What do you think?
Rate this book


192 pages, Mass Market Paperback
First published November 26, 2018
Parasite in Love starts from a conceptual premise that, on paper, is fascinating. The work contains very interesting and highly exploitable ideas, proposing a promising intersection between biological determinism, mental health, and romance. The notion of parasites influencing human emotions and behaviors offers fertile ground for questioning the nature of free will in love, suggesting a narrative that could have delved deeper into how much of our affections are genuine and how much is mere chemical or biological manipulation.
Visually, the manga is undeniably appealing. The art is delicate and aesthetically pleasing, achieving an atmosphere of fragility that fits well with the melancholic tone of the story. The covers, in particular, are excellent; they have a design that immediately captures the attention and promises a poetic and careful experience. It is a work that catches the eye and maintains remarkable graphic consistency throughout its pages.
However, as you read on, you get the feeling that the themes are being addressed in a somewhat unfortunate way. I seriously question whether the direction the author took was the most appropriate way to explore the concepts already established. The parasite metaphor, rather than serving as a vehicle for delving deeper into the protagonists' psyche, sometimes feels like an obstacle that muddies the message, occasionally trivializing the internal struggles and disorders that the manga attempts to portray.
Along these lines, the narrative execution leaves much to be desired. I am not sure that this was the best way to approach the ideas initially proposed. There is a palpable disconnect between the richness of the concept and the reality of the script, where the plot decisions seem to veer toward resolutions that do not quite satisfy the complexity of the premise. It feels like a missed opportunity to tell a truly transcendental story about loneliness and human connection.
Despite these structural criticisms, I must admit that I liked, to a certain extent, the conclusions the characters reach. When the manga allows itself to delve into the philosophical and psychological depth of its protagonists, it finds its best moments. There is valuable introspection about accepting one's own flaws and the shared nature of pain that resonates strongly, saving the work from being a total failure in terms of writing.
In short, I personally did not find “Parasite in Love” to be an outstanding work. The prevailing feeling is that this concept could have been explored in many other ways, and that the one chosen was not the best. Although it is not an entirely bad manga, I find the second volume particularly bland, lacking the pace and strength necessary to sustain interest. However, the ending manages to redeem part of the journey, being quite solid and emotional, which, added to the beauty of the art itself, makes the final experience mixed but not entirely negative.