Taking place in New York's Chinatown in the late 1940s, Eat a Bowl of Tea is the story of the marriage of Ben Loy and Mei Oi, arranged by their respective fathers, Wah Gay and Lee Gong, who are two of the many "bachelor husbands" of Chinatown, married men whose wives were left behind in China when they came to America to work. Initially, Ben Loy is reluctant to travel to China to marry, as he has been enjoying a dissolute social life patronizing prostitutes. Yet after meeting Mei Oi, he quickly falls in love and is eager to bring her back to New York and start a family. For her part, Mei Oi had always hoped to marry a gimshunhock (someone who has emigrated to the U.S.) primarily to avoid becoming a farmer's wife in her village of Sunwei, but after meeting Ben Loy, she quickly falls in love as well.
After a blissful first few weeks of marriage in Sunwei, the couple returns to New York, where Ben Loy is suddenly impotent. He assumes the cause is both psychological, the result of trying to sleep with his wife in the same bed where he employed prostitutes, and physical, owing to his many previously treated bouts of VD. Mei Oi alternates between being understanding and nagging, but mostly she feels rejected and unloved. Ben Loy sees both a medical doctor and an herbalist, neither of whom seem able to cure him.
Into this situation comes Ah Song, the seducer. Hearing rumors of Ben Loy's impotence, he contrives to be alone with Mei Oi in her apartment one day and they begin an affair. Mei Oi is initially unwilling (extremely so in that their first time doesn't seem particularly consensual on her part), but soon comes to depend on Ah Song's attention, despite not really liking him all that much.
In short order, Mei Oi becomes pregnant. Although it's assumed by all that Ben Loy is the father (even, oddly enough, by Ben Loy), it's also common knowledge in Chinatown that Mei Oi and Ah Song are having an affair. Ben Loy is strangely passive about the whole thing, but when his father decides to take action, all of their lives are changed.
The novel is satirical, but the comedy is dark. Although the target of the satire is the degree to which reputation and fear of what other people will say guide the actions of these characters, it's also what makes you want to clonk their heads together and tell them to stop ruining their lives. So I found the story more frustrating than anything else. Also, although this is a relatively short book (250 pages) it's broken up into 57 chapters, which gives it a disjointed feel. I think I might have liked it better if I had read it in one or two long stretches, rather than over several days, because the plot sets up early and the second half of the book is just aftermath. I've been hearing about this book for years, so maybe my expectations were too high; I thought it was good, but not great.