Od najdawniejszych czasów ludzie gromadzili się z różnorodnymi instrumentami i grali muzykę, ale dopiero kilkaset lat temu uległo to formalizacji i powstało coś, co uważamy za orkiestrę. Kompozytorzy od lat piszą muzykę z myślą o konkretnych instrumentach, a orkiestra stopniowo ewoluowała wraz z muzyką klasyczną.
Książka 50 instrumentów z historii muzyki pozwala prześledzić tę ewolucję, przedstawiając instrumenty, które dołączały do orkiestry od epoki baroku aż po współczesność. Opisano tu historię i rozwój każdego z instrumentów, a załączone ilustracje obrazują ich dzieje. Omówiono całe spektrum orkiestrowych dźwięków, od skrzypiec po flet piccolo, nie zapominając o instrumentach rzadko wykorzystywanych w orkiestrze, jak syntezator. Pojawiają się budowniczowie instrumentów, którym zawdzięczamy ich istnienie, słynni kompozytorzy, którzy pisali utwory na nie.
Philip Wilkinson (born 1955) is the author of non-fiction books for children and adults. He was educated at Corpus Christi College, Oxford. He worked as an editor prior to becoming an author.
He specializes in works on history, the arts, religion, and architecture and has written over forty titles.
Uneven and pitched somewhere between "music historian" and "layperson". There are many references to pieces not often played in now (i.e. Beethoven's "Wellington's Victory) and I had to stop reading to google to find music clips. The cello article notes well-known 20th century cellist Mstislav Rostropovitch but makes no mention of Yo-yo Ma. The book is heavily weighted toward classical music with occasional nods to jazz.
This is a book that is ripe for "enhanced ebook" status or should be marketed with an accompanying CD set or track list. Not recommended for the average person curious about the history of music. Dull.
The History of Music in Fifty Instruments by Phillip Wilkinson (Firefly Books 2014) (784.19). This book begins with the first instruments mankind created and played, and it covers any changes made to the instruments over time. This book is full of instruments that I know (violin, piccolo, French Horn) and many that I did not (Glass Armonica, Serpent, Barylon, Celesta, and Heckelphone). It's a worthwhile read for the curator or the curious. My rating: 7/10, finished 3/23/15.
This book is exactly as promised as promised. It wonderfully narrates the story and history of music through the years with various instruments. However, one thing can be apparent from the title: the book covers “fifty instruments” and makes for a shorter read. I feel as though the author could have put more time and expanded on this topic to cover many more fantastic and revolutionary instruments that were excluded from this book. Nevertheless, it’s still a good non-fiction read and worth your time!
An interesting enough diversion when reading about the instruments you either play or are familiar with. So the origins of the piano, the harpsichord, the pipe organ, also known as the harmonium, proved interesting. I just wasn't too keen on most of the other instruments.
It's a good book to introduce people about instruments, even the most unheard that I never knew myself (Serpent), the layout is pretty and interesting, definitely would re read this again
Basically, this book gives the history of Western classical music and the development of the major (and a few minor) orchestral and chamber instruments. I found this book very informative; it included a few instruments I hadn't heard of before and how each instrument tended to be utilized in orchestras or ensembles. I also appreciated that Wilkinson would list pieces of music that featured particular instruments and/or virtuosos who made certain instruments popular. This all being said, I found this book to be dry at times, particularly when going into engineering details. Toward the end, I was having to make myself finish. I would recommend this book as reference more than as a cover-to-cover read.
I found this book to be rather dry; I could just not find it interesting. The fifty instruments chosen are arranged in chronological order of invention, which means that the book seems to have no continuity. Perhaps arranging the instruments according to family (woodwinds, brass, etc.) would have allowed for a better explanation of how different instruments developed. The editing was poor ("symbol" instead of "cymbal," for example). Overall, this book was disappointing.
MsW: OK, to say I 'read' it is a stretch, I sort of paged through and read some parts more closely than others. Who knew hand cymbals would play a significant role in the constitution of an orchestra? This author also wrote books tracing the importance of "50 Weapons" and "50 Machines", I'll be looking in to them also, really interesting.
A timeline of musical instruments and their development and use. Most are familiar but there are a few oddities such as the glass armonica and baryton. It is by no means exhaustive but an interesting presentation of musical history.
Not a book to read straight through. A reference book with some interesting tidbits. Not for the serious music major, but fun none the less. I purchase a used copy and have it sitting around for a quick glance now and then.