Borderland
F.E. Feeley, Jr. and Jamie Fessenden
Beaten Track Publishing, 2020
Five stars
“Have you had a good life…? Were you loved? Did you love in return?”
“Borderland” is a ghost story with a point. It is eerily timely, and it deals with a topic all too present in America’s consciousness at this very moment of global pandemic: death before one’s time. It is also, however, a love story, a commentary on how the world has changed in a hundred years, and, perhaps, the very nature of good and evil.
These are all things about which F.E. Feeley has made us think in his other novels, but this collaboration with Jamie Fessenden, whose books are happily familiar to me, creates a rich stew of plot, emotion, symbolism, and downright horror-show creepiness. Both Fessenden and Feeley have a penchant for the paranormal, both for its cinematic special effects, and for its emotional potential.
Borderland is the name of a hotel, established as a place of relaxation and retreat from the world, deep in the Vermont countryside near the Canadian border. It is exactly the kind of resort that flourished in such beautiful parts of America in the late nineteenth century, providing the opportunity to ‘get away from it all’ for people exhausted and harried by life in a time of immense social and economic change. But, unknown to its builder, and to its current owner, Rebecca Thibault, there is another Borderland involved, and this one we get to discover along with the guests at the hotel after the arrival of Jason and George Uphill.
I remember distinctly, back in the late 1980s, when I found out for sure that neither my partner nor I were HIV-positive, thinking ‘now all we have to fear is everything else we can die of.’ This is where the story begins, with a relatively young gay couple, legally married, ten years into their life together. George is diagnosed with a brain tumor, and all efforts to stem its growth fail. George and his husband Jason decide to return to Vermont from Texas, so that George can make peace with his family and find peace on his native soil. He and Jason are determined to make the most of their last six months together, to enjoy each day to its fullest until the inevitable end comes. It is an oddly melancholy beginning to a classic horror story, in which they are marooned on an isolated road during a violent thunderstorm, their car damaged. The two young men manage to coax the crippled vehicle up a long driveway to a charming Victorian hotel called Borderland, hoping to use the phone to call AAA.
What they find instead is Miss Rebecca Thibault and her staff, all smartly costumed like something out of “Downton Abbey,” ready to tend to their every need. Borderland is luxurious and elegant, yet oddly lacking in some obvious modern conveniences – like a telephone, or any motor vehicles.
The collaborative writing of Feeley and Fessenden is impossible to pick apart; they seamlessly weave their tale of increasing weirdness, like an extended episode of ‘The Twilight Zone,’ until Jason and George can no longer deny that they’ve stepped into something beyond their experience. Like a narrative fractal expansion, the story spins increasingly out of control, to the point where it takes on a cinematic horror-movie quality that defies logic. There comes a moment when both the main characters and the reader simply must let go, embrace whatever faith they have in what they believe to be good, and fight. Jason and George fight in honor of their life together, out of love for each other. The real surprise here is that they have allies they didn’t expect to find.
In the end, it is not about dying, but about the idea of a good death – a concept extant in every major religious system. As much a lover of romance as I am, I know all too well that there are no happy endings in this life; none of us will get out of this story alive. Seeking solace in some measure of control over our end is, perhaps, the best happiness we can achieve. Feeley and Fessenden give us a moving and page-turning adventure that is as much an exploration of the metaphysical as it is of the supernatural.
This would make some crazy movie, if Hollywood had any courage.