I’m so happy for my friend and yoga colleague, Amy Weintraub, on the publication of her debut novel, Temple Dancer. There is much to admire in this nested narrative, which straddles the journeys of two women seeking meaningful lives through art, service, relationship, and devotion to the divine, one as a temple dancer in mid-20th century India, the other as a social worker/yoga teacher in 21st century United States.
Weintraub brings to life the culture of India’s centuries-old tradition of temple dancers, or devadasis, women who dedicated their lives to god, performed sacred dances for a variety of ceremonial occasions, and cared for the temples. While remaining unmarried, these women were free to take lovers, whether short or long term. They often amassed wealth and some acquired property.
Weintraub’s gifts as a storyteller shine as she depicts the life of Saraswati, the temple dancer of the novel’s title, from her dual awakening to both ecstatic dance and devotion to the divine through her time as a devadasi until devadasis were outlawed in 1947. This part of the novel is convincingly told in the voice of Saraswati in memoir-like form.
Sarawsati’s story is embedded in the story of Wendy, the novel’s main narrator, as she reckons with her life as an artist, wife, mother, daughter, lover, social worker, yogini, and yoga teacher. Wendy receives the manuscript of Saraswati’s story from a mysterious woman she meets on a train in India, promising to bring the story to a wider audience. After the manuscript goes missing for 20 years, it comes back into Wendy’s possession, and as it does an opportunity opens for Wendy to make good on her promise.
In braiding these two stories, Weintraub weaves feminist themes around the conflicts inherent in living a life of devotion through art and spiritual practice while taking on traditional female roles associated with being a daughter, wife, and mother, not to mention the perils of stepping outside of those roles. As Weintraub shows, these conflicts are no less real for US women in 21st century than for women living according to the mores of a more traditional culture in mid-twentieth century India.
Temple Dancer offers much food for thought at this time in American life when women’s autonomy and equal rights for life, liberty, and the pursuit of happiness are, once again, being challenged and gains made over the past 50 years at risk of being eroded.