The long-awaited conclusion of the Tamaran arc gives everything a Titans story should: romantic melodrama, extensive monologuing and exciting set pieces. The phrase “Make Tamaran great!” comes up frequently, which is the weirdest recursive PTSD I’ve ever experienced.
To unite Tamaran, Kory must consent to an arranged marriage. This plot spans the first third of the book then comes back up at the end and remains the focus until the final page. It’s peak melodrama, with people screaming their feelings and constantly crying, and occasionally hitting stuff. It’s overwrought but fun. As a fan of the Dick/Kory relationship, I love it when my favs get put through their paces. I’m a bit of a masochist that way. Kudos to Kory’s beleaguered beau, Karras, who could have easily been a one-note asshole but is depicted as a similarly lovelorn, but ultimately supportive, partner.
Post-Tamaran, the book mostly centers on Donna trying to reconcile the seeming end of the Titans. She brings back some of the old hats: Wally, Roy, Garth and Hank, while also extending an invitation to Jason Todd, the current Robin. As a Jason stan, it was fun to see him getting a chance to be young and excited about working with older heroes, before his starring role in Fast Times at Crowbar High.
Kory and Donna have the lion’s share of focus. Which, hey, great they’re my favorites. Kory is torn between her desire to be with Dick* and her duty to unite Tamaran. It’s a classic concept, but unlike your basic rom-com where our beloved hero would win the girl in the end, our ending is much more dour. What I really appreciate is how messy this volume lets Kory be. She’s always been a low-key mess; highly emotional and driven on desire, but capable of astounding compassion and kindness. She’s really unraveled here— losing her lover (who refuses to speak to her, Dick over here really living up to his namesake) and being married off to a stranger for the sanctity of the planet, fighting and losing against a rebellion, then leading a rebellion and losing that too, and then a total betrayal (in her perspective) by her parents as they side with her oppressor.
*Yeah, this is the book that includes the memeriffic image of Kory shouting at the foreground in anguish: “Dick—I love you!” that has floated around the internet without context for years. Yes, in context her frantic shouting of “I love you!” as Dick (and Joseph) leave her behind is heartbreaking. Yes, the image of her shouting her love for Dick is funny. Like Kory, I am an emotional man at war with the two sides of myself.
Speaking of wars, let’s talk about Kory’s parents and how they’ve done her dirty. Constantly leveraging her like the world’s most precious porcelain doll to maintain some level of peace. I don’t doubt they love her, sure, but they are users of the worst kind. Kory is their trump card, and they are quick to drop the rest of the deck. It’s like any sort of diplomatic crisis has only one solution: subjugate our daughter. Slavery? Exile? Forced Marriage? Eh, Kory can do it all! It’s for the good of the familyyyy.
Kory constantly defends their actions, but it’s hard to read the situation as something other than an adult woman so desperate for her parent’s approval— and so brainwashed that her suffering is the only way the people can know paradise— that she’s willing to not only tolerate their every decision, but actively defer and defend their choices. “They have sacrificed!” she’ll say because they’ll stand around and espouse the pain they’ve felt being separated from their children… while chilling comfortably in their idyllic palace and never making any sort of plan to change things. I notice they never offer themselves in any meaningful way. It’s always Kory. Their favored daughter. And preferred punching bag.
Dick’s time on page is mostly him being… well, a dick. (Yeah, I made that joke already. But I never claimed to be original and no one reads these things anyway) Most of his time with the Titans has seen Dick grappling with a lot of complicated feelings: his struggles with Batman, leaving childhood behind into an uncertain adulthood (symbolized with the Robin to Nightwing switch), coping with the complications of romance… oh, and the weekly attempts on his life. He’s a twenty-year old man trying to find his place in the world after acting as a child soldier. He’s struggling. I love Dick (insert Kory.gif here), but he can be miserable to read. I don’t mean that as a slight. His relationship with Kory has always been tumultuous—cold and hot and back again, and though the intensity of Kory’s affections can be understandably a lot, Dick is at a place in his life where he hasn’t yet learned how to properly cope or communicate these feelings and instead emulates Batman with stoic, angry acceptance of the things he can’t change.
I mentioned before, but I’m all about Dick/Kory. It doesn’t change the fact they got together on shaky ground, and Dick has a history of treating her poorly. He’d gotten better, but this new threat to their relationship causes him to shut down, unable to properly communicate his feelings, even when Kory is dropping mad hints she wants him to fight for their relationship. It’s frustrating but understandable. It also leads to him glowering in the foreground like, constantly, and it’s honestly really funny and undercuts some of the drama. But that’s just me.
It was as I was writing this that I realized Dick doesn’t wear the Nightwing suit a single time in this whole volume. Another fun fact: When Dick is trapped with Joe and Karras in a cell on Tamaran and thinks Kory has been killed, he calls Komand’r a “stinking bitch.” I literally gasped out loud. Editorial allowed that??? In the 80s?? I don’t think I’ve seen swearing in the series before, so this came as a real shock. They really wanted to show just how enraged Dick was!
Oh, and then Dick decided to shock me again by showing up at the Wayne Mansion, in the midst of his full breakup spiral (he grew a beard!) and tells Alfred to “mind your own damn business.” Mr. Grayson, you better sit your ass down and beg for forgiveness. Rudeness, to my Alfred? This type of behavior will not be tolerated on this, or any, Earth. And there’s only one Earth now, because we’re officially post Crisis. So get to begging.
Everyone always says Wally (or sometimes Roy) is Dick’s best friend, but the past few volumes have made me think Joseph is Dick’s best friend, but Dick doesn’t realize it. The boy’s my underrated fav. No notes.
Komand’r gets a surprising amount of development. She’s still the antagonist, but she’s made shades more sympathetic while never losing the je ne sais quoi of a Titans villain. You could argue the character shift is a little clumsy—she still loves her villainous monologues— but I think it works. Komand’r finds herself truly caring about her planet, and even more so, being a strong, effective leader who wins the people’ s trust. Despite that, she’s still quite underhanded. She openly accepts her desire for power. She tells Kory that the people “know what (she) is” and they accept her. It’s big Edelgard energy, and I love it. Never thought much of Komand’r before, but now I can safely say I’m a fan. Under the layers (and layers) or dramatic pontificating, Wolfman has a consistent history of finding places to add shades of gray.
Komand’r’s kinda-sorta heel-turn works even better because it’s in opposition of Kory’s beliefs. She refuses to believe that Komand’r could love anything, much less the people, and her fanatical devotion to her (not so great) parents puts her on a warpath to stop Komand’r from maintaining power. It flips the script and makes our genuinely heroic Kory the one in the wrong. The back-and-forth between the sisters has always been “just fine” but this volume finally elevates the conflict, advances both characters, and plays with the expected dichotomy of good/evil in a clever way.
Donna is the focus of the next arc. Like Dick, she’s trying to find her place in the world and so much of her identity has been defined by her time with the Titans. She’s not ready to let them go. The world isn’t either— Donna is contacted by Faraday for a top-secret mission of vital international importance and so she puts together a quick team of original Titans who had all since moved on. Original founders Garth, Wally and Roy— the former in a deep depression over the recent death of his girlfriend, Wally coming in the role as the new Flash post-Barry Allen’s death, and Roy is, well… Roy— come at Donna’s request. As does Hank Hall— Hawk of Hawk & Dove— who has been totally unmoored by his brother’s death, and Jason Todd, the newest Robin and the youngest member of Donna’s hastily assembled team.
Donna has always been Dick’s pseudo second-in-command, so it’s unexpected to see her struggle in a leadership role. Of course, she’s not at her best emotionally and she’s working with an eclectic group of trauma survivors, but it’s not a great showing. And that’s fascinating! Donna is extremely competent and watching her flounder with this thing that she should excel at humanizes her and really puts us in her corner. I love all the work done with Donna. Her using Jason as a Dick stand-in is such great in-universe and meta commentary. Poor Jason is used as a replacement by so many people at this point in his life, but he takes it surprisingly gracefully and respectfully reminds Donna that he’s his own person. Donna immediately apologizes and the two start to bond and maybe it’s super cute and I loved it. Who can say?
Seeing Jason pre everything is great, especially when he’s not being angry and frustrated with Bruce. If anything, he’s still in his honeymoon phase with the idea of being Robin. Love to see it—and it makes Death in the Family that much harder to stomach.
Oh, and I guess we gotta update the Terry Long situation since it’s still ongoing. Okay, uh *checks notes* so Terry’s plot is that he must write this dissertation (or something) in order to keep his job, and he’s had a few years but keeps pushing for extensions. He wants Donna to help him write it, since it’s about the Olympic gods and all that jazz, but seeing as how she’s busy saving the world she can’t make time to help. So Terry, the educated and responsible guy that he is… doesn’t even try to write the paper, isn’t granted another extension, and then blames Donna for not helping him. It’s not a cute look. Then Donna feels extremely guilty— which is in character but good god girl you could do so much better— and just. Ugh. He does come around and apologize (too little too late) and just. Gah. My relationship with Terry is very complicated. He sometimes does things that are good for characterization, but I just don’t love the idea of him and Donna together. This whole thing with the paper was extremely annoying.
After Dick’s use of the word “bitch” (still amused and still not over it) in terms of surprising moments is Donna nearly driving a plane into the World Trade Center. It’s recursively uncomfortable in the blackest humor sort of way.
Gar and Vic hang out and get some time to shine, but they were mostly a blip for me. At that point I was way more invested in seeing what was going to happen with Donna’s new team. We did get a quick cameo from my fail husband John Constantine though! Meanwhile, Cheshire shows back up to bother Roy. She’s still playing in those uncomfortable Dragon Lady stereotypes, but I suppose it could be worse. We meet Lian Harper for the first time, so that’s really cool. Raven also appears, but she’s way less hammy and that makes me sad. Maybe next volume!