Memoirs of a Sword Swallower is Daniel P. Mannix's autobiography as a sword-swallower with a traveling sideshow, illustrated with photos from the 30s and 40s taken by the author. An example of Classic Americana, this book offers a portrayal of a vanished world of working-class performance artists who earned a living by their unique bodies and imaginations. Stars include the Fat Lady, the human beanpole, the Ostrich man who ate broken glass, and many more. The "tricks" behind eating fire and swallowing swords are explicated with clarity and candor. This book will appeal to all who speculate about the outer limits of pain, pleasure, and revulsion. Mannix went on to become the supreme noir historian of the 20th century, penning Those About to Die (about the Roman games in the Colosseum), a biography of Aleister Crowley called The Beast, The Hellfire Club (about an upper-class British secret society), and many more. Mannix was sent a membership card from Anton LaVey's Church of Satan, although like Marcel Duchamp and Groucho Marx he was not a joiner, preferring to remain staunchly independent.
Daniel Pratt Mannix IV was best known as an American author and journalist. His life was remarkably different from other writers of his generation. His career included times as a side show performer, magician, trainer of eagles and film maker.
The Grest Zadma was a stage name Mannix used as a magician. He also entertained as a sword swallower and fire eater in a traveling carnival sideshow. Magazine articles about these experiences, co-written with his wife, became very popular in 1944 and 1945.
As an author Mannix covered a wide variety of subject matter. His more than 25 books ranged from fictional animal stories for children, the natural history of animals, and adventurous accounts about hunting big game to sensational adult non-fiction topics such as a biography of the occultist Aleister Crowley, sympathetic accounts of carnival performers and sideshow freaks, and works describing, among other things, the Hellfire Club, the Atlantic slave trade, the history of torture, and the Roman games. His output of essays and articles was extensive.
I picked this up on impulse at a library book sale--and it was well worth it! A fascinating look into real carnival life back in the "good old days." The author reveals all the tricks of the trade--and they aren't what you'd expect. Fire-eating, sword-swallowing, and beds of nails are all far more real than I ever believed. I only wish I'd had the pictures included in the edition here on Goodreads; mine is a 1964 unillustrated edition.
Mannix's account of working the sideshow circuit in the late 1930s/early 104os appeals to that part of me that always wanted to run away and join a carnival. There's a trippy romanticism to the way Mannix tells the stories (real or not) of life on the road with snake charmers, fakirs, mentalists, etc. Plus there are some of his era photos of the people he worked with, and that only adds to the cool.
I need to replenish my book shelves. Lately after finishing a book, I return to peruse my selection and find nothing that attracts my current interest. We'll see how this book goes. This book was fine. Carny stories. An interesting side note: the author also wrote "The Fox and the Hound."
Dan Mannix’s Memoirs Of a Sword Swallower has got to be one the greatest books chronicling carnival sideshow life. The narrator, named Slim in this account, starts as a young college student whose interest in the occult leads him to visit a traveling carnival. When watching a performance, a fire eater accidentally sets himself on fire. Slim volunteers to learn the trade and replace the injured man. What follows is the story of the carnival and the lives of its performers.
Slim is possessed of an insatiable curiosity for those he travels with. He recounts the details of their life stories and reasons for choosing to live as transients. The sideshow is run by Krinko, an Indian fakir also known as The Human Pincushion. He sticks pins through his flesh, eats glass, and climbs a ladder made of swords. There is also a fat lady, a tattooed man, a cowboy performer from New York City and his fourteen year old girlfriend, and the Ostrich, a Viennese man who can swallow just about anything and regurgitate it. This is lowbrow entertainment at its best.
Slim’s mentor is an old trickster with a long beard named the Impossible Possible who runs a gambling booth that is set up to suck as much money out of the marks as possible. The Impossible Possible has worked in all aspects of carny life and has lots of stories to tell. He is a bit of a psychologist too, explaining to Slim that being a conman means feeling a bit of sympathy for the people he rips off. He also complains about people who try to cheat on the carnival games, explaining with a straight face that he dislikes dishonest people while his whole livelihood revolves around tricking everybody to make money. But this is an insight into carny ethics. There is a definite line between the carnies and their marks and that line delineates loyalty to their own tribe. Everybody on the other side is fair game and the carnies take sides with each other whenever there is a conflict with the outsiders, no matter what the dispute is about.
Slim himself is an unusual character. He is taller than everybody and tries to learn all the stunts that they perform. He starts as a fire eater then moves on to sword swallowing and swallowing neon lightstoo. Other tricks that he attempts are less successful, especially the mentalist mind-reading performances which are too easy for the audience to see through. But his quest to master all aspects of carny life are what give this book is structure. By learning all the tricks of the trade we learn how each stunt is done. While some are fraudulent, others are actually not deceptive and incredibly dangerous as well.
What really give this book its charm is not just the way in which Slim’s education unfolds; as he encounters all the different transients he has each one tell their own story and philosophy on life. All of them love being traveling performers because it gives them a chance to live the way they want to. They are proud of their outsider status and share a supportive community for the misfits of American society. America has always been a country of mass conformity but along the way it has also produced some of the most fascinating counter-cultures in the history of humanity. This book is yet another testament to how liberating it can be to live outside the margins of the dull, gray mainstream full of lifeless people sluggishly shuffling along because they can’t think of anything better to do with themselves.
Memoirs Of a Sword Swallower is a first-rate account of a vanishing aspect of American culture. With its vivid portrayal of the traveling life, it is sometimes light and sometimes dark. It is sometimes sordid, sleazy and even violent but it is never sensational or sentimental. Dan Mannix simply wrote, with honesty, about what he encountered while working with the carnival. There probably is no other book about the carny lifestyle that is this complete.
One of the most entertaining books on sideshows out there. Undoubtedly fictionalized, but still worth a read to anyone interested in this unique part of American history.
Mannix, who came to carnival life via the U.S. Naval Academy ("I didn't want to be a naval officer; I wanted to be a witch doctor!") and the Ivy League, brings his sideshow cohorts to life with this lively, witty, and sharp (sorry!) account that exudes a warmth as only a book written by an insider can. Mannix has always wanted to be a magician, and "runs away to the carnival" as an adult, first learning fire-eating when stepping in for fire-eater Flamo the Great who "exploded that night in front of Krinko's Great Combined Carnival Side Shows." He goes on to learn sword swallowing, sharing some of his insider's techniques (don't let the sharp tip touch the pit of your stomach; make sure the hilt doesn't come off and let the blade slide down your gullet.) If you are interested in the body on display, go ahead and read all the excellent academic pomo books about freaks and the "body as discourse," but be sure to read this one, too. It's an absolute gem. You will enjoy it to the hilt!
this book is both short and sweet! because the author wanted to learn every side show act in the circus, you get to learn how each was done in the good old days (1930's? 40's?). i'm most amazed by the gullibility of the audiences during the mental tricks, and the tenacity of the author to keep learning more and more dangerous acts. this book is also a fantastic way to learn how sword swallowing, fire eating, and other side shows actually happen--no tricks, it's all real (except the mind reading). something to think about--the "fat lady" in the sideshow was only 400 pounds and able to walk around. a great table top book or full read.
another excellent mannix - re/search publication. confessions is both a lightly spurious autobiography and a how to guide and background story on every aspect of the ten-in-one. now all i have to do to become a human ostrich is to overcome my gag reflex by swallowing a potato on a string, over and over and over again.
This entire review has been hidden because of spoilers.
Les tribulations d'un beau jeune homme au sein des freaks d'une fête foraine du milieu du siècle dernier. Le narrateur vit tout ça de manière très détachée et il avale les sabres comme vous les couleuvres de votre boss, sans plus même y penser... Je me suis complètement laissée embarquer, j'avoue que j'ai eu envie d'essayer d'avaler un petit canif pour voir (Maman je plaisante). J'ai adoré.
One of my all time favourite books from childhood (although it's a children's book). I read it until it fell to pieces and was overjoyed when it was reissued.