عنوان: پیانیستی در تاریکی؛ نویسنده: میشل پتین (یا میشل هالبرشتاد)؛ راوی: افسانه بایگان؛ ایران صدا؛ در 125 دقیقه؛
رنگها برایش یکسان هستند؛ رنگ آبی آسمان با رنگ سفید ابر، رنگ قرمز آتش با سبزی برگ برایش تفاوتی ندارند. کمرنگی و پررنگی هردو یکی است. سالهاست که زندگیش از رنگها جداست؛ زندگی در سیاهی مطلق... ماریا دختر یکی از مقامات کشوری است که در سه سالگی نابینا شده است. همه ی روشهای درمانی آن روزگار از درمان ماریا عاجز میمانند. در دوره ی جوانی ماریا، خانواده اش با پزشک معروفی به نام «فرانز آنتوان مسمر» آشنا میشوند. این پزشک روش ویژه ای برای درمان ابداع کرده است. روش او برای جامعه ی پزشکی آن زمان پذیرفتنی نیست؛ اما مسمر با روش خود به درمان ماریا اقدام میکند. نتایج اولیه خوب است، اما مخالفتها پزشکان دربار و نیرنگهای آنها باعث میشود مسمر از ترس موقعیت خود، درمان ماریا را رها کند. ماریا نیز در مدتِ کوتاهی که بینا شده، از دیدن برخی وقایع تلخ، انگیزه ی بینایی را از دست داده است و خودخواسته، اندک بهبودی ایجاد شده در چشمش را از بین میبرد و به نابینایی کامل بازمیگردد. ماریا در نواختن پیانو و موسیقی بسیار موفق است و جایگاه ویژه ای برای خود دست و پا کرده است. پیام کتاب نقد انسانهاست؛ هیچ فرد مقدس و کاملی در کتاب وجود ندارد. اعمال انسانها که ممکن است مثبت باشد، در پشت پرده آغشته به خودخواهی، ریا و قدرت طلبی است. میشل پتین (یا میشل هالبرشتاد) تهیه کننده و نویسنده ی فرانسوی است که در اول سپتامبر سال 1955میلادی در پاریس به دنیا آمد. او روزنامه نگار، نویسنده و تهیه کننده فیلمهایی چون «آقای ابراهیم»، «وداع من مصیبت من» و «مأموریتهای قاتل» است. «پیانیستی در تاریکی» رمان دیگری از اوست که جایزه ی ادبی درو را از آنِ خود کرد و برای دریافت جایزه ی ادبی لیلاس در فرانسه کاندیدا شد
Michèle Halberstadt is a journalist, author, and producer of such films as Mr. Ibrahim, Farewell My Concubine, and Murderous Maids, which she also cowrote. Her previous novels include The Pianist in the Dark, which won the Drouot Literary Prize and was short-listed for the Lilas literary prize in France.
This has to be one of the worst pieces of literary fiction I have ever encountered. This is only a half-star book but I am going to give it an extra half star for educational purposes. I strongly feel that this book could be used constructively in creative writing programs as errors to avoid in writing literary fiction.
In addition to strawberry shortcake (ingredients above) I adore classical music, romance, psychological insights and interesting therapeutic methods. The author was able to make a travesty of all of the above and for that I am even more disappointed.
The biggest issue I had with this book was its tone. It was lightweight tempered with many moments of histrionics and saccharine sweetness, pseudo wisdom and emotions as genuine as three dollar bills. I honestly cannot find a single positive thing to say about this short novel.
I will leave you a sample of the writing and you can decide for yourself:
She spoke with an ironic smile that Nina had never before seen. "Yes, Nina, here I have learned cynicism and bitterness, two feeling that were foreign to me. For a long time my blindness protected me from a reality that is not pretty to behold. What I have discovered scares me much more than the shadows that surrounded me. I have opened my eyes to a world that I knew nothing of, and it grows more and more disappointing every day. There is no room in it for simple, naive souls who think that happiness is all about loving others. You can't get by on love, or art. Ambition is the force that drives this world. People care more about clawing their way to fame and manipulating others than they do about what makes a concerto work."
What a superb book! Michele Halberstadt tells a more enthralling story in less than 200 pages than many writers can tell in 600. What adds to this gem that is that it is based on a true story, the fascinating life of Marie Theresia von Paradis, a beautiful and blind prodigy and student of Salieri and friend of Mozart.
Maria Theresia has been blind since a child, believed to have been caused by trauma, but the author leaves you to decide what it might have been caused by. All her life renowned doctors, specialists, and quacks have tried to cure her blindness, only leaving her highly nervous, frail, and emotionally withdrawn. Nonetheless, she has grown into a remarkable beauty and tremendous talent, sponsored by the Empress of Austria and taught by the finest musicians in Vienna.
Just when Maria has resigned herself to the dark, Franz Anton Mesmer, a handsome and brilliant German physician, convinces her over-protective parents that he can cure her using the daring treatment he has invented, the forerunner of modern hypnotism.
Mesmer not only begins to help Maria regain her sight, but gives her the keys to unlock her gilded and suffocating cage, and despite their differences in age and background, the two embark on a passionate and intense affair which threatens to destroy them and everything they have worked for.
Wow. Halberstadt can WRITE. She has done her research, written with fluid, exquisite prose and packed a heady emotional punch into this little novella that is definitely not so little.
I highly, highly recommend this book to anyone who loves reading fiction about obscure historical figures, musical prodigies, unusual love stories, and courageous people who triumph over physical disabilities.
کوتاه و جالب توجه،باعث شد علاقمند بشم در مورد آنتوان مسمر بیشتر بخونم البته تا الان که کتابی در موردش پیدا نکردم... 🌟کاش همیشه نابینا بودم،نمیدیدم ،زندگی آنقدرها زیبا نیست،عشق آرام نیست زندگی برایم خوب نخواست،دویدم ،حتی جنگیدم و بعد از همه آنهاخندیدم شب روز شب روز شب شب شب فقط نوشتم نه دیداری ،نه نگاهی ،ماندم برای عشق ولی نخواست ،نه خودش نه خدایش 🌟خسته ام ،بی گدار به آب زدم همیشه خواستن توانستن نیست میدانی عزیزجانم شاعر شعرهایش به دل مینشیند ولی هیچکس از عمق دردی که باعث شده شعرهایش از مغزش تراوش کنند نشده نویسنده ها انسانهای نشنیده شده ای هستند عشق زیباست برای یک درمانده عشق و پر از تمسخر برای معشوق
فکر میکردم قراره زندگی نامه یک موزیسین رو بخونم ولی آخر کتاب متوجه شدم فقط یه بخش کوتاهی از زندگیش مورد توجه قرار گرفته بود.(حدود چند ماه)
جدا از این مسئله یه چیزی تو کتاب منو اذیت میکرد و باعث شده بود داستان سریع و روان پیش نره.مشکل از متن اصلی بود یا ترجمه یا سانسور نمیدونم.فقط پرش های بلند زمانی حس میشد که وسطش گیج میشدی و مجبور بودی برگردی صفحه قبل و مجددا مطالعه کنی.
چند بخش آخر کتاب هم که کلا زمان ها در هم شده بود.تاریخ نشون میداد سه سال گذاشته ولی تو متن به گذشت یکسال اشاره میشد که این قطعا اشکال ترجمه بوده.
در کل به نظرم خیلی ارزش خوندن نداره و حداقل برای من زیاد جالب نبود.
Well, always so interesting to read a musician-book. Didn't know anything about this lady and wow, what a life! Her life was like an opera. Surprised that there haven't been anything of that yet! It's only interesting for historical purpose so I won't recommend unless you are a musician. A pretty quick read.
Based on the true story of Maria-Theresa von Paradis, the only daughter of the secretary of the empress of Austria, and her interactions with Franz Anton Mesmer, a doctor and the source of the term mesmerism, The Pianist in the Dark by Michéle Halberstadt is ultimately about the price of sight. Maria-Theresa was musical prodigy. Blind from unknown causes since she was about three, she played beautifully and with great passion before the court in Austria. She was filled with a talent that eclipsed her disability and the ability to hold her audience spellbound. She seemed to have the world at her feet. Her father, however, could never resign himself to accept her condition and subjected her to the ministrations of doctor after doctor. None of whom could identify the source of the problem or offer any solution. After giving his word to his daughter that he would stop trying to cure her, he meets Franz Anton Mesmer and manipulates events so Mesmer makes the offer to treat her himself. She is suspicious at first--she has submitted to too many "treatments" at the hands of "experts" who were only out to forward their own careers. After all, should they have succeeded, they would have won the gratitude of the Empress herself. But Maria-Theresa becomes convinced of Mesmer's sincerity and agrees to allow him to perform his "magnetic" treatments. And they work. Soon the girl who didn't, as the introduction says, "know the color of the sky or the shape of the clouds, [didn't] know the meaning of blue or red,or dark or pale" begins to see shapes and colors.
She also, through Mesmer, begins to know the meaning of love and passion. But it is a short-lived victory. The other doctors, jealous of Mesmer's apparent success, begin to ridicule his methods and to spread rumors that his relationship with is patient is unorthodox. If he did not have power over her as a lover, that she would not "see" as well as she does--that it is only his "amorous suggestion" that influences her. What began as an incredible journey towards sight and love, becomes a horrible nightmare. She learns that everything in life seems to be motivated by power and greed. Even Mesmer is ready to give her up when his reputation is at stake. As she says to him late in the book:
Cursed! I am cursed! My blindness made them suffer and my recovery has made them mad. Even you prefer me ill to cured. Life is so cruel! It allows me to discover passion and harmony, then steals it away as if it were a mirage! What good is seeing if all it does is open your eyes to the truth of human nature? Have I been through all this just to come eye to eye with cowardice, lies, and trickery?
In the end the price of seeing is too high for Maria-Theresa. She chooses to return to darkness and devotes herself once again to her music. Disappointed by her parents who could not accept her for who and what she was and disappointed by her lover who could not accept what he had helped her become, she decides for herself what her life will be.
In this short novel, Halberstadt has given us a story of awakenings and choices. The writing (or perhaps the translation) is spare and direct. There is nothing superfluous in the descriptions. And the story flows almost perfectly. My only minor quibble comes with the romantic scenes between Maria-Theresa and Mesmer. They are a bit over the top--soap opera and bodice ripperish--but the chapters are short and fortunately this portion does not last long. Otherwise, a nicely done peek into history and an interesting look at one of music's female blind prodigies. Three and a half stars.
Over the years, I have become more and more frustrated by the apparent death of the editor. Whether it's typos or bad grammar or the use of ten pages to tell the reader what can be told in one (I won't name any names, but surely we all know plenty of examples), it all speaks to the fact that editing seems to have become a victim of profit margins even as successful writers have begun to flex their muscles with their publishing houses. So for that reason alone, this was a wonderful, wonderful book. Not a wasted paragraph. Not a wasted word. Instead, a complete story is told in what is essentially a novelette. And the story is interesting enough: a girl born into privileged circumstances in 18th century Vienna loses her sight at age three, but it doesn't stop her from becoming a musical virtuoso and friend of a guy named Mozart. In fact, the only threat to her skills at the keyboard comes in her seventeenth year, when a certain doctor (viewed by many as a charlatan) treats her condition, which is apparently more psychological than physical in nature. I won't spoil things by saying whether the treatment is successful or by describing what happens afterwards, but it all adds up to the story going in a direction that I didn't anticipate. In terms of content, it is much more about the characters and their thoughts and motivations than it is about plot advancement. Or to put it another way, you won't mistake this one for an action thriller. And while translated stories often suffer when the translator's shortcomings are exposed, that is not a problem here. All in all, a good read, even if the apparent mindset of the author once again reminds me that there really *are* some general differences between a typical European author and my American self.
This brief narrative (140 pages) explores how terrifying it can be to shift your perspective, whether that be for better or worse (depending on how you circumstantially define these terms and translate the change within your reality). This fear of the unknown drives the main character into a madness (physical blindness) which she finds to be both powerful and comforting, yet some part of her remains convinced that being more like other people will make her happier, less of an outsider. Her journey (based on a true story) prompts readerly reflection:
What “handicap” or hardship have you had to overcome (and maybe even turned into your superpower)? Is your coping method of choice really the best of all possible options, or is there another that will broaden your horizons beyond your current levels of comfort?
This books also explores the relationships between different kinds of caregivers (selfish, selfless, etc.) and the power of one’s own mind, be it for good or for ill. I also appreciated the conclusion; the way this distant storytelling finished with third-party letters and accounts told the ending in a suitable and satisfactory way for the style.
The most interesting part: this is based on a true story. 4/5 ⭐️
I picked this up out of the New Fiction section of our library mostly because it was an incredibly slim novel - 140 pages. I was just intrigued at how a novel of that length would be. And I guess it was sort of what I thought it would be - it felt like an expanded short story. The premise is interesting - a blind upper-crust daughter of a government official in Mozart-era Austria is treated by Franz Mesmer. One is lead to believe that all the characters were actual historical figures (I know Mesmer was) and that this is an imagining of actual events. But it's just an odd story with the worst ending I can recall. Literally, the last three lines are, "In 1800, she began teaching. She created a music school for girls in Vienna in 1808. It is there that she died on February 1, 1824, in her sleep." Huh?
Even at 140 pages I can't much recommend this one.
This is the fictionalized tale of piano virtuosa, Maria-Theresa von Paradis, who played for Austrian royalty in the late 1700s. Despite her recognized talent in piano, her father is determined to cure her blindness. At the age of 17, Maria-Theresa meets Franz Anton Mesmer who takes her into his home and treats her eyes with magnets and succeeds in bringing shadows into her vision. With a heavily-used thesaurus at her side, Halberstadt tries to turn a history lesson into a novel. The 80-page short story falls short in both character and plot development. I believe there was potential here for a novel but this isn't it.
LOVED the premise, but unfortunately the storytelling was really lacking - awkward POV changes, strange and inconsistent verb tense choices (I almost DNFed by chapter two), and a whole lot of telling instead of showing.
Rather than allow the amazing character of Maria Theresia to tell her own story, the author veered between dry historical recitations and long philosophical monologues. A few truly emotional scenes, like the confrontation with an opposing physician and brief moment during a Paris concert at the end of the book, redeemed this story slightly, but not enough recommend it.
Miam d’une traite. Une introduction sympa au magnétisme animal avec le personnage historique de Franz Anton Mesmer. Bien que tout soit vraisemblable à la vie de Maria Theresia, des détails changent considérablement son histoire mais elle en devient selon moi plus attractive à lire (surtout au dénouement hehe)
A novella? I enjoyed this as a quick read about a significant period of time in a young woman's life as she's coming of age. Whilst it's set in the 18th century, and has foundations in the Viennese Court and built around her prodigious talent - it's a fundamentally timeless story.
The man behind the word “mesmerize” and the young girl he tries to cure of blindness. She is a piano protégée in late 18th century Vienna. He is a doctor who believes in “animal magnetism.” She falls in love with him. He tries to save his professional reputation. They’re both victims, in different ways, and power shifts quietly.
At different times, I felt sorry for both of them and disappointed in both of them. Neither character came alive to me, and I was completely unmoved by their affair. I didn’t get a particular feel for the time and place, even though Mozart and Benjamin Franklin appear on the edges of the story. Except for some improbably long speeches by the pianist, the writing is lean and detached. The writing style is what I found the most interesting, because it contrasted so strongly with the guts of the story. Imagine the story of your greatest love, biggest heartbreak, being written up by the Wall Street Journal.
This is the kind of book to read in one sitting at a café on a rainy day.
"Man is more attractive when he is left to the imagination"
So goes the opinion of Maria Theresia van Paradis also known as the "Blind virtuoso" she was an accomplished pianist in the court of Vienna. She was friends with Mozart and others of her time.
This book details the way that one man wanted to "cure" her blindness with a new found medical technique. Yet even the details of the procedures he used left me skeptical.
And Maria Theresia found that reality wasn't as pretty as she thought it might be.
One could say this was more about self-discovery then anything else, but I found it to be somewhat satirical too. It took reading between the lines, and knowing that many of the faults of her world are still alive today.
Wouldn't it just be better if we were all blind to reality.
On a side note- I had to be very patient when reading this book and the end well it was blah. Oh the author could fill the pages with words, that could leave the reader with a somewhat fuzzy perception of what was going on, and this may lose some people along the way.
Many people take piano lessons when they are young. I know I did. I spent almost six years in piano and still can not play to save my life. However some kids can play really well, and a few of them are incredibly talented. Such as Maria-Theresa von Paradis, who was not only an amazing pianist but was also blind. She is portrayed in a novella called Pianist in the Dark by Michéle Halberstadt. Maria-Theresa can not see but is one of the best pianist of her age. However her parents take her to an experimental therapy to try and regain her sight. What follows is something that can only be described as Dark Romantic style writing, showing that only disaster will follow if people strive for perfection. I read Pianist in the Dark in about two hours, probably less, but it was perfect. Short but well written with a clear moral and fantastic imagery. I loved it.
The Pianist in the Dark is the first novel published in English by writer Michele Halberstadt, and I believe that perhaps it was the linguistic barrier that made this book nearly unreadable to me.
The book itself is a fictionalization of Maria-Theresia von Paradis' relationship with Doctor Franz Anton Mesmer, but it doesn't read like a story so much as it does like a skeleton. Each chapter in the book is only a few pages long, a snapshot of an emotion without very much development of the story the author endeavors to tell. I feel as though I'm reading an embryonic rough draft that the writer hasn't yet fleshed out rather than a published historical novella. Perhaps it is for this reason that I couldn't connect with the characters in the book. I wasn't invested in the development and degradation of their romantic relationship, and I didn't care about Maria-Theresia's progress.
If you are looking for a good but short book, this one is perfect. The story summarizes the life of Maria-Theresa, a pianist who lost her site at the age of 3. For fifteen years, she was blind, and during that time, mastered the piano in nearly the same ways as Mozart. Her fathered forced upon her several doctors to try to cure her blindness before she asked him to stop. The final doctor, whom she agrees to herself, is successful in helping, however it affects her ability to play. All the while, her emotional and physical trials are outlined for us in the story. It is a story of innocense, experiencing love, and determination.
Was a pleasant diversion on a lazy Saturday afternoon. Blind pianist in the court of the Empress of Austria. She is "cured" by the (in)famous Anton Mesmer. I guess the only part that bothered me was that she made extreme choices re: her body based on what could be construed as a failed love affair. I could see how someone could look at this and interpret that this woman was so influenced by strong male figures in her life, was possibly even devalued by them. But the argument could also be made that she made decisions about herself based on her becoming a strong-willed and independent woman. YMMV, I guess.
Great story - it is about the blind daughter of the Von Paradis family - Maria-Theresa. She goes blind at the age of 3, and her father, who serves as the secretary for the empress of Austria, takes her to many doctors to find a cure for her. She finds that she is quite a Pianist as she grows up. She then is sent to live with Dr. Mesmer, where she falls in love with him and he helps her to start to see shadows.
One thing she does not realize is that getting her eye sight back takes away her ability to play the piano. She must make a choice..... Based on a true story and set in the late 1700's.
The story of a blind pianist who was a student of Salieri's and a friend of Mozart's. It was a quick read, with short chapters. Unfortunately, I assumed that the novel was about music. But it was actually about the pianist's blindness, the attempts to cure her, her relationships with her parents and her doctor, and her feelings about all of that. So I was disappointed in the book. But it was well written.