I received a free e-ARC through First to Read from the publishers at Penguin Random House. Trigger warnings: mental illness, depression, suicide.
Ray’s life in rural Connecticut is pretty average. He and his best friend, Simon, are nerds that basically fly under the radar, and while Ray’s dad left when he was younger, he and his mom are on fairly good terms. Everything changes when Jane arrives in Burgerville. Inexplicably, she chooses Ray and Simon to be her new best friends, and the three become inseparable as they explore the history and urban legends of their strange town. Jane’s history is darker than it seems though, and when her struggle with depression leads to the unthinkable, Ray is left to gather the pieces and try to make sense of what happened.
The History of Jane Doe is basically an updated version of Looking for Alaska. It’s my favorite John Green novel (arguably not his best, but still my favorite), and I like to think I would have felt better about Jane Doe if I didn’t love Alaska so damn much. Jane Doe is better in some important ways. Its representation of mental illness is much more accurate, and Jane’s depression is actually called by name and addressed with therapy and medication. I think it’s important to see teenage characters with mental illnesses seeking help and breaking down some of the stereotypes that come with it. The downside is that it’s missing most of Alaska’s heart.
The characters are bland. Ray is the typical Nerdy Male Protagonist, with Simon as his faithful sidekick. His passion for history, particularly the weird history of his small town, is notable, but it never really pulled me in. The best things about him are his attempts to understand what Jane is going through. He never stops trying to help or being on her side. Jane is dry and sarcastic, which are characteristics that wear on me after a while. All that being said, I’m well outside the target age group for this book, and I suspect sarcasm as a personality goes over a lot better in high school.
The description of this book made me nervous, since it could so easily edge into Manic Pixie Dream Girl territory. While Jane is more distinct than that stereotype, she does fulfill some of the same roles, namely in making Boring Male Protagonist’s life more exciting and meaningful. I wanted to like her, but she never quite moves past ���mysterious, edgy girl who can’t be understood”, and I’m tired of that angle. We don’t need more books about men who can’t understand women, YA or not. (In that respect, Alaska is MUCH more a MPDG than Jane, but I still love her the most. Feelings are inexplicable.)
On the other hand, the writing itself is good, and structurally, I think the book really works. It moves seamlessly between past and present, and I never felt jolted out of the narrative or like Belanger was leaving me in suspense between the two. It also deals pretty well with Jane’s suicide. It’s clear early in the novel that’s what’s happened, as the narrative alternates between Ray and Simon meeting Jane and their history together and present-Ray struggling to understand why Jane took her life. His grieving process is well detailed and painful (and also includes therapy), and I like the ambiguity of the overall message. Ray will never be able to cope with Jane’s death by trying to piece together their history because he’s asking a question that doesn’t have an answer. Despite what Thirteen Reasons Why would have us believe, sometimes there is no “why.” Sometimes mental illness is an ugly voice that won’t let us see past the darkness. It’s not a very hopeful book, but it does deal well with some serious issues.
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