A marquee lineup of the titans of New Pulp!
If you are new to Switchblade and would like to know where to start, I’ll give you an honest answer: you’ll love them all. But if you want to dip your toe in first, get ISSUE 11. This is the high water mark so far. This is the one to buy. I don’t think I’ve seen so many of my favorite indie writers together in the same table of contents.
Brian Beatty, THE HUSBAND
Beatty’s poem sets a tone of loneliness and alienation. The dark, the snow, the cold cup of coffee. I’m left feeling that anything can happen, that something HAS TO happen. This stasis can’t go on forever.
George Garnet, EXOTIC
A Bulgarian hooker encounters a problematic john in this tense and gritty noir tale. I appreciated the atmospheric details in this piece. The sights and smells and textures of each scene were well-crafted.
Misha Burnett, WHATEVER LOLA WANTS
A man struggles to adapt to new challenges in his marriage by seeking pleasure on the side. When his choices come back to haunt him, he must decide how to keep his secrets buried. This piece was especially well-written with tight prose, great tension, and superb dialogue.
Serena Jayne, GARDEN VARIETY CREEPER
When a former co-worker turns stalker, Jane demonstrates her badassery with a family heirloom. Serena Jayne always brings fast-paced, edge-of-your-seat action to her work and this story is no different. Her characters come alive, and you always know that justice is just one satisfying asskicking away. I look forward to reading her stories wherever they’re published.
John Timm, STRANGERS, PERFECT STRANGERS
Revenants from the past continue to haunt these pages. A newlywed couple is thrown into chaos when a former fling sees an opportunity to cash in. I enjoyed Timm’s narrative style and steady pacing. The tension reveals character at every turn, and the character that is revealed here is quite unexpected.
J.D. Graves, AMID THE NOISE & HASTE
Bud Sanders is a plumber in small town America who is suddenly impacted by the unlikeliest of phenomena -- international terrorism. This is a story only J.D. Graves could write, and he does it with such mastery that it’s a wonder we’re not all talking about him. Graves writes with the kind of wild-eyed clarity and brutal humor I’ve only read in the work of Hunter S. Thompson, and this story is a case in point. I’ve heard rumors he’s working on a novel and you better believe I’m going to stand in line for it.
Alec Cizak, THE RADICAL MR. BOGOTA
A pseudo-intellectual commits a heinous crime in the service of his half-baked ideology. I’ve known plenty of folks like the eponymous main character, so enraptured by their manufactured dogmas that everyone else is made to suffer. What I love about Cizak’s writing is that he is aware of the national zeitgeist well enough to brutally eviscerate it. The story reminds us that ideologies are a dime a dozen and often get ahead of basic common sense. It’s a much-needed and timely reminder in this age or any other.
Robb T. White, THE ALIBI
When a wealthy friend shows up, Jackie is brought along for a free ride. But nothing is free in this dark tale of treachery and mayhem. Strip clubs, set-ups, murder, and dark corners make this story one of the “noir-iest” pieces of the bunch. “As scarce as fleas on an eel” is my new favorite phrase, and there are plenty other fun noir phrases here to enjoy.
Jim J. Wilsky, A BRAND NEW OUTFIT
The Dons have gathered to deliberate mafia business, and one man’s life hangs in the balance. This quick and dirty piece offers a tense and thrilling window into mob life. I don’t know how Wilsky knows so much about the ins and outs of the Italian Mafia, but I’m going to be extra nice to him from now on.
David Rachels, THE LADY UROLOGIST
A man with a particular urological issue gets an unlikely recommendation. This is the kind of story you read with one eye on the page and a smirk at the corner of your mouth. I laughed out loud at the ending, and you will too. This was a much-needed bit of levity to cap off a string of heavy-hitting, hardboiled noir.