It's funny the way Goodreads can affect your reading of a book. When I started reading this book, I immediately enjoyed it and thought to myself, "Do I have a five star new classic on my hands?" Then, as the story progressed and began to lose a little steam, I thought, "Well, maybe not five stars, but it's still a solid four star story." And I was feeling that way until about halfway through the book, where it rapidly devolved into three star territory, then two, before finally culminating in a one star finish that left me thinking, in all honesty, with about 3 pages to go, "Maybe I should just scrap the book right here and now? I'm not sure I can get through even three more pages of this crap."
However, that seemed to me too much like dropping out of college 3 credits shy of graduating, so I stuck it out. It was sort of a moral victory, I guess.
The biggest problem with the book is that it completely falls apart as soon as the main character (the atrociously named Dwight Wilmerding) leaves New York. While in New York, Dwight is the everyman aimless 20-something, making sad but relevant observations on his life that hit a little too close to home. It's easy to relate to an indecisive young guy living with his equally aimless roommates surrounded by the hustle and bustle of the big city, which he understandably mistakes for his own forward momentum, one of the book's best observations.
However, he takes off to Ecuador and the book just stops making sense. Suddenly it's about 'democratic socialism' and the plight of the worker in the 3rd world, and while it seems somewhat tongue-in-cheek, the joke goes on far too long, to the point that you begin to wonder if it's a joke at all. If it is a joke, it's not funny. If it's an attempt at serious social consciousness, it's half-assed. Kunkel hit that not-so-sweet spot of muddled messages.
The second act's problems, in turn, point out those of the first act's. The shallowness of the "deep" observations in Ecuador renders the depth of the shallow observations in New York for what they are--a spoiled brat whining about his privledged upbringing. The supporting characters, always paper-thin caricatures resembling people you know, become less forgivable as the story becomes more and more flawed on the whole. When you're making a connection with the reader, it's kind of okay to have such shallow characters; they are there mainly to serve their purpose anyway, connecting smaller pieces to the greater whole. However, when you're alienating the reader with your absurd fantastical ideas in foreign countries, such shallowness is less acceptable, and, frankly, downright deplorable.
Other problems with this book, in no particular order:
-The bizarre incest subplot. What was that all about? It didn't really seem to serve a purpose, other than to be creepy and uncomfortable. I don't have a sister, so I don't know how real that felt, but it was definitely not cool.
-The half-assed 9/11 reference. That was just unnecessary and, to be totally honest, a bit embarrassing. I understand what Kunkel was trying to do, but he failed miserably. Trying to link his main character's aimless plight with the magnitude of such a catastrophic world event in his own backyard may have seemed like a good idea at the time, but he should have refrained. It made the whole story for smaller and more contrived, kind of like the way Michael Bay made 'Pearl Harbor' into some fake half-assed love story. That's basically what Kunkel did to 9/11 with his pointless reference. It just didn't work. Just because you set your story in New York doesn't mean you're obligated to make some sort of note about 9/11.
-The unsurprising 'It was never the drugs, it was in YOU all along!' reveal that abulinix was a placebo. No kidding. You almost wish it wasn't, because at least that wouldn't have been such a cop out. The only surprise is that Kunkel would stoop to such a hacky cliche; although, given the 9/11 chapter, maybe it's not that surprising after all.
-The whole 'Brigid is actually Alice's friend and the whole thing was a setup' "twist". Equally hacky, and not all that surprising, but still insulting nonetheless. Kunkel packing in subplots like this in a story that he's purporting to be a 'coming of age' -type novel just shows either a complete lack of understanding of or total contempt for his audience.
-The ending. Just piss poor and seemingly just slapped together. The reunion scene was bad enough (these are supposed to be people in their late 20s and early 30s? They struck me as a middle school cafeteria right before recess), but it again goes to the whole fake social conscience of the story. All along Dwight was really buying what he was selling about democratic socialism? Color me surprised. The whole thing seemed like a lame joke. Now he's living in South America away from the girl who inspired him and pursuing the fight against the plight of migrant workers? Really? That just didn't make sense for the character. Kunkel can't just string us along with this joke, and then say "SURPRISE! He was serious all along!" That's bullshit. It's manufactured growth of a character that didn't earn it.
All that said, I gave it 2 stars instead of the one it probably deserved if only for the first quarter or so of the book, before it completely unraveled. There were some interesting lines and observations that made me think a little more about life in general, and that's worth something, even if the book as a whole is not.