vẫn quá lạm dụng từ Hán Việt nên chưa đọc xong vẫn có thể xuống tay cho 2 sao thôi.
Sau khi đọc xong thấy hay, xứng đáng 4.5 sao, nhưng bản dịch lởm nên kéo xuống còn 3 sao, như vậy nhờ nội dung nên kéo lên được 1 sao so với nhận định ban đầu.
Judge Dee Jen-djieh is the hero of The Chinese Nail Murders. He’s a magistrate in the fictitious town of Pei-chow in the far north of China. Judge Dee must solve two gruesome murders and a sinister disappearance or risk his own head.
A MANDARIN POIROT
For a detective story first published in 1950, The Chinese Nail Murders is a suprisingly fast-paced read. The plot lines entangle nicely as well with plenty of misdirection to send the reader down the wrong rabbit hole.
Judge Dee is also quite a character. He has four wives, nothing odd for the time. What’s strange about Judge Dee is that he loves his wives. But he can be pompous, too. Judge Dee reminds me of Hercule Poirot, that pigeon-toed, Belgian detective with the waxed moustache created by Agatha Christie. Like Poirot, Judge Dee is miraculously adept at solving all his cases single-handedly. And to insist on explaining it all in a long set-piece of grandstanding.
DUTCH ROOTS
The real Judge Dee (Ti Jen-chieh) lived from AD 630-700. He was a Tang Dynasty magistrate-detective. His life story became fodder for storytellers in the Song Dynasty. These performers would wander from village to marketplace where eager audiences awaited them. That oral tradition eventually lay the foundations for the Chinese detective novel and its hero, the local magistrate.
Robert van Gulik was not a professional writer. His day job was as a diplomat for the Kingdom of the Netherlands. Van Gulik was fluent in Chinese, Japanese and various ancient Asian languages. He accordingly spent most of his working life in the Far East. His first posting was to Tokyo until the war necessitated his evacuation in 1942. From Japan, Van Gulik went to Chongqing, then the wartime capital of China, where he remained until 1945.
The Judge Dee novels were extremely popular in Van Gulik’s native country. My husband devoured all 17 novels as a boy growing up in Eindhoven. Van Gulik published his novels from 1947 to 1967, offering to many readers their first glimpse into a country hermetically sealed by the Communists.
CONFUCIUS
In the introduction to my stained 1977 copy, Donald Lach describes the Confucian world of a Tang dynasty judge:
"an unshakeable faith in the superiority of everything Chinese and a disdain for all foreigners, a steadfast belief in all aspects of filial piety, a matter-of-fact attitude toward torture, and an unrelenting hostility to Buddhism and Taoism."
Judge Dee is very much a product of this world view. For example, he has a particularly low opinion of Tartars (a/k/a Mongols). Here, Judge Dee interrogates a witness as to the character of the suspect Mrs. Loo.
"Her father was a decent merchant, but her mother was of Tartar descent and dabbled in black magic. Her daughter had the same weird interests, she was always preparing strange potions in the kitchen, and sometimes would fall into a trance, and then say gruesome things."
The presence of Tartars in this Chinese town is no coincidence. Barbarians are forever threatening the borders of China, though where those borders lie may be a matter of contention. Here, Judge Dee’s faithful servants complain about how difficult it is to heat these northern houses.
"‘Don’t forget, Sergeant,’ [the judge] said, ‘that till three years ago this tribunal was the headquarters of the Generalissimo of our Northern Army. The military always seem to need much elbow space!’
‘The Generalissimo will have plenty of that where he is now!’ Tao Gan observed. ‘Two hundred miles farther up north, right in the frozen desert!’"
DWELLING IN THE PAST
Donald Lach is lavish in his praise of the scholarship that underlies Van Gulik’s fiction. At the same time, he notes the irony of a wartime diplomat choosing to write about imperial China.
"Although [Van Gulik] was a close student of the Ming and [Qing] dynasties, the Dutch scholar’s experiences with life in China were limited to a few brief visits and to several years’ stay during the Second World War. He idealizes the China which existed before the empire had been shaken by the disruptive influences of the West and Japan. He sees imperial China most often from the viewpoint of the Confucian gentry for whose way of life he had respect and affection."
Van Gulik lived through the 2nd Sino-Japanese War in both of the combatant countries. It’s odd then that he should choose to erase that experience from his fiction. Perhaps, as a diplomat, Van Gulik was restrained from publicizing his personal views. Or maybe Van Gulik needed to cast his gaze into the distant past when reason and order still prevailed.
When Netherlands-born author, Robert van Gulik, discovered Chinese culture and literature, it became a life-long pursuit. As a prolific translator, he discovered the fascinating tales of a wise Mandarin judge who developed such a reputation in provincial duties that he was recruited to the capitol at a young age theretofore unheard of. Gulik reduced the Chinese name to a more pronounceable Western Judge Dee and chose three 12th century manusccripts to develop into novels. Originally intended to be three novels, van Gulik followed the demand and published several more. The Chinese Nail Murders is one of the earlier ones.
There are multiple cases involved in this mystery. Some are recent and some are old. Some involve what appear to be the perfect crime and some are obvious. The story begins with Judge Dee pondering the lack of evidence in a missing persons case of political import while a fresh and gruesome murder is brought to his attention. By the time the investigation(s) reach their conclusions, it looks as if even Judge Dee will face the death penalty for his efforts. Along the way, the avid reader is schooled in ancient Chinese culture, entertained by the interplay of hypocrisy and a stern concept of morality, offended by the plight of females as victims (both living and dead), amazed at the treatment of a mentally-ill character toward the end, and shocked at the disrespect demonstrated toward the venerable judge by more than one person of interest in the case(s).
Sadly, perhaps, it is not Judge Dee’s brilliant powers of deduction which solve the case. Rather, he is driven toward the solution by a bold confession regarding another matter. Sans-confession, the magistrate would have faced a death of his own making. The novel definitely has an effective use of foreshadowing regarding most of the events in the volume, but it really holds out the most vital clue until that confessional deus ex machina (only in this case, the “machine” is a very delightful character who pays a tremendous price for assisting Judge Dee).
Obviously, building upon cases recorded in an earlier century and demonstrating van Gulik’s love all things Chinese, The Chinese Nail Murders should be considered historical fiction as much as a mystery. However, the book fails at neither genre. And, unlikely many novels where Asian history plays a role or culture forms a backdrop that were written and published contemporaneously with van Gulik’s work, The Chinese Nail Murders reads as authentically Chinese with no apologies. It’s very good!
Another really good Di novel. The mysteries aren't as good as in some other parts of the cycle, but the stakes are much higher and I really, really liked the ending. Plus, the setting is - as usual - described beautifully. I must admit, the title itself is a bit of a spoiler though.
I thought this book was better than Dee Goong An (The Celebrated Cases of Judge Dee), which was a more direct translation of a Chinese novel. In this book, van Gulik takes aspects of Chinese culture and incorporates themes and story elements from other Chinese writers, but ultimately makes up the story himself. And, he does a good job. There are several story elements that are re-used from Dee Goong An. So, I imagine that in reading all of van Gulik's stories about Judge Dee there may be some repetitiveness.
-0.5 ⭐️ for the quality of some silly words of choice 😂 would probably be difficult for non-Chinese speakers to fully appreciate the cultural stories of this great judge.
In the late 6th century CE, Chinese magistrate Dee Jen-Djieh, ‘Judge Dee’, is posted to the northern frontier town of Pei-Chow, and finds himself faced with a series of crimes, all seemingly unconnected. A young woman, betrothed to the secretary of a notable personage, vanishes inexplicably. The headless body of a woman is found by her brothers, who immediately accuse her husband—who appears to be absconding—of having murdered her.
Judge Dee, helped by the wise Sergeant Hoong and his three loyal lieutenants, has barely begun investigating these two murders when two more corpses crop up: a boxing master who is found poisoned in a bath house, and a man who was pronounced dead of heart attack and buried, but whom the judge suspects of having been murdered.
Like all of Robert van Gulik’s Judge Dee books, The Chinese Nail Murders is brilliantly fast-paced, complex, and offers a fine glimpse of life in the period of the Tang dynasty. Even though van Gulik follows the Chinese crime novel style of more action and less description, he manages to work in details that bring to life the era: the trade, the social norms and customs, the clothing, the attitudes towards the imperial administration, everything. This novel, I will admit, was the one which first introduced me to Seven Board, and the way van Gulik uses it to good effect as a clue is delightful. I like especially also the fact that this novel has a certain amount of the ‘human element’ in it: Judge Dee is a very alive character, not just a judge, but a man, with his own failings, his own doubts and weaknesses.
Excellent, and I would strongly suggest reading the two postscripts as well, since van Gulik uses them to explain his own sources for his stories (nearly all of which are based on old Chinese detective novels), the changes he’s made to suit the books for modern audiences (such as doing away with the idea of letting ghosts, goblins, animals, and kitchen utensils offer evidence in court!), and further insights into the life of the real-life historical figure that was Judge Dee.