Ever since The Force Awakens, everyone has wanted to know how Kylo Ren was born and Ben Solo fell. But, in classic Star Wars fashion, the answers prove to be less interesting than the unanswered question was.
Charles Soule is one of the best writers Star Wars has right now—if you haven’t read his Lando miniseries or his run on Vader you’re missing out *big time*—so I’m glad they tapped him for this pivotal story. But...meh. It feels like he didn’t have the freedom to really explore Ben’s struggle with the dark side (his Shadow, as he calls it), skips to the end of it all and then wraps up with him becoming Kylo Ren without it feeling earned. It’s like Soule is trying to please everyone with this (much like a certain recent film did...) and ultimately doesn’t please anyone.
The story is fine, but like I said, it feels rushed. Just four issues is short anyway, but for a story that feels this important? Four issues is nothing. The bits of backstory we get are cool and I liked seeing just how long Snoke was manipulating Ben, but his actual “turn” feels very sudden and almost...accidental? I needed more time to see Ben struggle with things, to see him really decide on his path, but we didn’t get that, not really, anyway.
Kylo Ren was a captivating villain in TFA and TLJ because he seemed like he knew exactly what he was doing and repeatedly *chose* to be the “villain.” This story shows us a Ben who kind of stumbles around and ends up going bad for reasons that are predictable at best and muddled at worst. We get answers, sure, but they’re not satisfying and feel so far removed from the character we see in the films that it’s all too easy to disregard them entirely.
That all sounds very harsh, and it is, but I still enjoyed this. Again, the bits of backstory on Luke’s Jedi Temple are very cool, and Soule’s writing is strong, as usual. His dialogue hits, and even the moments of levity he introduces don’t fall entirely flat. He also does a pretty good job at capturing Adam Driver’s unique voice, which is key. And Sliney’s art is pretty strong throughout. Some of his facial features are a bit off and can feel slightly manicured, but his layouts are great and I loved the staging of a lot of the scenes he curated. The final issue especially is a visual marvel, which helped my opinion of the comic end on a more positive note than it would’ve otherwise.
I didn’t think I would love this, so I’m not surprised that I don’t. I was afraid that I would hate it, but I’m glad that I don’t. I’m just...meh. Which is a bummer.