James Chiltern boards the 23:50 sleeper train from London to Edinburgh with two pork pies, six beers and a packet of chocolate digestives. At 23:55 he sends a message to all 158 people in his contacts, telling them that he plans to end his life in the morning. He then switches his phone to flight mode. He's said goodbye. To him, it's the end of his story – and time to crack open the biscuits.
But across the world, 158 phones are lighting up with a notification. Phones belonging to his mum. His sister. His ex-best friend. The woman who broke his heart. People he's lost touch with. People he barely knows. And for them, the message is only the beginning of the journey.
Funny and wise, tender and deeply moving, Contacts is a beautiful story about the weight of loneliness, the importance of kindness – and how it's never too late to reach out.
Librarian Note: There is more than one author in the Goodreads database with this name.
Mark Watson is an English comedian, novelist, and producer whose career spans stand-up, radio, television, and literature. Born in Bristol to a Welsh mother and English father, he grew up with younger twin sisters and a brother. Educated at Bristol Grammar School, he went on to study English at Queens' College, Cambridge, graduating with first-class honours. At university, he became a member of the prestigious Footlights, performing alongside Stefan Golaszewski, Tim Key, and Dan Stevens, and contributing to a revue nominated for Best Newcomer at the 2001 Edinburgh Festival Fringe. Watson first gained wider recognition through stand-up comedy, performing regularly at the Edinburgh Festival Fringe, where he won the inaugural Panel Prize at the if.comeddies in 2006 and received a Perrier Comedy Award nomination in 2005. Known for inventive and often marathon performances, his shows have included 24-hour performances, collaborative audience-driven novels, and themed events like the “Earth Summit” and “Edit,” compiling his festival highlights. His comedy frequently incorporates unusual settings, from ferries and streams to vaccination queues, demonstrating his flair for unconventional experiences. On television, Watson co-hosted the BBC Four panel show We Need Answers, appeared on series including Taskmaster, Richard Osman's House of Games, and Celebrity Mastermind, and starred in his own programs such as Mark Watson Kicks Off and the Channel 4 panel show The Mad Bad Ad Show. His appearances also extend to stand-up specials on Live at the Apollo, Michael McIntyre's Comedy Roadshow, and international comedy festivals in Australia and New Zealand. In radio, he has hosted multiple series including Mark Watson Makes the World Substantially Better and Mark Watson Talks A Bit About Life, often collaborating with Tim Key, Tom Basden, and Flo & Joan. He has also contributed to BBC Radio 5 Live’s Fighting Talk and produced series exploring both comedy and broader cultural themes. Watson is also a prolific author, publishing novels, non-fiction works, and graphic novels. His books include Bullet Points, Crap at the Environment, Eleven, The Knot, Dan and Sam, Hotel Alpha, The Place That Didn't Exist, Contacts, Mortification, and One Minute Away. Beyond performing and writing, he co-runs Impatient Productions, producing radio shows, podcasts, and digital content, and hosts the World Snooker Tour podcast Snooker Club. During the COVID-19 pandemic, he innovated with livestreamed 24-hour charity events called “Watsonathon!” and co-created the YouTube series No More Jockeys. Mark Watson is a lifelong supporter of Bristol City Football Club and continues to live in East London, balancing a career that blends comedy, literature, and experimental performance with a commitment to inventive, audience-focused storytelling and engaging entertainment.
Imagine what your first thought would be when your phone lights up with a new message, and you read the words that someone is saying goodbye to you. Permanently. As in, leaving this mortal coil behind.
"I know what I'm doing, and I'm fine. I just wanted the chance to say goodbye and to thank you for the things we have shared. James x"
What emotions do you think you would feel? Fear? Disbelief? Anger? Incredulity? Horror? You may even wonder if it's a drunken joke. A messy text sent by someone who's had one too many, and will surely feel better in the morning.
James Chiltern sends one such text which reaches the entire contacts list saved to his phone. All 158 of them. Each person simultaneously recieving his message, sent from the London-Edinburgh train at 00:02.
Having reached the age of forty, he's an eeny bit overweight and feeling more than a little disillusioned. His partner has left him, he no longer speaks to his sister or best mate, and he's just lost his job.
"...feeling progressively more invisible, feeling fat and hot and useless."
The thing is, James is a really lovely bloke. The type you can depend on. Kind and thoughtful. Happy to be the designated driver on a night out. Who doesn't deserve the crummy set of cards he's been dealt. But his loneliness is so overwhelming, so unbearable, that he can't see his way out of it. The unhappiness he feels is "thick and choking," his life turned into an "endless flat grey afternoon of depression."
This story looks at the implications of our relationships. Family, friends, acquaintances. The reasons we lose touch with each other. Sometimes intentionally, but usually not. Life just happens, it unfolds, and we tend to assume that those we know are ok, unless they are going through a major crisis. But what constitutes one of those?
As the train snakes its way from London to Edinburgh, we get the backstory of what led James to this decision. We see snippets of his childhood, the fun times with his sister, his love for his Dad, the dreams of conquering the world when working in a start-up company with his buddy Karl, how he met his partner Michaela. Now all of them are sadly part of his past.
In alternating chapters we see the reactions of the people who receive James' text at all hours across the globe. Their story as part of his life. The good times, the happy memories, the lifeblood that gives us meaning.
"Eighty-two texts and fourteen missed calls. A deluge. In January he'd received just two texts in an entire week, and one of them was to offer him two-for one pizzas if he replied with the word PEPPERONI. Eighty-two messages sent by people who had been disrupted, moved in some way, by the one he'd sent."
The reason that James selects an ovenight train to Edinburgh is particularly poignant. Bittersweet.
Using mobile phones throughout the story is interesting and makes sense. It shows that while technology can often isolate people and stop a real conversation from taking place, it can also be a fast, safe way to keep in touch. To send a quick message, that you're thinking of someone. It's like the saying goes, you never know whose day you might change with your smile. The same can be said for a phone call or text message.
"Where were you all when I actually needed it? James asked the silence."
Food for thought.
If I've made this sound like a sad story, it couldn't be further from the truth. Yes, it sure does have some hard, dark moments. But it's also full of hope and encourages us to check in with each other. And to also check in with ourselves, and not pretend that everything is ok, when you know it isn't.
Trigger warnings⚠️ Suicide and suicidal thoughts. Depression and depressive thoughts. Confronting scenes.
I came across this book purely by chance yesterday. My Saturday arvo plans had fallen completely apart, and I was mooning about in Dymocks (one of the many amazing bookstores in Sydney) feeling sorry for myself , when this book caught my eye. That evening, I read over half. It's been so long since I got into a book so easily from the start. I just kept reading, and reading, turning the pages, as it's such an easy story to become invested in. Quite simply, it resonated with me on a deep level.
I'd not heard of Mark Watson before reading this, but I'm so glad that now I have. Bravo. It was definitely the right book at the right time.
Just to say at the outset that this novel deals with the subject of suicide, a sensitive subject for some no doubt. You may or may not wish to read on. I read the book after seeing the review of a GR Friend.
Things have all gone wrong for James Chiltern. He’s one of life’s triers, but his romantic relationship and his career have both fallen apart, and a family relationship has gone wrong as well. He takes an overnight sleeper train from London to Edinburgh - a journey of sentimental childhood memory for him – with the intention of committing suicide when he arrives. No-one else knows he is on the train. After it leaves Euston station he sends a message to all his phone contacts, telling them he is going to end his life. He then turns the phone to flight mode so no-one can contact him. The novel then focuses on James’ journey and the reactions, and actions, of five people on the list, namely his sister, mother, ex-GF, ex-boss, and flatmate.
This was really not bad. At 373 pages it isn’t an especially short novel, but I went through it in 3 days. When I read a book like this I’m looking for something that will keep me turning the page, and this definitely met that standard. The writing style is very accessible and I was intrigued both to find out James’ backstory and what the outcome to his journey was. There was a bit of a bland “Let’s talk more” underlying message but I hardly expected anything else. The main characters were all people with their good and bad points, and despite the subject matter there was some quite good humour.
I suppose this book might cause a few readers on ponder on how their lives impinge on others. Early on James specifically references It’s A Wonderful Life in his thoughts, though only to compare his own influence unfavourably with that of George Bailey. Even then, James has a lot more phone contacts than I do!
The link below is to the review that first alerted me to the book.
Contacts by Mark Watson has such a unique premise and I was intrigued on how it was going to play out. It was an emotional, at times funny and clever story tackling a tough subject. It was one that I took my time with and really appreciated.
James Chiltern has had enough and given upon himself and life. He books himself a sleeper cabin on the London to Edinburgh train and boards with one intention. He sends a message to his 158 contacts in his phone to say goodbye, and then switches it to flight mode.
From here we learn about James and his life through his own flashbacks. Chapters jump between the people closest to him while they try to find a way to stop James carrying out his message. There is his mother Jean, ex girlfriend now living in Germany Michaela, his flat mate Steffi, best friend Karl and his estranged sister Sal, who is living in Melbourne. All of them are wondering how they missed the signs and how they can help him.
Thanks to Harper Collins Australia for sending me a copy of this book to read.
James is a top bloke. Never the life of the party, but a solid, dependable, affable, loyal person. However, lately a few things have gone badly wrong in James' life and he's decided to end it. He boards the overnight train to Edinburgh, a place that has significance to him, sends a goodbye text to his 158 phone contacts, switches his phone to flight mode, then settles in to endure his last night on earth in his little sleeper compartment.
Meanwhile, all over the world, James' text begins to make waves. In Melbourne, his sister has already begun a busy working day, while in London his flatmate is just finishing up her shift at a popular restaurant. In Berlin, his ex is out on the town with her new partner. His mum doesn't even have a mobile phone, so she didn't get the message; instead woken by one of those dreaded night-time calls on the landline. Many people, many different reactions. Lots of reasons to feel guilty. Nobody knows where James is, or how to contact him. But lots of people want to help. Can anyone do anything to help ward off this tragedy-in-the-making?
I had hoped for a lot more from this book. One of Mark Watson's previous novels, Eleven, is counted amongst my favourites and I enjoy both his humour and his writing. But this just didn't hit the mark for me. There were lots of characters and unfortunately the one I connected with the least was James. I don't mean that I wasn't concerned about his fate, it's just that I was more concerned about those trying to help him. I enjoyed the style of story telling, but felt that it was unfinished at the point of resolution for James. What happened to Steffi? What about mum? Did Sal decide to come home?
That aside, the point of the story was well-made. Watson has shown us that although we might often regret the way human interaction has changed for the worse with the emergence and prevalence of various technologies, it is those same technologies that can make all the difference in times of crisis. Although the book was written just before the pandemic, when our relationship to technology was a little different, it's still a powerful message.
I really like Mark Watson and I really wish I liked this book more. My precis: someone threatens to do something, then nothing happens for a good 90% of the book before a different thing happens that feels inappropriate and unsatisfactory.
I would like to thank Harper Collins and Netgalley for an advanced reader copy in exchange for an honest and fair review. A lonely man named James decides to take his own life. In the modern day equivelant of an old fashioned suicide note, he writes a short text on his phone and sends to all his contacts (like a "black mirror" version of Michael MacIntyre's schtik) hence the title. The book then reveals with how his contacts deal with the news and, in flashback, how he came to be in such a sorry state. Fair to say its not all rainbows and lollipops. There are numerous miseries heaped on our shy, good natured victim of life. I won't describe them, but leave them for the reader to find. However its not the big disasters that crack him, but the multitude of small sadnesses and loneliness that grind him down. Technology and in particular mobile phones form a background thread through the book. The author is a stand up comedian but this is not a humerous book. He wrings every little bit of guilt and anxiety possible out of the story. He makes you feel uncomfortable and socially awkward. It shows how an intelligent, affable person can be emotionally lost in the crowd. It is a very sad book. I may recommend it to friends but only if I feel they are strong enough to deal with the themes. I listened to the audio book. Mark Watson narrates the story and while the Welshman does not have the rich, melodious tones of a Michael Sheen or a Richard Burton, his voice is suited to the neurotic story. He is a sort of Welsh Woody Allen. The big plus for this book is that, at least in my experience, it will make you rethink how you interact with others and you may learn to be a slightly kinder person. Thats pretty good going for a book.
⭐⭐⭐💫 I enjoyed 90% of this book but I found the ending disappointing. It felt a bit rushed in the end. Everything built up nicely to a great climax but then it fizzled out for me. We got to know all the different people in James's life and how his message affected them but I wanted a bit more. I wanted to know how they dealt with the conclusion. With a tweak here and there it can be a great read. I also wanted to know a bit more about Gina and about why she made the choices she did. It was interesting to get to know all the different characters in the book and to see the different way people deal with stressful situations.
Thank you to Netgalley and Harper Collins UK for the ARC in exchange for my honest opinion
Audio eARC received from the publisher via Netgalley in exchange for an honest review
content warnings
Contacts follows the story of James Chiltern, a middle-aged man who has decided that he will commit suicide in Edingborough, as he sits on the sleeper train to the city he sends out a message to his contacts, telling them what he is about to do but with no indication of where he is, and then puts his phone on aeroplane mode. As friends and family frantically try to get in touch with him James is sitting serenely onboard a train, and the effects of that single message span several countries and lives.
This book is an interesting one, it deals primarily with suicide and so it is a heavy book but Mark Watson (who is also a comedian) manages to infuse this book with some lighthearted moments as well. The book switches POV many times, we hear from James himself, his ex-girlfriend, his mum, his sister, his old best friend, his flatmate. And they all recount memories of their time together and look back on what exactly went wrong, and what exactly this message means to them. They all respond differently to James' message, and not necessarily how they expected themselves to respond. It's impossible not to root for James, lots of things have gone wrong in his life recently and none of them seem to be his fault, I found myself desperate to reach into the pages of the book and give him a hug. I did appreciate Watson's choice to make it not one huge catastrophic event that had made James' make this decision, instead everything that had happened recently just seemed a bit too much, life itself seemed a bit too much, and I think that's something that a worrying proportion of the population can identify with.
I really appreciated how we hopped around the world, it gave us an insight into all these different characters and really allowed us to explore their relationship with James. I think this book did a great job of exploring how much of an impact technology can have on our relationships and the way we interact with one another. And it also showed how easy it is to imagine we have such a small impact on other people's lives that nothing in their life could possibly be our fault. In that regard, this reminded me of the only other book of Watson's I've read, Eleven (which I think I preferred a little more but couldn't say for certain having read it so long ago).
For me this book was a little let down by its ending, even as I was reading I wasn't entirely sure what ending I was wanting. I just found it a little unbelievable and shocking but not in a good way .
I do also think that this book could have perhaps been a little shorter, as it was starting to feel somewhat repetitive as we crept towards the end.
But I did think Watson's narration of the audiobook was really enjoyable and I'm keen to pick up something else by him. This was all in all a really interesting read that explored some really complex relationship dynamics. It made me sad, and it made me smile, and I would recommend if it sounds like something you'd enjoy.
I'm sorry Mark Watson, I loved you on Taskmaster. I liked the sound of this book. Took a shot and I really disliked it. I found it to be poorly written, you think the paragraph is going one way then it meanders off somewhere else. Concepts are not well conveyed, e.g. who is talking, past or present, the layout of the geography etc. Little things, thoughts, are started but never returned to. If it was important enough to tell the reader about something, like the location of an object at a given moment, then why not resolve that thought, finish it? I found the whole thing to be disjointed, and not in a clever way. The characters were interesting and the premise made me want to read it, but the story that unravelled was not worth my time.
From the premise - a man who sends a suicide text to all the contacts in his phone and then puts his phone into flight mode so nobody can reach him to talk him out of it - I expected to spend the entire time being furiously angry at the main character for pulling a stunt like that. For that reason alone, I probably wouldn't have read this book if it hadn't been our latest book club pick. Still, I ended up liking it, despite having to put it down frequently to take a breather from the bleak situation portrayed here. And I was surprised that despite my anger at the main character, the further I got into the book the more it managed to also make me feel sympathetic towards him and put aside my anger. Mostly despite being angry about what he was doing in his present, I found myself sympathetic towards him in the flashback scenes that were shown of his past. The way the flashbacks were incorporated in the present-day action worked well and the pacing - much like the train James was on - chugged steadily along. It's not a fast-paced story, but there weren't any parts that were dragged out unduly either.
The book did a pretty good job drawing the various characters, switching between following our suicidal main character and some of the recipients of his middle-of-the-night text. There's quite a bit of suicide ideation in the main character's viewpoint, as was to be expected, but I felt like a lot of the other viewpoints nicely balance that out, showing how a message like that would affect the people receiving it. (Though in the mind of someone suicidal, the other viewpoints could also be read as more "that'll teach them, let me get my revenge this way, I want them to feel this scared and guilty" or "that's the way to get people to treat me better/appreciate me more" points in favor of suicide/suicide threats.)
(Update: I'm knocking off a star because now I have some distance, the first thing that springs to mind looking back is how crummy and unsatisfactory the ending was.)
Original review below:
This was an emotive read that will appeal to fans of David Nicholls and Matt Haig.
James sends one final text to his 158 contacts before travelling to Edinburgh to end his life.
What ensues is the story of how he came to this point of despair and the ripples created as his loved ones receive the news.
By and large I found it a touching and hopeful read, although obviously the subject matter is very sad. I was emotionally invested in the outcome, and found the prose very readable, despite some minor head hopping.
I did have a couple of issues with it: the use of stereotypes, and (without spoilers) the execution of the ending, but overall I found it thought provoking and clever.
Watson says that he was trying to show how technology can bring people together, but for me the message I got was more along the lines of "is there anyone in my life who I can forgive?"
Look out for the people you love. Don't forget what's important in life. Reach out where you can, and don't hold grudges you might regret.
Really enjoyed this. This is the book I'd hoped The Midnight Library would be. James is an overweight middle aged man, no girlfriend or close friends, stuck in a job he doesn't enjoy believing that his life has nowhere to go, so he boards the sleeper train to Edinburgh intending to kill himself there. As the train sets off he sends a goodbye text to all of his contacts then switches off the phone. During that journey we see everyone's responses to that text - the friends who feel guilty, the sibling with regrets, the flatmate determined to get in touch. While James ponders how his life has bought him to this destination.
At its heart this is a book about communication and technology. The importance of contacts both as lists in a phone and actually communicating human contacts. No spoilers for the ending.
One of the things I love most about Mark Watson's work is how clearly it shows the ways in which humans connect, and how everyone has their own pain and problems. He makes every character so broken and wonderful and captivating, and this was the perfect book to showcase that talent with. There is so much I want to say, but honestly I can't find the words. This book has so much heart.
I was really excited to read this – so much so that I bumped it up my TBR in a way I’ve almost never done before. The premise felt original and powerful; I hadn’t read anything quite like it, and I went in expecting to be moved, maybe even gutted by it. I had imagined what it would be like long before I even started, probably raising my expectations to unrealistic heights. In the end, it turned out to be a fairly mediocre read, and I’ll admit, I may only have myself to blame for that.
The story started strong and climactic, but somewhere along the way, it lost its momentum. It dragged on, felt unnecessarily long, and became so slow that I couldn’t read more than a few chapters at a time. For a book centered around themes as heavy as suicide, depression, isolation, and self-worth, I was surprised at how little emotional impact it left on me. There were barely a few fleeting moments that moved me even a little bit.
The writing was very accessible – everyday language, simple to follow. James, the lead character, felt incredibly distant, and I don’t think that detachment was intentional. He came across as passive and uninvolved, and the author missed an opportunity to really let us into his inner world. A story like this should have offered us raw, gut-wrenching reflections – an honest portrayal of what it means to spiral, to feel alone, to hover on the edge. But that emotional oomph was missing. I didn’t connect to James, and without that connection, the story lost its weight.
The middle dragged so much that my interest started slipping away. And when the ending finally arrived, it did so suddenly and with little clarity. I even went back to reread sections to make sure I hadn’t missed anything. The twist that resolved James’ arc felt too convenient, implausible, even, and it came at the expense of another character’s life! It felt staged, overly tidy, and emotionally unearned. Also, James had thrown his phone out onto the embankment and it was just so convenient that someone had found it and given it to Gina. It was also very convenient that Gina didn’t check who’s phone it was until the very end when the train had arrived at its destination and the passengers has been offloaded. Why would she not check it earlier to try and find its owner and return it when it was handed to her and the passengers were still on the train? That just didn’t make any sense…
And then there was the word “funny” on the cover. I still have no idea where that came from – was it simply because the author is a stand-up comedian? There was nothing humorous about this book, nor should there have been, but it created a misleading expectation that definitely wasn’t fulfilled.
Ironically, the character who left the deepest impression on me wasn’t James, but Gina, the train’s conductor. She was only briefly mentioned throughout the book, and we got just a few scattered glimpses into her story, fragments of conversations. We saw that she was troubled, but nothing that seemed extreme or alarming – more like the kind of everyday grievances and emotional weight that most people carry without notice. And that’s exactly what made her arc so powerful. Her suicide came suddenly, quietly, and without buildup, and yet it hit harder than anything James experienced.
What complicated it even more was the way she ended up offering her life instead of James’. It felt, in a way, too convenient, a dramatic plot twist meant to rescue him while sacrificing her. Especially after she had told him that his life mattered, that people cared about him. It felt slightly hypocritical, unless that contrast, her telling him he was loved while quietly feeling unloved herself, was the very thing that pushed her over the edge (literally and figuratively). Maybe she couldn’t reconcile how no one had reached out to her in the same way. Whatever it was, that moment said more about isolation and invisible suffering than the entire rest of the book. For me, she was the character who truly embodied the book’s message.
In general, the idea behind this book was strong and full of potential, but the execution fell flat. It could have been deeply moving and emotionally devastating. Instead, it felt like a story that got lost somewhere between good intentions and a missed opportunity.
I absolutely loved the premise of this book, unique and clever. I love Mark Watson's writing and comedy. So I should have loved this book, and, in fairness, I did enjoy it. The story was so unusual and such a deep and insightful look at the way technology has changed the way we humans interact with each other. There was lots of fun but also plenty of poignancy. James was a gorgeous and relatable character and I was totally invested in the outcome. However, and this may just be my personal preference. I listen to a lot of books, (25 - 30 a month), so I feel I am speaking from a point of knowledge. I think it was about an hour too long, At 11 hours and 5 minutes it is on the long side and it could do with a bit more of a ruthless edit. I struggled to stay engaged for the entire time and found my mind wandering after about 9 hours. Also, and apologies to Mr Watson, I'm not convinced he's the best narrator for this book. I think it needs someone with a slightly more gentle voice. Again, this is just my opinion and I'm sure the book will do well on Mark Watson's name alone. I only think it could be even better.
I wanted to like this book so much, but it raised some mental health red flags for me. Although Mark Watson says in his acknowledgments he wanted to show how technology had the power to bring us together, so many incidents leading up to the premise showed how it had created more loneliness and disconnection that for me did not outweigh its upside. I was also surprised to see (in my Kindle version) the publisher had not included links to suicide support lines. While this book is touted as 'heart-warming' and 'life-affirming' I do worry it could also be triggering for some - particularly as the sub-plot with Gina seemed to have zero consequence for the characters this story. Clearly everyone else seems to love this book, so this is just a suggestion if you are feeling vulnerable - and I am certainly not against tackling the very important subject of suicide in fiction.
After reading this book I feel entirely conned into doing so. I had never read anything by Mark Watson so it wasn't that I felt I should. I merely read the inside cover synopsis and thought it might be interesting. I was wrong. There are some interesting paragraphs in the book, mostly from James himself. The end of the book doesn't acknowledge the people who helped him, even his friend who is with him after he doesn't kill himself. It's almost like Watson got near the end of the book and decided he didn't want James to die. So the woman on the train jumped instead. I cannot find anything good to say about this book.
This entire review has been hidden because of spoilers.
It was just… OK. Had the potential to be an interesting story and concept but it was quite poorly written in places. Over explaining things that didn’t need to be explained, little remarks that weren’t clever or funny but were clearly intended to be. Also felt it somewhat trivialised the main topic of suicide in places.
Interesting premise, poignant observations and a story that has it's moments. Mobile phones are a critical part of most of the storylines. Wish it had been a bit more to the point to make it a quick read.
James is a good boring overweightman who has been abandoned/forgotten by most people in his life. He decides to end his life. From a moving train he sends his suicide note as an SMS to all his contacts just before midnight before switching on the flight mode and ponder his life till he reaches his destination.
Soon all of his 153 contacts receive the message. A few from his contacts are given a jolt - like his busy estranged sister, his out of touch mom, his repentent ex and his friend who cheated him. These people whom James has written off (and forgiven) are now frantically trying to locate him while recalling their part in adding to the misery of the good person.
His room mate who is a very resourceful girl soon sets up an online search party. Through this episode, each of them also end up reflecting on their own life and relationships.
You end up feeling sorry for James what with each of these people contributing to breaking him. Death by a thousand cuts it seems for the hero. It is not a happy book though it still manages to keep the tone not too serious.
Note: I would like to thank Harper Collins and Netgalley for an ARC in exchange for honest review.
“You filled every second with some sort of meaning. You used every minute, every hour well. Because that felt like winning…..So for almost all of every day - all those hoarded minutes, all that time you managed - everything seemed fine. Life seemed like the truth; what came next, you could forget” . . . TW: Depression and suicide
James Chiltern gets on the sleeper train from London to Edinburgh with the sole intention of ending his life in the city where he scattered his father’s ashes four years before. James is a good man; kind, intelligent and curious, but a series of events have sent him spiralling. He’s been fired from a job for something that wasn’t his fault and lost his best friend in the process. His relationship has broken down and his sister, who lives in Melbourne, hasn’t spoken to him for years after an argument turned into a grudge. When he boards the train he sends a text to his 158 contacts about his plan, turns the phone to flight mode and thinks that no one will even notice when he’s gone
The predominant narrative around technology is so often about how it divides us. One aspect of Contacts that I enjoyed was the use of technology as a force for good; building a safety net around James even as he travels north completely unaware of what is unfolding across the globe from Berlin to Melbourne. Chapters where James is reflecting on his life are interspersed with chapters revealing the responses and, often regrets, of James’ close contacts. A salient reminder that, easy as it is to become absorbed in our lives, none of us can exist in a vacuum
In Contacts, Mark Watson has managed to write about depression and suicidality with a deftness and lightness of touch that makes it approachable. He opens up an important conversation, particularly perhaps for some men struggling with loneliness, body image and self-worth. I found the ending, after the build-up through the majority of the book, a little brief and almost jarringly unexpected. However, Contacts remains a tender and poignant portrayal of a man who has reached breaking point and the people that step in to hold him together
I have a love-hate relationship with Mark Watson. I want to love him, and I do love his writing and ideas, but yet somehow I always end up hating his books.
In particular, I did not like that instead of James killing himself, someone who had what? like 5 pages in the book dedicated to them takes their life instead. It was strange, felt under-boiled and needed more development. Further, I just found a lot of the book boring. All the flash backs trying to explain what happened seemed excessively long and convoluted. I found this book similar in style to Eleven by Mark Watson, where there is a lot of additional unnecessary and boring information thrown into what is a great idea. Eleven also had a 'twist' (aka "the event") that I didn't like.
Apart from that, I loved the concept. I think it was really strong. I would have liked if Mark Watson focused on the present with all the messages, rather than focusing on the past. It would have been cool to have each person he texted have a seperate chapter (yes, I know there were 157 or so texts so maybe grouping the 50 or so people that didn't responded into one chapter, as well as the 20 or so people who's numbers were disconnected into another, etc).
Mark Watson is definitely an ideas person, but the execution of his work falls flat for me. Not his writing, because his vocabulary and writing style are exceptional, but the fleshing out of the actual ideas that he has.
I'll be reading more Mark Watson, because he's still really good.
This entire review has been hidden because of spoilers.
I knew this book would be emotionally heavy for me, but I found the plot so intriguing that I had to give it a go.
I was quite disappointed by the ending which felt rushed and unfinished.
I didn't like the fact that it was meant to feel hopeful as an ending, when James lived. Because the woman did commit suicide, and that was just as horrible. It felt like we weren't supposed to care about that as much, just because we didn't know her as well. It felt really weird to me.
But it was an okay book and a page-turner, I was interested in what would happen next.
This entire review has been hidden because of spoilers.
Contacts is a brave, original, storyline with a quirky cast of characters and one that will surprise you with its humour. James Chiltern is embarking on his final journey, uncomfortably holed up in a cell like cabin on the London to Edinburgh sleeper train. All that remains to be done is to send a last message to all his 158 contacts in his phone informing them of his intentions to take his own life. With the deed done, his message flying off into the ether, James switches his phone to flight mode to avoid any unwanted replies and begins to mentally prepare himself for his last hours on this planet. Beer and biscuits form his last meal, the calories no longer of any consequence. Yes, ok, I know it sounds grim, not the kind of scenario that lends itself to being funny BUT if you approach this novel with positivity then you’ll be in for a pleasant surprise. The main character James is easy to engage with as our the rest of the cast comprising estranged sister Sal, ex girlfriend Michaela, former best friend Karl, flat mate Steffi, his mum Jean and train stewardess Gina.
Edinburgh holds a special place in James’s heart, a place he visited regularly with his father Alan, prior to his death. Recently sacked from his job in the ticket office at Euston station, this former coder is meticulously planning his death. His friendship with fellow techie turned taxi entrepreneur Karl has ended, his girlfriend Michaela has dumped him in favour of Berlin gallery owner Phillip and his once close relationship with sister Sally has long since expired. Over the course of the night James matter of factly replays significant events in his life as his message reaches his nearest and dearest. How they respond to this most dramatic of announcements is up to the reader to discover but I can guarantee it will restore your faith in humanity and friendships and the kindness of strangers.
I applaud the author for tackling a traumatic emotive subject, one that people naturally shy away from, without allowing the storyline to become maudlin or mawkish in any way. It will not turn you into a blubbering mess; instead you’ll find yourself chuckling along with these characters as they account for the significant roles they’ve played in this man’s life. As James takes his own trip down memory lane, he materialises into a character shaped by his kindness and his love for his father rather than as an overweight unemployed unlucky in love man with a propensity to sweat! It is a thought provoking narrative sugar coated in humour that dare I say I found enjoyable and highly readable. In my opinion there’s no way of avoiding a moment or two of self reflection as you turn the pages contemplating your own amount of human contact and the value these interactions hold. But what happens when loneliness and isolation become the norm? It’s worth noting that it doesn’t require any one momentous event to bring an individual to the same decision our protagonist James has made. In his own words..”You didn’t need a big grand reason to do it. You just had to have run out of ideas, as a human, and be brave enough to admit it.” This poignant statement, for whatever reason really struck a chord with me, a weary acceptance that he’s come to the end of a long travelled road, all avenues apparently exhausted.
Without becoming too deep or analytical this is a storyline about communication on all levels, meaningful or otherwise. It reflects a society where human contact is severely lacking for many, lives instead lived online in a virtual reality, loneliness a common problem. By nature we are social creatures who require human contact for the sake of our mental wellbeing yet we are now living in a climate where we have little control over our ability/desire to nurture our friendships or embark on new relationships. It’s impossible to ignore the paradoxical nature of mobile phones and modern technology that can both increase self inflicted isolation or else provide our only means of communicating with a world that to all intents and purposes has temporarily shut down. The irony is that in this storyline mobile phone technology can be instrumental and invaluable in connecting both loved ones and strangers, across continents, uniting them in a common cause, whilst James himself feels disconnected from his fellow human beings. That they all read James’s last message with concern and alarm, galvanising them into action is the most heartwarming aspect of this novel.
I have to say I loved some of these characters with their ability to make me smile and laugh and feel sadness all at the same time. Steffi and her interactions with fellow restaurant colleague Emil are hilarious and Jean is the classic older generation figure struggling to understand how to even text or send an email which very much reminded me of my own mother! Michaela is as quirky a character as her ex but their relationship, until it ends is quite touching, her presence in James’s life a life raft in a sea of uncertainty.
Setting aside the serious nature of this novel I think it’s a witty well constructed storyline with a lead character that’s hard to forget. Ending with an unexpected sting in the tail, there was at least one other character I’d have liked to get to know better but that much is still left unresolved is an apt way to conclude this honest journey through one man’s darkest hours. For all the reasons stated above this was a 5 star read and one I wouldn’t hesitate to recommend.My thanks as always to the publisher and Netgalley for giving me the opportunity to read in exchange for an honest review.
This was really nice and really sweet, it leant a bit heavy on the technology talk at times but in the end I think it was worth it. All of the characters were likeable and there wasn’t a chapter in it that I felt was a waste of time
This was a good concept. It fell a little flat about 3/4s of the way through for me but I'm glad I persevered because the ending wasn't what I expected
Mark Watson is, in my opinion, one of the sharpest, funniest and most articulate artists out there. As a kid my family spent summers at the Edinburgh Fringe and I remember discovering Watson for the first time sometime in my teens. He was hilarious then and he’s only got better since. His 24 hour comedy events are the stuff of legend and I’ve got a deluge of memories of sitting at the Pleasance Dome or in strange Edinburgh lecture halls, drunk with excitement and fatigue, as an ever perky Mark Watson leapt around the room. Four years ago I saw his newest show Flaws at the fringe. It was one of the first things I booked, even before I was on the train to Scotland. It was darker and sadder than his previous shows, incredibly personal and yet, still, funny. So funny.
As a novelist, Watson isn’t simply a comedian giving another form of writing a go. He’s a really, really good novelist. His books have the same blend of offbeat creativity, humour and thoughtfulness that characterises his stand-up. When my husband and I moved in together and unpacked our books we were delighted to find that between us we had the full Mark Watson oeuvre! OK, I’ll stop with the backstory and get on with the review!
Contacts, Watson’s newest novel, is about a thoroughly decent man named James Chiltern. James, for all his goodness and hard work in life, has found himself in a dark place. His girlfriend has left him, he’s fallen out with his sister, his Father has died and he’s been fired, by his best friend, from the job he loves. At —- he boards the sleeper train, texts all 156 contacts in his phone to say goodbye, switches it off and settles in for the journey to Edinburgh where he’ll end his life.
It’s a shocking premise, setting the stakes very high from the off, but it’s the gentle unravelling of the story that’s so compelling. The book switches between James rooting about in his memories and the characters receiving the text. From his estranged sister, now living in Australia, to his widowed Mother, his ex-girlfriend, ex-best friend and his current flatmate, everyone has their own reaction to the message. The question of who takes responsibility for James’ predicament, who decides to do something proactive and who excuses themselves from the responsibility, all this is masterfully explored by Watson.
Suicide is a tough subject to explore and although we do get insight into James’ state of mind, it’s not the only thing driving the novel. In a move that steps away from James’ immediate pain to also look at the sense of helplessness and disbelief felt by his friends and family, the story oscillates between the gravity of his situation and the way in which such a bombshell forces others to rethink what they know about the people in their lives. It’s a terrifying thought at its core but the regular flashbacks to revisit happier moments in James’ life means we get respite from the horror of what’s unfolding.
It’s the reaction of his sister Sally that I most connected with. Halfway across the world in Australia where she lives with her husband and has a successful career, she’s a woman with her own demons and flaws. As someone who deals with these by constructing a hard exterior around herself, filling her time, achieving, it turns out she’s not a woman best suited to grappling with such a terrifying, delicate situation.
I’m sure it was difficult for Watson to write the ending to this book. James himself notes during his train journey that he anticipates responses to his message. He expects people to try to stop him. But he doesn’t see that as proof of anything other than a panicked attempt to assuage their own guilt. He knows that ultimately it won’t change any of the reasons why he is where he is. Part of the magic of this book though are the surprises along the way. Who of his contacts engage. How it is that they do that. What their reasons are for doing so. The impact that the scenario has on their own relationships. I still don’t know how I feel about the ending he did decide on. No spoilers but I did feel that the decision, though interesting and nuanced, didn’t quite gel with the rest of the novel for me. That said, I highly recommend Contacts. It’s an easy reading, hard hitting little gem.
I never imagined loving this book as much as I did and although it did take me a while to get through (purely because I need to be in the right state of mind to read something so heavy), it was amazing and truly heartbreaking. It reminded me of the responsibilities each of have and how there’s not much of an excuse to not care for anyone no matter who they are
I found that the story just wasn't strong enough to support the theme it was trying to address, which in itself was interesting. It began with promise, but ultimately didn't really go anywhere with most of the characters and the ending was very unsatisfying. The jumping about with chapters of POV also annoyed me at times, when you were in one person's head and then it would switch to another. Overall it just didn't deliver sufficiently for me.