Brett Dakin, Gleason’s great-nephew, opens up the family archives—and the files of the FBI—to take you on a journey through the publisher’s life and career. In American Daredevil, you’ll learn the truth about Gleason’s rapid rise to the top of comics, unapologetic progressive activism, and sudden fall from grace.
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason (Chapterhouse) and Another Quiet American: Stories of Life in Laos (Asia Books). His writing has appeared in the New York Daily News, the International Herald Tribune, The Washington Post, Foreign Affairs, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
A fascinating biography of a pioneer of golden age comics. The context of Red Scare McCarthyism and the 'Seduction of the Innocents' campaign against comics is compelling. The book outlines how comic publishing became so successful and how it fitted in to American and world history.
Really interesting insight into the history of comics. I had never heard of any of this and I have many thousands of comics in my house. Throw in a collision with the House Un-American Activities Committee and you have a fascinating story
I love comics and their history so it's rare that I give a low rating to any book claiming to tie in with the history of comics. I say claiming because this one didn't have much about comics in it. It was mostly about Gleason's politics but it does mention communism in the title so I can't say I wasn't warned. As for the book itself, it probably shouldn't have been written by a relation of the subject. To say Dakin gushed over his uncle Lev would be an understatement. Even though they never met. It's interesting that I had recently discovered the word hagiography because this definitely fits. It might also have benefitted from an author who stuck more to facts rather than conjecture. There were so many instances of 'we can assume' or 'it's possible' that it became apparent the author wasn't worried about actual events but skewing the narrative to make his uncle look more like a hero. Towards the end, Dakin even admits he's going to 'imagine' a certain scene. Pretty interesting technique for a 'biography'. All in all, it was too evident that the author had a definite purpose in mind outside of simply telling the story of Lev Gleason and he didn't seem concerned about accuracy so much as getting his point across.
Every now and then, I like to dabble in non-fiction, particularly about subjects that interest me. As a fan of both comic books and history, I expected to enjoy this one, and I did. I found it very interesting at times and somewhat dry at others, but for the most part, I enjoyed my time reading this. I don’t regret picking it up as I learned a bit about early comic book history.