It begins as innocent fun. Tempting, enchanting… Even, at times, sweet. It doesn’t take long, however, before things change. You feel yourself being lured. A haunting—or haunted—voice whispers your name in the darkest of hours. Seduces you. Entices you. Beckons you. You’re addicted…and there’s no turning back
In this collection of 20 stories, Brandon Ford takes the reader on an extended journey, one that begins in a sun-kissed meadow and ends in a shadowed wood, where razor-clawed creatures prey. In “The Dinner Party,” a young wife receives some unusual advice from a talk radio host after she discovers her husband’s infidelity. A budding artist and consummate failure realizes there’s only one way to overcome an undying envy of his overachieving brother (”Painted in Red”). In “Popcorn Video,” a high school senior receives a series of mysterious phone calls while working alone in a mom and pop video rental shop. As the world comes to a violent end, a young couple and their small child take cover in an abandoned basement bar, realizing only too late that they’ve made a grave error (”Refuge”).
Progressive Entrapment is a tantalizing and titillating tome that will leave you breathless with emotion, from sadness to glee…to jaw-tensing terror. It is a book that won’t allow you to put it down. Consider yourself warned.
Brandon Ford (b. August 28, 1981) grew up in South Philadelphia, Pennsylvania. He started writing at the approximate age of 8 and spent a lot of time testing the waters with various genres. He wrote dramas, comedies, essays, plays, and, of course, thrillers. There were few things he took pleasure in crafting more than a good old-fashioned scary story. Throughout grade school, as well as high school, he continued to build his portfolio with various works (mostly short stories and novellas, but a few plays here and there). He’d pass around these manuscripts to friends and teachers for feedback. Knowing others enjoyed his work and craved more inspired him to keep going. A few months shy of 23, he sat down to pen his first novel, which became Crystal Bay. Arctic Wolf Publishing, a small press based in Georgia, picked the book up a few years later. Shortly thereafter, he completed Splattered Beauty, an ode to his favorite Scream Queens. In 2009, he teamed up with Alan Draven and Jessica Lynne Gardner for Creeping Shadows (Pixie Dust Press), a collection of three short novels. Ford’s contribution, Merciless, was heavily inspired by a real-life kidnapping that took place in California in 2002. In March 2010, Arctic Wolf released his third novel, Pay Phone. Ford has also contributed works of short fiction to several anthologies, including Abaculus 2007 and Abaculus III (Leucrota Press), Sinister Landscapes (Pixie Dust Press), Raw: Brutality As Art (Snuff Books), and The Death Panel (Comet Press). Some of his biggest influences have been writers like Jack Ketchum and the late Richard Laymon. In his spare time he enjoys reading, watching bad TV, and all things horror. He still resides in South Philadelphia.
When I finished this book, I had to sit for a few minutes to gather my thoughts. It really was an intense emotional rollercoaster. The way the stories are arranged gives us a steep plunge from the suburban sorrows of a dying relationship, to twisted gore right out of a nightmare.
Every story is written in a way that leaves you feeling something, some more than others. I found it hard to really decide which stories were my favorite, but it’s safe to say that the second half of the book held my attention the most since they were more horror-esque stories written in a way that only Brandon Ford can pull off.
Narration was perfect for this collection.
This book was given to me for free at my request and I provided this voluntary review.