Triggers for this review: sexual assault, slavery, drug addiction
Is it possible for an author to plagiarise their own work? Because if so, I think V.K. Ludwig has an excellent case against V.K. Ludwig for this one. Seriously. This book is basically the same as Matched, book 2 of the series, except with the angst and grit dialled up about ten notches.
Firstly, the setting is the exact same: a brothel on the planet Odheim where most of the workers are ex-warrior Jal’zar females.
Secondly, Adeas, like Melek, is a healer and sgu’dal (addict). Ludwig, hun, ya can't give the MMC the same profession and character flaw as another MMC from two books ago. And especially not while the story plays out in a near-identical location!
Thirdly, Sophie's character trauma comes from the same place, fundamentally, as Katie's character trauma. They are both women who are exposed to the "ugly side" of the Vetusian Empire first - and part of this "ugly side" includes sexual assault. As such, both Sophie and Katie are FMCs who are dealing with sexual trauma on-page and (justifiably) slow to trust the MMC because of this.
Like I mentioned earlier, the primary differences between Saved and Matched seem to be the grit-and-angst-factor being dialled up. Instead of a fair brothel owner and family-like environment, we have an abusive one. Instead of Adeas being a recovered addict, he is still in the thralls of his addiction. Instead of Sophie's sexual assault being a one-time thing, she is a sex slave.
Which brings me to one of my main issues with the book (aside from the self-plagiarised premise): there was way too much angst. And when I say this, I'm not necessarily saying I have an issue with the expected angst that comes with a drug addict and a sex slave finding love and trying to plan their escape. That part was fine. But where I took issue was how long we spent with the characters at their low point.
Which is to say, the whole book. A solid 90% is spent with these two characters going through awful experience after awful experience. Let downs, betrayals, abuse, etc. It is really only in the last two chapters that we finally get to enjoy some earned happiness for Adeas and Sophie.
The narrative spent far too much time dwelling on these low points and completely neglected the "high points" that are necessary for showing why they love each other in the first place. For example, the "fettuccine scene" was really cute and I would have liked to see some more of those genuine connections and interactions. But, more so than any other book by Ludwig, I feel like the Gaia-link (aka mating bond) was relied on too heavily instead. Which felt odd, considering Saved comes directly after Rosie and Balgiz's story, which does the exact opposite.
Really, I think Adeas and Sophie's time at the brothel should have ended at around the 50% mark, with the next 50% being dedicated to a combination of:
1) Adeas's rehabilitation
2) Sophie's emotional recovery
3) Getting to know who Adeas and Sophie are once they have the time and safety to do things like talk properly and/or have hobbies
But, as it stands, I don't really know who Adeas and Sophie are at all. What do their lives look like now that they are no longer an addict and a sex slave? How did they find their way back to each other after their shared traumatic experience? What did their first proper date look like? Or their first overseas trip? How do they interact now that their lives are their own again?
I really have no idea, despite reading a couple of hundred pages about these two, what "normal" looks like between them. I don't even know who "recovered" Adeas is. Does he make jokes? Or is he the quiet, studious kind?
And, a final gripe of mine, but I think some of the language and descriptions used to describe Sophie's situation was... uncomfortable. Adeas disliking her for "walking around like she owned the place" and initially wanting to "humiliate" her really didn't sit right with me, especially since everyone knew she was abducted and forced into sex work. It made me dislike Adeas right away and, considering his amount of fuck-ups following that, I really struggled to warm up to him afterwards. I found myself feeling like Sophie deserved better, especially since she already grew up with an addict for a mother.
I almost gave Saved 1-star, but it did recover somewhat during the final third, so I'll give it a 2. I think the final line of the book was brilliant thematically and - if there had been more narrative time spent post-Odheim fleshing out this theme of "names" and showing what reclaiming them actually looks like - I could have easily given this a 3 or 4-star rating.