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She-Wolves Trilogy #1
The Silken Rose
For fans of Karen Maitland, Alison Weir and Philipa Gregory, the first in a brand new trilogy from Carol McGrath. Featuring Ailenor of Provence, a courageous and fiercely loyal medieval queen, The Silken Rose will tran sport you to a world of intrigue and betrayal in the royal court.
1236. Beautiful Ailenor of Provence, cultured and intelligent, is only thirteen when she marries Henry III. Aware of the desperate importance of providing heirs to secure the throne from those who would snatch it away, she is ruthless in her dealings with Henry's barons.
As conflict escalates between them, Ailenor's shrewd and clever Savoyard uncles come to support her but her growing political power is threatened when Henry's half-siblings also arrive at court.
Henry and Ailenor become embroiled in an unpopular war to protect Gascony, last English territory on the continent, sparking conflict with warrior knight, Simon de Montfort, the King's seneschal. Ailenor, desperate to protect Gascony for her son, strives to treat with France and bring peace to Gascony.
Caught in a web of treachery and deceit, 'she-wolf' Ailenor's courage is tested to the limit. Can she find the strength to control her destiny and protect her all that she holds dear?
337 pages, Kindle Edition
First published April 2, 2020
638 people are currently reading
1322 people want to read
About the author
Carol McGrath
20 books254 followersMy first degree is in History and English from Queens University Belfast. I have a postgraduate MA in writing from Queens University and an Mphil in writing from The Royal Holloway ,University of London. My debut novel The Handfasted Wife is the first in a Trilogy The Daughters of Hastings. The first is the story of 1066 and its aftermath from the perspective of the noble women. The Swan-Daughter and The Betrothed Sister have followed. All have been best sellers. My new novel The Woman in the Shadows tells the tale of Thomas and Elizabeth Cromwell and is the story of an early Tudor marriage. I am now working on a medieval trilogy about 'she wolf' queens.
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April 28, 2020Carol McGrath’s latest is a fictionalised biography of the life of 13th century Queen Ailenor, wife of Henry III. You probably know her (if you know her at all) as Eleanor but McGrath prefers the alternative spelling.
I knew practically nothing about the 13th century when I started this book and I was certainly massively better informed by the end. It is packed with politics and personalities as well as details of everyday life.
McGrath used to teach history and her knowledge of the period is evident throughout the book. It is a great primer for anyone wanting to understand the power plays of the medieval period and the importance of marriages to bind together the families that controlled the countries of Europe. At the top, King Henry’s marriage ties together England and Provence, just as his daughter’s marriage will, in time, bond Scotland to the English throne. Further down the social scale, the marriage prospects of the embroideress, Rosalind, are viewed by her tailor father as a way to further his business connections, as his own marriage with a widowed haberdasher has.
The web of family relationships that marriages produce can bind the prosperity of a tailor to the political success of an earl. The personal is always political, the political always personal.
The book reminds us that England and France shared ties of blood as well as economic and political alliances. Tracts of what is now France were the property of King Henry, while Scotland then was a foreign country. And over all, there was the Church, a separate and mighty power, able to mobilise armies as well as threaten excommunication to those who crossed it.
Money, too, was central to the relationships in this book. Money has to be raised so that money can be spent. The church must be taxed and God appeased by ever more extravagant buildings. Henry is building Westminster Abbey and the nation is paying for it. Unrest is calmed with acts of extravagant generosity but stoked when taxes are raised to pay for them. Earls are, essentially, bribed to support the king against other earls who will, in turn, demand bribes of their own.
It’s a chaotic, dangerous world, in which Queen Ailenor often retreats to shelter amongst her own ladies, dressed in the finest gowns, eating food flavoured with spices imported from thousands of miles away – a life of unimaginable luxury, not only intrinsically desirable but necessary if she is to retain the status and authority of her role.
McGrath’s book offers an insight into a lost world. It almost makes the world of today’s political and economic powers look sane by comparison.
I knew practically nothing about the 13th century when I started this book and I was certainly massively better informed by the end. It is packed with politics and personalities as well as details of everyday life.
McGrath used to teach history and her knowledge of the period is evident throughout the book. It is a great primer for anyone wanting to understand the power plays of the medieval period and the importance of marriages to bind together the families that controlled the countries of Europe. At the top, King Henry’s marriage ties together England and Provence, just as his daughter’s marriage will, in time, bond Scotland to the English throne. Further down the social scale, the marriage prospects of the embroideress, Rosalind, are viewed by her tailor father as a way to further his business connections, as his own marriage with a widowed haberdasher has.
The web of family relationships that marriages produce can bind the prosperity of a tailor to the political success of an earl. The personal is always political, the political always personal.
The book reminds us that England and France shared ties of blood as well as economic and political alliances. Tracts of what is now France were the property of King Henry, while Scotland then was a foreign country. And over all, there was the Church, a separate and mighty power, able to mobilise armies as well as threaten excommunication to those who crossed it.
Money, too, was central to the relationships in this book. Money has to be raised so that money can be spent. The church must be taxed and God appeased by ever more extravagant buildings. Henry is building Westminster Abbey and the nation is paying for it. Unrest is calmed with acts of extravagant generosity but stoked when taxes are raised to pay for them. Earls are, essentially, bribed to support the king against other earls who will, in turn, demand bribes of their own.
It’s a chaotic, dangerous world, in which Queen Ailenor often retreats to shelter amongst her own ladies, dressed in the finest gowns, eating food flavoured with spices imported from thousands of miles away – a life of unimaginable luxury, not only intrinsically desirable but necessary if she is to retain the status and authority of her role.
McGrath’s book offers an insight into a lost world. It almost makes the world of today’s political and economic powers look sane by comparison.
May 11, 2020
The Silken Rose is the first of the new Rose Trilogy by Carol McGrath and tells the story of Ailenor of Provence. She is only thirteen years old when she travels to England in 1236 to wed King Henry III. Twice his bride’s age, he showers the young queen with luxurious gifts. For her part, Ailenor is a loving and faithful wife, determined to provide as many royal children as possible to secure future advantageous alliances.
Ailenor soon finds a friend in her new sister-in-law, Nell, who is secretly in love with Simon de Montford, the King’s seneschal. Ailenor encourages Henry to assist Nell to break free of a vow of chastity that had been forced upon her after she was widowed very young. Nell’s resulting marriage to Simon de Montford has far-reaching effects for the country and caused frequent friction between Ailenor and Henry.
Rosalind, a talented embroideress, is a fictional character who teaches her craft to Ailenor and her ladies. She becomes a favourite of the queen and introduces us to a fascinating glimpse of life in the merchant classes. The detailed descriptions of gorgeously embroidered furnishings and clothing are a high point of the novel.
Intelligent and educated, with a romantic turn of mind, Ailenor’s influence grows as she learns to navigate the turbulent politics and constant jostling for power between Henry and his barons. Henry becomes increasingly extravagant and frequently raises taxes to cover the expense of the crusades and the building of Westminster Abbey. Ailenor herself is accused of nepotism by the barons when she brings family members from Provence to fill positions usually taken by Englishmen.
I knew little about medieval political history but there is a useful Historical Note at the end of the book to explain the background. The story really came to life for me with the relationships between the characters and the rich and detailed descriptions of fashion, embroidery, banquets and the poems and music of courtly love.
At times, Ailenor and Henry’s usually happy marriage is tested to the limits when she refuses to bow down to his will. She bides her time and negotiates her way out of trouble. I enjoyed reading about Ailenor’s development from a young girl to a She-Wolf queen who was relentless in her aim of increasing the royal family’s power and influence.
I received an e-copy of The Silken Rose from Netgalley.
Ailenor soon finds a friend in her new sister-in-law, Nell, who is secretly in love with Simon de Montford, the King’s seneschal. Ailenor encourages Henry to assist Nell to break free of a vow of chastity that had been forced upon her after she was widowed very young. Nell’s resulting marriage to Simon de Montford has far-reaching effects for the country and caused frequent friction between Ailenor and Henry.
Rosalind, a talented embroideress, is a fictional character who teaches her craft to Ailenor and her ladies. She becomes a favourite of the queen and introduces us to a fascinating glimpse of life in the merchant classes. The detailed descriptions of gorgeously embroidered furnishings and clothing are a high point of the novel.
Intelligent and educated, with a romantic turn of mind, Ailenor’s influence grows as she learns to navigate the turbulent politics and constant jostling for power between Henry and his barons. Henry becomes increasingly extravagant and frequently raises taxes to cover the expense of the crusades and the building of Westminster Abbey. Ailenor herself is accused of nepotism by the barons when she brings family members from Provence to fill positions usually taken by Englishmen.
I knew little about medieval political history but there is a useful Historical Note at the end of the book to explain the background. The story really came to life for me with the relationships between the characters and the rich and detailed descriptions of fashion, embroidery, banquets and the poems and music of courtly love.
At times, Ailenor and Henry’s usually happy marriage is tested to the limits when she refuses to bow down to his will. She bides her time and negotiates her way out of trouble. I enjoyed reading about Ailenor’s development from a young girl to a She-Wolf queen who was relentless in her aim of increasing the royal family’s power and influence.
I received an e-copy of The Silken Rose from Netgalley.
April 28, 2020
Married at only thirteen years old to a King she has never met, Ailenor of Provence has to learn quickly what it is to be a Queen, and how to manage her relationship with her husband Henry III during the turbulent world of the thirteenth century – a world of rival barons and religious Crusades. Carol McGrath’s new novel explores how a woman might cope in this situation – how she manages to gain her husband’s respect despite her very different upbringing, and how motherhood is balanced with the needs of public life.
McGrath takes Ailenor’s courtly pursuits, such as embroidery and literature, and contrasts that with the world of the political machinations of the Barons who are vying for power. In this book there are in fact three women with contrasting personalities – Ailenor the strong-minded she-wolf, Nell her sister-in-law who has taken a vow of chastity, and Rosalind the embroiderer to whom Ailenor gives patronage. When Henry and Ailenor become embroiled in an unpopular war to protect Gascony, it brings them into conflict with Simon de Montfort, who is both the King’s steward, and the love interest of Nell.
Between the three women there is plenty going on in the plot, and we get a well-rounded look at women in this society. The novel is a feast for the senses, with the intricate domestic details of life at court particularly well evoked, and sumptuous descriptions of embroidery and textiles. If you know nothing about this period, this is a great place to start, and this novel will immerse you in the medieval court and keep you enthralled. Highly Recommended.
McGrath takes Ailenor’s courtly pursuits, such as embroidery and literature, and contrasts that with the world of the political machinations of the Barons who are vying for power. In this book there are in fact three women with contrasting personalities – Ailenor the strong-minded she-wolf, Nell her sister-in-law who has taken a vow of chastity, and Rosalind the embroiderer to whom Ailenor gives patronage. When Henry and Ailenor become embroiled in an unpopular war to protect Gascony, it brings them into conflict with Simon de Montfort, who is both the King’s steward, and the love interest of Nell.
Between the three women there is plenty going on in the plot, and we get a well-rounded look at women in this society. The novel is a feast for the senses, with the intricate domestic details of life at court particularly well evoked, and sumptuous descriptions of embroidery and textiles. If you know nothing about this period, this is a great place to start, and this novel will immerse you in the medieval court and keep you enthralled. Highly Recommended.
November 29, 2020
While I largely enjoyed this novel, I rated it 3 stars because throughout the book, sentences would be missing key words (or make no sense at all) and the author would use the same word multiple times (for example "a spray of spittle sprayed my gown"). These constant errors and irksome repetitions detracted from the plot and character development. Perhaps with better editing, this could have been a 4 or 5 star read. I read the Kindle version.
July 17, 2020
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3-4 stars*
This novel, the first of a planned trilogy, focuses on Eleanor of Provence, the wife of Henry III, beginning with her journey to England to marry a man who was more than 15 years her senior. In this book, she is called Ailenor. The narrative brings readers along as Ailenor learns first how to be a wife and queen and then a mother. It gives us a varying perspectives, from Ailenor to Eleanor (sister of Henry III, wife of Simon de Montfort) and a fictional embroideress, Rosalind, and covering a variety of the events that plagued Henry III’s reign. The trilogy plans to take a look at the women who have been termed “She-Wolves” for various reasons. This first installment takes care of Eleanor of Provence and her reign as Queen Consort.
First, the good. There were many, many enjoyable things about this book. I loved how much detail there was. In every scene, McGrath evoked imagery, scents, sounds of daily life in medieval London. I especially loved the details with herb and flower gardens. I can practically smell the lavender and rosemary. Similarly, the descriptions of the street scenes in London were pretty evocative as well.
I also really appreciated other small details, such as the use of relics, in particular the Virgin’s girdle, as charms for a safe childbirth experience. The churching ceremony after giving birth was not given a lot of detail, but it was mentioned a few times throughout the novel and it added extra depth. Also, a queen’s role as intercessor was mentioned several times. I’m fascinated by the queens’ intercessory role throughout time and how it changed, helped, or hindered politics. Little things like this make readers like me happy. I know not everyone cares about historical accuracy when they read a book for pleasure (*horror!*), but I am always deeply appreciative of authors who are accurate anyway. The readers like me will be happy and the readers who don’t care will still read the book and enjoy it regardless.
A few quibbles. The writing here was clear and easy, flowing smoothly from one perspective to another. The main POV character was, of course, Ailenor, but Rosalind and Nell also got a good deal of time. I was glad, though, that the chapter headings indicated when a change of perspective happened because I didn’t find there was always a lot of variance in the voices between the three women. Ailenor, Nell, and Rosalind often sounded similar and could be hard to tell apart if it were not for chapter headings.
By the same token, I felt that Rosalind was the only one who really had any character development. Ailenor, by contrast, sounded like a fully mature woman even on her journey to meet her husband-to-be when she was only 12 years old. Rosalind, on the other hand, started as a young and shy embroideress but grew into a confident and respected woman, wife, and mother. I did wish a little more of her story had been given to us. She was probably my favorite character in the book. It felt a little incomplete because there were some fairly substantial jumps in the events of her life. However, since she was NOT the primary focus of the novel, it is understandable why the author decided not to make her a larger figure.
The novel ended with the promised betrothal of Edward to Eleanor of Castile in roughly 1254. This was about ten years before the start of the Second Barons’ War. I was a little disappointed that the novel didn’t cover that time period since I think a lot of interesting content could have been written about Ailenor during that time period. She was considered one of the She-Wolves, and the Barons’ War and Simon de Montfort’s role was a major element within Henry’s reign. It would have been particularly interesting to see Rosalind’s role in that. Even though she is fictional, sometimes those are the best characters through which to explore an historical event or person. Again, I understand why it wasn’t included. It would have been a tome otherwise!
Overall, I enjoyed this novel. It was a fast, easy read and gives an interesting glimpse into a fascinating period of England’s history.
*N.B.: I am unclear if the copy I received to review was supposed to be a finished copy or if it was an edited digital galley. The book was already published (in the UK, at least) when I got the file to review, but it was a PDF which is usually how I get galleys. I mention this because if it was a finished copy, then there were numerous places throughout where the text was positively jumbled up and sentences were a mash-up of words. For example: “I think it safer and the apartments there of the City. Without destruction remained have been redecorated.” And “He could not change his mind, had he so wished. as they fell resounding from the ancient A squire always followed his knight.” These are just two of several such examples that were scattered throughout the text. If I got an unedited galley, then never mind, these errors would be corrected upon editing. If it is supposed to be a finished copy, then that is not good and would certainly cause me to greatly reduce my rating of the book.
3-4 stars*
This novel, the first of a planned trilogy, focuses on Eleanor of Provence, the wife of Henry III, beginning with her journey to England to marry a man who was more than 15 years her senior. In this book, she is called Ailenor. The narrative brings readers along as Ailenor learns first how to be a wife and queen and then a mother. It gives us a varying perspectives, from Ailenor to Eleanor (sister of Henry III, wife of Simon de Montfort) and a fictional embroideress, Rosalind, and covering a variety of the events that plagued Henry III’s reign. The trilogy plans to take a look at the women who have been termed “She-Wolves” for various reasons. This first installment takes care of Eleanor of Provence and her reign as Queen Consort.
First, the good. There were many, many enjoyable things about this book. I loved how much detail there was. In every scene, McGrath evoked imagery, scents, sounds of daily life in medieval London. I especially loved the details with herb and flower gardens. I can practically smell the lavender and rosemary. Similarly, the descriptions of the street scenes in London were pretty evocative as well.
I also really appreciated other small details, such as the use of relics, in particular the Virgin’s girdle, as charms for a safe childbirth experience. The churching ceremony after giving birth was not given a lot of detail, but it was mentioned a few times throughout the novel and it added extra depth. Also, a queen’s role as intercessor was mentioned several times. I’m fascinated by the queens’ intercessory role throughout time and how it changed, helped, or hindered politics. Little things like this make readers like me happy. I know not everyone cares about historical accuracy when they read a book for pleasure (*horror!*), but I am always deeply appreciative of authors who are accurate anyway. The readers like me will be happy and the readers who don’t care will still read the book and enjoy it regardless.
A few quibbles. The writing here was clear and easy, flowing smoothly from one perspective to another. The main POV character was, of course, Ailenor, but Rosalind and Nell also got a good deal of time. I was glad, though, that the chapter headings indicated when a change of perspective happened because I didn’t find there was always a lot of variance in the voices between the three women. Ailenor, Nell, and Rosalind often sounded similar and could be hard to tell apart if it were not for chapter headings.
By the same token, I felt that Rosalind was the only one who really had any character development. Ailenor, by contrast, sounded like a fully mature woman even on her journey to meet her husband-to-be when she was only 12 years old. Rosalind, on the other hand, started as a young and shy embroideress but grew into a confident and respected woman, wife, and mother. I did wish a little more of her story had been given to us. She was probably my favorite character in the book. It felt a little incomplete because there were some fairly substantial jumps in the events of her life. However, since she was NOT the primary focus of the novel, it is understandable why the author decided not to make her a larger figure.
The novel ended with the promised betrothal of Edward to Eleanor of Castile in roughly 1254. This was about ten years before the start of the Second Barons’ War. I was a little disappointed that the novel didn’t cover that time period since I think a lot of interesting content could have been written about Ailenor during that time period. She was considered one of the She-Wolves, and the Barons’ War and Simon de Montfort’s role was a major element within Henry’s reign. It would have been particularly interesting to see Rosalind’s role in that. Even though she is fictional, sometimes those are the best characters through which to explore an historical event or person. Again, I understand why it wasn’t included. It would have been a tome otherwise!
Overall, I enjoyed this novel. It was a fast, easy read and gives an interesting glimpse into a fascinating period of England’s history.
*N.B.: I am unclear if the copy I received to review was supposed to be a finished copy or if it was an edited digital galley. The book was already published (in the UK, at least) when I got the file to review, but it was a PDF which is usually how I get galleys. I mention this because if it was a finished copy, then there were numerous places throughout where the text was positively jumbled up and sentences were a mash-up of words. For example: “I think it safer and the apartments there of the City. Without destruction remained have been redecorated.” And “He could not change his mind, had he so wished. as they fell resounding from the ancient A squire always followed his knight.” These are just two of several such examples that were scattered throughout the text. If I got an unedited galley, then never mind, these errors would be corrected upon editing. If it is supposed to be a finished copy, then that is not good and would certainly cause me to greatly reduce my rating of the book.
August 26, 2020
This novel, the first of a planned trilogy, focuses on Eleanor of Provence, the wife of Henry III, beginning with her journey to England to marry a man who was more than 15 years her senior. In this book, she is called Ailenor. The narrative brings readers along as Ailenor learns first how to be a wife and queen and then a mother. It gives us varying perspectives, from Ailenor to Eleanor (sister of Henry III, wife of Simon de Montfort) and a fictional embroideress, Rosalind, and covering a variety of the events that plagued Henry III’s reign. The trilogy plans to take a look at the women who have been termed “She-Wolves” for various reasons. This first installment takes care of Eleanor of Provence and her reign as Queen Consort.
First, the good. There were many, many enjoyable things about this book. I loved how much detail there was. In every scene, McGrath evoked imagery, scents, sounds of daily life in medieval London. I especially loved the details with herb and flower gardens. I could practically smell the lavender and rosemary as I read. Similarly, the descriptions of the street scenes in London were just as evocative.
I appreciated other small details, such as the use of relics, in particular the Virgin’s girdle, as charms for a safe childbirth experience. The churching ceremony after giving birth was not given a lot of detail, but it was mentioned a few times throughout the novel and it added extra depth. Also, a queen’s role as intercessor was mentioned several times. I’m fascinated by the queens’ intercessory role throughout time and how it changed, helped, or hindered politics. Little things like this make readers like me happy. I know not everyone cares about historical accuracy when they read a book for pleasure (*horror!*), but I am always deeply appreciative of authors who are as accurate as they can be. The readers like me will be happy and the readers who don’t care will still read the book and enjoy it regardless.
A few quibbles, however. The writing was clear and easy, flowing smoothly from one perspective to another. The main POV character was, of course, Ailenor, but Rosalind and Nell also got a good deal of time. I was glad, though, that the chapter headings indicated when a change of perspective happened because I didn’t find there was much variance in the voices portrayed by the three women. Ailenor, Nell, and Rosalind often sounded similar and could be hard to tell apart if it were not for chapter headings, so there was little individual character distinction.
By the same token, I felt that Rosalind was the only one who really had any character development. Ailenor, by contrast, sounded like a fully mature woman even on her journey to meet her husband-to-be when she was only 12 years old. Rosalind, on the other hand, started as a young and shy embroideress but grew into a confident and respected woman, wife, and mother. I did wish a little more of her story had been given to us. She was probably my favorite character in the book. The narrative felt incomplete because there were some fairly substantial jumps in the events of her life. However, since she was not the primary focus of the novel, this is probably why the author decided not to make her a larger figure.
The novel ended with the promised betrothal of Edward to Eleanor of Castile in roughly 1254. This was about ten years before the start of the Second Barons’ War. I was disappointed that the novel didn’t cover this since I think a lot of interesting content could have been written about Ailenor during those years. She was considered one of the She-Wolves, and the Barons’ War and Simon de Montfort’s role was a major element within Henry’s reign. Perhaps these details are to be included in the next book of the series?
It would have been particularly interesting to see Rosalind’s role in these events as well. Even though she is fictional, sometimes those are the best characters through which to explore an historical event or person. Again, I understand why it wasn’t included, though.
Overall, I enjoyed this novel. It was an easy read and gave an interesting glimpse into a fascinating period of England’s history.
N.B: the file received to review was a PDF copy, and therefore unedited with several errors re: muddled sentence construction, typographical mistakes etc. Discovering Diamonds has been informed that these have been rectified.
Reviewed for Discovering Diamonds
First, the good. There were many, many enjoyable things about this book. I loved how much detail there was. In every scene, McGrath evoked imagery, scents, sounds of daily life in medieval London. I especially loved the details with herb and flower gardens. I could practically smell the lavender and rosemary as I read. Similarly, the descriptions of the street scenes in London were just as evocative.
I appreciated other small details, such as the use of relics, in particular the Virgin’s girdle, as charms for a safe childbirth experience. The churching ceremony after giving birth was not given a lot of detail, but it was mentioned a few times throughout the novel and it added extra depth. Also, a queen’s role as intercessor was mentioned several times. I’m fascinated by the queens’ intercessory role throughout time and how it changed, helped, or hindered politics. Little things like this make readers like me happy. I know not everyone cares about historical accuracy when they read a book for pleasure (*horror!*), but I am always deeply appreciative of authors who are as accurate as they can be. The readers like me will be happy and the readers who don’t care will still read the book and enjoy it regardless.
A few quibbles, however. The writing was clear and easy, flowing smoothly from one perspective to another. The main POV character was, of course, Ailenor, but Rosalind and Nell also got a good deal of time. I was glad, though, that the chapter headings indicated when a change of perspective happened because I didn’t find there was much variance in the voices portrayed by the three women. Ailenor, Nell, and Rosalind often sounded similar and could be hard to tell apart if it were not for chapter headings, so there was little individual character distinction.
By the same token, I felt that Rosalind was the only one who really had any character development. Ailenor, by contrast, sounded like a fully mature woman even on her journey to meet her husband-to-be when she was only 12 years old. Rosalind, on the other hand, started as a young and shy embroideress but grew into a confident and respected woman, wife, and mother. I did wish a little more of her story had been given to us. She was probably my favorite character in the book. The narrative felt incomplete because there were some fairly substantial jumps in the events of her life. However, since she was not the primary focus of the novel, this is probably why the author decided not to make her a larger figure.
The novel ended with the promised betrothal of Edward to Eleanor of Castile in roughly 1254. This was about ten years before the start of the Second Barons’ War. I was disappointed that the novel didn’t cover this since I think a lot of interesting content could have been written about Ailenor during those years. She was considered one of the She-Wolves, and the Barons’ War and Simon de Montfort’s role was a major element within Henry’s reign. Perhaps these details are to be included in the next book of the series?
It would have been particularly interesting to see Rosalind’s role in these events as well. Even though she is fictional, sometimes those are the best characters through which to explore an historical event or person. Again, I understand why it wasn’t included, though.
Overall, I enjoyed this novel. It was an easy read and gave an interesting glimpse into a fascinating period of England’s history.
N.B: the file received to review was a PDF copy, and therefore unedited with several errors re: muddled sentence construction, typographical mistakes etc. Discovering Diamonds has been informed that these have been rectified.
Reviewed for Discovering Diamonds
April 2, 2020
My knowledge of Alienor of Provence is, to say the least, sketchy and apart from knowing that she was the wife of King Henry III, and mother of King Edward I, the background to her life and times seems to have passed me by. So it has been particularly refreshing to read a novel which not only brings Alienor to life in a meaningful way, but which also highlights something of the troubled times in which she lived. Married, when very young, to Henry III, who was considerably older, was never going to be easy for Alienor, however, her determination and strength of purpose,which she displayed as a young teenager, would stand her in good stead for what would follow during in her eventful life. It's easy to see why Alienor has been branded with the infamous sobriquet of 'she-wolf' as there is no doubt that her strong and quite forceful personality, made her, at times, quite unpopular, and did much to enliven the reign of her husband.
The Silken Rose is the first in a proposed trilogy and this first novel certainly gets the series off to an excellent start. The dark and dangerous world of the thirteenth century with all of its complicated politics comes to life in an authentic and meaningful way. I especially enjoyed the intertwining of Alienor's regal lifestyle alongside that of her fictional embroiderer, Rosalind, whose background in London's merchant district adds a lovely authentic touch and brings to life a lovely character who adds something quite special to the story.
Beautifully written and intricately researched The Silken Rose gave me a much needed history lesson, particularly about Henry's constant struggle against the barons and those volatile relatives who were a constant thorn in his side. However, I think what brought the book to life were the lovely descriptions of Alienor's life and her devotion to her husband and children, her love for fashion, the arts and courtly love were such a joy to read.
Over the last few days immersing myself in The Silken Rose has been a very real escape into a very different world and I have loved every moment of this historical journey. I'm already looking forward to reading what the author will educate and entertain us with in The Damask Rose which will feature the life and times of Alienor's daughter-in-law, Eleanor of Castile, first wife of Edward I.
The Silken Rose is the first in a proposed trilogy and this first novel certainly gets the series off to an excellent start. The dark and dangerous world of the thirteenth century with all of its complicated politics comes to life in an authentic and meaningful way. I especially enjoyed the intertwining of Alienor's regal lifestyle alongside that of her fictional embroiderer, Rosalind, whose background in London's merchant district adds a lovely authentic touch and brings to life a lovely character who adds something quite special to the story.
Beautifully written and intricately researched The Silken Rose gave me a much needed history lesson, particularly about Henry's constant struggle against the barons and those volatile relatives who were a constant thorn in his side. However, I think what brought the book to life were the lovely descriptions of Alienor's life and her devotion to her husband and children, her love for fashion, the arts and courtly love were such a joy to read.
Over the last few days immersing myself in The Silken Rose has been a very real escape into a very different world and I have loved every moment of this historical journey. I'm already looking forward to reading what the author will educate and entertain us with in The Damask Rose which will feature the life and times of Alienor's daughter-in-law, Eleanor of Castile, first wife of Edward I.
October 2, 2020
The spellbinding and completely gripping new story of history's forgotten queen - publisher's hyperbole. Far from spellbinding and not at all gripping. This is the second book I've read by this author. She is very knowledgeable about the period, food, clothing, but that's all. There's no story to speak of. No plot. Nothing exciting. No interesting characters. Just nice people living their daily lives in that time frame.
I thought maybe the first one, Mistress Cromwell, was a fluke. In that one, I ended up skipping pages but stuck with it thinking something would eventually happen, but nothing ever did. And I can see The Silken Rose is going in the same direction so I'm giving up half way through. Ms. McGrath has all the knowledge to put together a great book, but she needs a plot line to create some excitement (and better character definition). I would have given it one star for interest, but gave three for her expertise of the time period.
I thought maybe the first one, Mistress Cromwell, was a fluke. In that one, I ended up skipping pages but stuck with it thinking something would eventually happen, but nothing ever did. And I can see The Silken Rose is going in the same direction so I'm giving up half way through. Ms. McGrath has all the knowledge to put together a great book, but she needs a plot line to create some excitement (and better character definition). I would have given it one star for interest, but gave three for her expertise of the time period.
May 1, 2023
this book was kinda pointless. i really don’t see how Ailenor was a she wolf as the cover claims. this book was very relationship driven and felt kinda like a YA book. also the narrator made some odd choices with accents.
October 20, 2020
A long overdue 5 stars for this gently told story of Queen Ailenor of Provence, wed to Kind Henry III of England before she reaches puberty, her fight to protect her husband and children in the teeth of threats from power hungry barons, antipathy to her foreign background and advisors, Henry’s religious fervour and disastrous campaigns to reclaim territory in France. The intrigues of the medieval court, plots, mysterious ailments, courtly love and the rich detail of everyday life are all here in the interwoven threads that follow Ailenor’s life and the lives of her friends: Henry’s sister, Eleanor (‘Nell’), who marries the leading baron Simon de Montford in breach of her vow of celibacy (thus storing up trouble for the future of Henry’s reign), and the fictional embroideress Rosalind who falls in love with a squire of de Montford’s despite other plans for her. Skillfully crafted and exceptionally well researched.
July 26, 2020
The beautiful front cover of this book is what caught my attention first. I then requested this book after reading that it was recommended for fans of Phillippa Gregory and Alison Weir, two of my favourite authors. I am a huge historical fiction fan and am especially interested in the tudor era. This book is set in the 13th century at the court of King Henry III and his queen Alienor of Provence so it was a completely new period of history for me. However I thoroughly enjoyed this book. It is so well written and described. The author's writing makes you feel that you are present at the King's Court. It was totally absorbing and very atmospheric.
In addition this book has a strong minded female character at its heart, Queen Alienor of Provence who even from a very young age knows what she wants and how to get it. I admired her strength of character and the way she was able to influence her husband the 'weak' King into thinking that her ideas were his own as well as ensuring her friends and relatives were very well looked after much to the disdain of the English bishops and barons resulting in Alienor being given the label of a 'she-wolf.' I liked the fact that even back in the 13th century there were women who were not completely subservient to their husbands.
This book is fast paced and brings to life this period of history engaging all of the reader's senses through descriptions of the smells of the herbs, the sweet tastes of barley sugar and March pane and the exquisite tapestries and wall hangings.
I know this is the first book in a series and I shall be eagerly looking out for Carol McGraths next book. Thank you for accepting me to read and review this book. It was a pleasure.
In addition this book has a strong minded female character at its heart, Queen Alienor of Provence who even from a very young age knows what she wants and how to get it. I admired her strength of character and the way she was able to influence her husband the 'weak' King into thinking that her ideas were his own as well as ensuring her friends and relatives were very well looked after much to the disdain of the English bishops and barons resulting in Alienor being given the label of a 'she-wolf.' I liked the fact that even back in the 13th century there were women who were not completely subservient to their husbands.
This book is fast paced and brings to life this period of history engaging all of the reader's senses through descriptions of the smells of the herbs, the sweet tastes of barley sugar and March pane and the exquisite tapestries and wall hangings.
I know this is the first book in a series and I shall be eagerly looking out for Carol McGraths next book. Thank you for accepting me to read and review this book. It was a pleasure.
May 26, 2024
A nice escape into 13th century England and France, taking me back into my favourite historical period - the Plantagenets.
Written carefully with good historical detail, the story of Eleanor of Provence (Ailenor in this instance to help distinguish her from the very many other Eleanors in the book) and her marriage to King Henry III.
Ailenor was a strong, educated woman and quickly learned to play her cards carefully with her volatile husband, used to having his own way and quick to point the finger at any mishaps. A marriage of compromise but also of love and friendship, it was good to read more about Henry III who came to the throne after the death of his father, the infamous King John.
There’s plenty of historical content within the book to satisfy any medieval history fan like myself.
The fictional character of Rosalind the embroideress, married to a knight serving Simon De Montford, brings more depth into the story, which was very enjoyable and helped to connect events happening in France or on crusade back to Ailenor.
Fans of Philippa Gregory, Anne O’Brien and Jean Plaidy will undoubtedly enjoy this author also. The Silken Rose transports you back to a very evocative medieval life of power, danger and politics around every corner.
A knowledgeable, decent four star read.
August 29, 2022
When 13 year old Ailenor of Provence is sent to England to marry the king, she must learn to placate the nobles as well as manage her husband. The era of Henry III is well presented in this novel, showing Henry's character as well as his relationships. It's intricately plotted and clearly well-researched as there is so much wonderful detail given. All in all, a rather enjoyable read.
January 27, 2025
2.5 ⭐️
Non finito in realtà. La storia mi piace e anche la scrittura, ma ci sono diversi salti temporali un po’ azzardati secondo me. Come se l’autrice abbia pensato che gli eventi non raccontati fossero di minor importanza, io li avrei apprezzati. Questo infatti mi ha fatto “arrabbbiare” tanto da non continuare più.
Non finito in realtà. La storia mi piace e anche la scrittura, ma ci sono diversi salti temporali un po’ azzardati secondo me. Come se l’autrice abbia pensato che gli eventi non raccontati fossero di minor importanza, io li avrei apprezzati. Questo infatti mi ha fatto “arrabbbiare” tanto da non continuare più.
April 21, 2020
The Silken Rose brings the 13th century alive through Ailenor of Provence. A new bride, she arrives in a foreign land determined to support her new husband, Henry III, and elevate the English court. She plans for a place of culture, mirroring the courts of Provence. In the course of the novel, we see Ailenor’s political acumen. She is an astute judge of character and proves to be an effective calming influence to Henry’s more erratic tendencies. If there’s one fault she is blind to that is promoting her relation to positions of power which causes discontent amongst the barons who have coveted those positions themselves. For this, she is labelled “she-wolf”.
Also featured in the story is a gifted embroiderer, Rosalind, who develops an unlikely but lasting friendship with the Queen. The Queen’s patronage puts Rosalind in a difficult light - it allows her to chase her ambition of being an embroider and dream of independence, but it has its price when a rejected suitor feels threatened by her. These two entwined stories are a reminder that women with ambition were often reviled and feared.
The Silken Rose is a fine tapestry of a young Queen and life in the 13th century. It’s beautifully written and well-researched. Highly recommended.
Thank you to Headline Accent for providing me an ARC.
Also featured in the story is a gifted embroiderer, Rosalind, who develops an unlikely but lasting friendship with the Queen. The Queen’s patronage puts Rosalind in a difficult light - it allows her to chase her ambition of being an embroider and dream of independence, but it has its price when a rejected suitor feels threatened by her. These two entwined stories are a reminder that women with ambition were often reviled and feared.
The Silken Rose is a fine tapestry of a young Queen and life in the 13th century. It’s beautifully written and well-researched. Highly recommended.
Thank you to Headline Accent for providing me an ARC.
April 12, 2022
This includes tons of history but is written by a historian and frankly is boring🤷🏾♀️
March 17, 2024
3.5 stars
April 2, 2020
History, especially before the Renaissance, was written by, for, and about men. If you only read the history books, you can be forgiven for thinking that women were deaf and dumb vessels only meant to carry children. How refreshing it is to read about a woman who made history herself, Ailenor of England, often referred to as she wolf, (which was applied to three of the early English Queens, proof of their strong personalities!) was a noblewoman from France who married King Henry III, grandson of the indomitable Eleanor of Aquitaine.
Ailenor was married aged twelve or thirteen, but her husband, Henry, wishes to wait until she is older to consummate their marriage. During this time, Ailenor learns the ways of the court and manages to place her retinue and followers in important positions, a fact that does not endear her to the English. Headstrong, quick of tongue, and sure of herself, she falls in love with her older husband and manages to make him love her too - no small feat, as he is intelligent and experienced. As well as taking an interest in her husband's affairs, Ailenor was also interested in the art of embroidery, and she befriends a commoner - Rosiland - a woman with great talent - and becomes her patroness. So there are two strong female characters in the story, their lives, one noble-born and destined for history, and the other, a product of the brand new middle class of artisan workers who will eventually make Europe into a modern state.
Also important to the story are the characters Simon de Montfort and his wife, Nell, who was Henry's sister. Nell and Simon fall in love and Ailenor helps them marry, getting papal disposition. However, Simon and Nell fall heavily in debt and Henry ends up footing their bills. Furious, he orders Simon imprisoned, but Ailenor helps them escape England. I loved the way the author ties history and fiction together - I have always been fascinated by this period, and especially by this royal family. Richard of Cornwall, Simon de Montfort - and of course the Crusades are all woven together in this richly embroidered tapestry. Especially prevailent is the embroidery itself - the different fabrics and clothes the people wore, their colors and textures adding richness to an already fascinating tale. Highly reccommended.
Ailenor was married aged twelve or thirteen, but her husband, Henry, wishes to wait until she is older to consummate their marriage. During this time, Ailenor learns the ways of the court and manages to place her retinue and followers in important positions, a fact that does not endear her to the English. Headstrong, quick of tongue, and sure of herself, she falls in love with her older husband and manages to make him love her too - no small feat, as he is intelligent and experienced. As well as taking an interest in her husband's affairs, Ailenor was also interested in the art of embroidery, and she befriends a commoner - Rosiland - a woman with great talent - and becomes her patroness. So there are two strong female characters in the story, their lives, one noble-born and destined for history, and the other, a product of the brand new middle class of artisan workers who will eventually make Europe into a modern state.
Also important to the story are the characters Simon de Montfort and his wife, Nell, who was Henry's sister. Nell and Simon fall in love and Ailenor helps them marry, getting papal disposition. However, Simon and Nell fall heavily in debt and Henry ends up footing their bills. Furious, he orders Simon imprisoned, but Ailenor helps them escape England. I loved the way the author ties history and fiction together - I have always been fascinated by this period, and especially by this royal family. Richard of Cornwall, Simon de Montfort - and of course the Crusades are all woven together in this richly embroidered tapestry. Especially prevailent is the embroidery itself - the different fabrics and clothes the people wore, their colors and textures adding richness to an already fascinating tale. Highly reccommended.
April 21, 2020
I found this story terrific, well researched and engrossing.
I didn't know a lot about the specific historical time and was happy to learn more while being entertained by this complex novel.
The mix of historical facts and fiction works well and the author did a great job in keeping them balanced.
The characters are well thought and the historical background is vivid.
An excellent read, highly recommended.
Many thanks to the publisher and Netgalley for this ARC, all opinions are mine.
I didn't know a lot about the specific historical time and was happy to learn more while being entertained by this complex novel.
The mix of historical facts and fiction works well and the author did a great job in keeping them balanced.
The characters are well thought and the historical background is vivid.
An excellent read, highly recommended.
Many thanks to the publisher and Netgalley for this ARC, all opinions are mine.
April 13, 2020
Historical novels are often heavily overladen with with research, but not with McGrath who has a talent for bringing history alive. Her research is through and detailed, but never masks the rich life within the story. Ailenor of Provence is little more than a child when she arrives in England to marry Henry, 15 years her senior. The young she-wolf is highly intelligent and grows into a clever and manipulative queen, always retaining the reader's sympathy because she is so real. McGrath captures her voice in her early teens and lets it mature into adult wisdom and power as Ailenor falls deeply in love with Henry and becomes a mother. The scenes with her husband and children are vividly written and very moving, placed in richly detailed and recognisable locations. I look forward to reading further books by this impressive author.
July 4, 2020
The Silken Rose is the first in a planned trilogy of novels hoping to rehabilitate the reputations of three medieval queens all disparaged as “She Wolves”. This tale introduces us to 13 year old Ailenor (Eleanor of Provence) as she travels to England and the court of Henry III. The young bride comes to the realm without a dowry but she is determined to be a successful queen and fruitful wife.
Carol McGrath is a new author to me but I enjoyed her writing style and appreciated her obvious affection for the time period. The thirteenth century is effortlessly brought to life as the author recounts the pivotal moments of the royal couples’ first two decades of married life; both personal and political. We also get a glimpse at the life of a normal subject when talented young craftswoman Rosalind is invited to court. Through her skilled fingers the theme of embroidery is stitched into the fabric of the novel.
Thank you to NetGalley and to the publishers for a copy of this book in return for an honest review.
Carol McGrath is a new author to me but I enjoyed her writing style and appreciated her obvious affection for the time period. The thirteenth century is effortlessly brought to life as the author recounts the pivotal moments of the royal couples’ first two decades of married life; both personal and political. We also get a glimpse at the life of a normal subject when talented young craftswoman Rosalind is invited to court. Through her skilled fingers the theme of embroidery is stitched into the fabric of the novel.
Thank you to NetGalley and to the publishers for a copy of this book in return for an honest review.
October 11, 2024
I rarely leave reviews, but I just felt I had to write on this. For starters, I'm probably extremely biased because anything that is going to put Simon De Montfort in a positive light, I'm definitely not going to be a fan of. Secondly, Queen Eleanor (Ailenor in the book) became much more of a "she-wolf" later in life with raising troops and finances in France so I was disappointed that later parts of her story were left out. I found it frustrating to read at times with the simple dialogue and repeated phrases. It was also strange that we only get two or three chapters of Nell's side of things. I felt like that just needed to be left out. It gets two stars instead of one because I enjoyed the Rosalind story. She could have written an entire book based on her point of view and I'm sure I would have enjoyed it more. It was also extremely easy to read, but I'm also really interested in Plantagenet history so that could be why. It looks like the next two books in the series are rated higher so hoping for better :)
Read
September 26, 2020History in a fresh era! Always cause for celebration. If you enjoy Philippa Gregory, this novel should appeal.
I was totally absorbed by this fictional biography of a queen and a court I knew almost nothing about. Author McGrath deftly manages the sprawling politics of the time (all those provinces in 13th century France!) by creating strong subplots for two of the queen's female friends as well Ailenor herself.
McGrath gives us an Ailenor raised to be a queen, and conscious of her own intelligence, and aware of the limits of her own power. But this is also a wife, mother, and housekeeper--so we get to enjoy all the lovely details of recipes, holiday ritual, fashion--and in particular, of the textile and embroidery work that was central to every female's life in those times.
I was totally absorbed by this fictional biography of a queen and a court I knew almost nothing about. Author McGrath deftly manages the sprawling politics of the time (all those provinces in 13th century France!) by creating strong subplots for two of the queen's female friends as well Ailenor herself.
McGrath gives us an Ailenor raised to be a queen, and conscious of her own intelligence, and aware of the limits of her own power. But this is also a wife, mother, and housekeeper--so we get to enjoy all the lovely details of recipes, holiday ritual, fashion--and in particular, of the textile and embroidery work that was central to every female's life in those times.
September 5, 2020
At thirteen, Ailenor Of Provence travels to England to wed king Henry III, who’s a lot older than herself. Against all odds, the couple does find happiness and affection together. But as a foreign queen, Ailenor is not liked at court and is seen as a ‘she wolf’ when her Savoyard relatives get high positions at court and in the clergy. Luckily, she finds friendship with two remarkable women. Rosalind, a young embroideress and Nell, the king’s sister. Nell’s love interest is none other than Simon De Monfort, but she’s not free to wed since she has taken a vow of chastity after her late husband’s death. Ailenor sees her chance to act as a modern Guinevere and decides to aid the lovebirds.
The silken rose is the first part in a trilogy about three of England’s medieval queens who were seen as she wolves in their time. McGrath wants to give them a more human voice. This books tells the story of Eleanor Of Provence, Henry III’s queen, but McGrath uses the spelling ‘Ailenor’ to distinguish her from all the English Eleanor’s (it was quite a popular name back then).
I liked to read about Henry III’s reign, as he’s a forgotten king stuck between his father ‘bad’ king John and his son Edward Longshanks, who have both gotten more attention in popular culture. But Henry’s reign was a long one and during all that time Eleanor sat faithful at his side on the throne, so the two of them certainly deserve more attention. I did know something about Eleanor. In particular that she has three sisters who would also make important marriages. Her eldest sister Marguerite becomes queen of France, thus bringing the sisters to opposite sides of the European power struggle.
The book opens with Ailenor traveling to England during a cold and wet winter. She likes her husband immediately but he finds her yet too young to consummate the marriage. Ailenor quickly makes friendship with the king’s sister Nell, who is widowed and has taken a vow to never marry again. Determined to be a good queen and smitten with tales of king Arthur and Guinevere, Ailenor develops a love for poetry and embroidery. She offers Rosalind, a very talented embroideress, her own workshop at Winchester. At the same time she petitions the king to help Nell, who has fallen in love with Simon De Montfort but needs the Pope’s blessing to wed again.
We discover court life through the eyes of this three different women. Rosalind is the only one not based on a historical character and although she has quite an interesting story herself, I liked the focus on Ailenor and Nell more.
Henry’s relationship with Nell’s husband Simon De Monfort is a complex one. Especially when events in Gascony are escalating. Eventually it will lead to rebellion, but those events are not included in this book. That may look as a strange choice, but I do understand that McGrath wants to focus on Ailenor’s story and not on the quarrel between two men.
There are many more things going on in this novel, such as the third crusade, the struggle between Ailenor’s Savoyards and the English nobles, witchcraft, Henry’s second family the De Lusignans causing unrest… You get a full insight into the politics and royal intrigues of the 13th century.
I really liked how the relationship between Ailenor and Henry was portrayed. They have a strong affection for each other, but Henry is a volatile king and the couple knows many ups and downs. Ailenor dares to stand up to Henry, which is not always appreciated.
I’m looking forward to read more about Eleanor Of Provence, and to continue with McGrath’s Rose trilogy as I know almost nothing about Eleanor Of Castile, the main subject of the next book in the series.
https://inanotherera.wordpress.com/20...
Dutch review:
Ailenor Of Provence trekt op haar 13de naar het natte en koude Engeland om te trouwen met koning Henry III. Hoewel haar man heel wat is ouder is, groeit er een sterke genegenheid tussen hen. Maar Ailenor is een buitenlandse koningin en dat maakt haar niet zo populair aan het hof. Gelukkig sluit ze al snel vriendschap met Rosalind, een jonge borduurster en Nell, Henry's zus. Nell heeft na de dood van haar man gezworen nooit te hertrouwen, maar is ondertussen verliefd op Simon Of Monfort, een van de veelbelovende ridders aan het hof. Ailenor besluit om de twee te helpen.
The silken rose is het eerste boek van een trilogie over Middeleeuwse koninginnen die (onterecht?) als she wolf werden gezien. Eleanor Of Provence (of Ailenor, de spelling die de auteur gebruikt) bijt de spits af. Ze was de vrouw van Henry III, een vaak vergeten koning omdat zijn regering niet zo merkwaardig was in vergelijking met zijn vader en zoon. Maar Henry regeerde wel decennialang met Ailenor aan zijn zijde.
Ailenor zelf stemt uit een gezin met 4 zussen die elk een groots huwelijk zullen sluiten. Zo wordt haar zus Marguerite koningin van Frankrijk.
Dit boek vertelt Ailenor's verhaal vanuit drie perspectieven. Ailenor, Rosalind en Nell. Enkel Rosalind is fictief en haar perspectief dient om de lagere klasse een stem te geven.
Hoewel ik Rosalind best sympathiek vond, droeg haar persoonlijke verhaal weinig bij tot het verhaal. De focus ligt op Ailenor en Henry en de politieke bekommernissen in Engeland en Gascony. De relatie tussen Simon De Montfort en Henry zal jarenlang ups en downs kennen en hoewel de echte rebellie in dit boek niet aan bod komt (een keuze die ik zowel vreemd vind als kan begrijpen want dit is Ailenor's verhaal), voel je de spanningen goed doorheen het boek.
Ailenor krijgt een menselijk gezicht. Haar wordt verweten dat ze haar familie belangrijke posten heeft toebedeeld ten koste van Engelse nobelen en ook dat is een groot thema doorheen het boek. Net als de hoge kosten van Ailenor's persoonlijke uitgaven.
Ten slotte leren we ook veel over de liefde van Ailenor voor poëzie, de verhalen van King Arthur en borduren. Een groot deel van het verhaal gaat over opdrachten die Rosalind krijgt van Ailenor om de verschillende paleizen te decoreren. De roos komt verschillende keren symbolisch terug, net als zijde. Beiden verwijzend naar de titel van het boek.
Voor mij was dit een mooie kennismaking met Eleanor Of Provence. Jammer genoeg ben ik niet helemaal weggeblazen over de schrijfstijl en de verschillende perspectieven die McGrath heeft gekozen. Maar ik zal met plezier deel 2 over Eleanor of Castilië (waarover ik echt niks weet!) lezen.
Er staan nog een aantal boeken over Eleanor Of Provence en haar zussen op mijn lijstje. Heel benieuwd om daar eens aan te beginnen.
The silken rose is the first part in a trilogy about three of England’s medieval queens who were seen as she wolves in their time. McGrath wants to give them a more human voice. This books tells the story of Eleanor Of Provence, Henry III’s queen, but McGrath uses the spelling ‘Ailenor’ to distinguish her from all the English Eleanor’s (it was quite a popular name back then).
I liked to read about Henry III’s reign, as he’s a forgotten king stuck between his father ‘bad’ king John and his son Edward Longshanks, who have both gotten more attention in popular culture. But Henry’s reign was a long one and during all that time Eleanor sat faithful at his side on the throne, so the two of them certainly deserve more attention. I did know something about Eleanor. In particular that she has three sisters who would also make important marriages. Her eldest sister Marguerite becomes queen of France, thus bringing the sisters to opposite sides of the European power struggle.
The book opens with Ailenor traveling to England during a cold and wet winter. She likes her husband immediately but he finds her yet too young to consummate the marriage. Ailenor quickly makes friendship with the king’s sister Nell, who is widowed and has taken a vow to never marry again. Determined to be a good queen and smitten with tales of king Arthur and Guinevere, Ailenor develops a love for poetry and embroidery. She offers Rosalind, a very talented embroideress, her own workshop at Winchester. At the same time she petitions the king to help Nell, who has fallen in love with Simon De Montfort but needs the Pope’s blessing to wed again.
We discover court life through the eyes of this three different women. Rosalind is the only one not based on a historical character and although she has quite an interesting story herself, I liked the focus on Ailenor and Nell more.
Henry’s relationship with Nell’s husband Simon De Monfort is a complex one. Especially when events in Gascony are escalating. Eventually it will lead to rebellion, but those events are not included in this book. That may look as a strange choice, but I do understand that McGrath wants to focus on Ailenor’s story and not on the quarrel between two men.
There are many more things going on in this novel, such as the third crusade, the struggle between Ailenor’s Savoyards and the English nobles, witchcraft, Henry’s second family the De Lusignans causing unrest… You get a full insight into the politics and royal intrigues of the 13th century.
I really liked how the relationship between Ailenor and Henry was portrayed. They have a strong affection for each other, but Henry is a volatile king and the couple knows many ups and downs. Ailenor dares to stand up to Henry, which is not always appreciated.
I’m looking forward to read more about Eleanor Of Provence, and to continue with McGrath’s Rose trilogy as I know almost nothing about Eleanor Of Castile, the main subject of the next book in the series.
https://inanotherera.wordpress.com/20...
Dutch review:
Ailenor Of Provence trekt op haar 13de naar het natte en koude Engeland om te trouwen met koning Henry III. Hoewel haar man heel wat is ouder is, groeit er een sterke genegenheid tussen hen. Maar Ailenor is een buitenlandse koningin en dat maakt haar niet zo populair aan het hof. Gelukkig sluit ze al snel vriendschap met Rosalind, een jonge borduurster en Nell, Henry's zus. Nell heeft na de dood van haar man gezworen nooit te hertrouwen, maar is ondertussen verliefd op Simon Of Monfort, een van de veelbelovende ridders aan het hof. Ailenor besluit om de twee te helpen.
The silken rose is het eerste boek van een trilogie over Middeleeuwse koninginnen die (onterecht?) als she wolf werden gezien. Eleanor Of Provence (of Ailenor, de spelling die de auteur gebruikt) bijt de spits af. Ze was de vrouw van Henry III, een vaak vergeten koning omdat zijn regering niet zo merkwaardig was in vergelijking met zijn vader en zoon. Maar Henry regeerde wel decennialang met Ailenor aan zijn zijde.
Ailenor zelf stemt uit een gezin met 4 zussen die elk een groots huwelijk zullen sluiten. Zo wordt haar zus Marguerite koningin van Frankrijk.
Dit boek vertelt Ailenor's verhaal vanuit drie perspectieven. Ailenor, Rosalind en Nell. Enkel Rosalind is fictief en haar perspectief dient om de lagere klasse een stem te geven.
Hoewel ik Rosalind best sympathiek vond, droeg haar persoonlijke verhaal weinig bij tot het verhaal. De focus ligt op Ailenor en Henry en de politieke bekommernissen in Engeland en Gascony. De relatie tussen Simon De Montfort en Henry zal jarenlang ups en downs kennen en hoewel de echte rebellie in dit boek niet aan bod komt (een keuze die ik zowel vreemd vind als kan begrijpen want dit is Ailenor's verhaal), voel je de spanningen goed doorheen het boek.
Ailenor krijgt een menselijk gezicht. Haar wordt verweten dat ze haar familie belangrijke posten heeft toebedeeld ten koste van Engelse nobelen en ook dat is een groot thema doorheen het boek. Net als de hoge kosten van Ailenor's persoonlijke uitgaven.
Ten slotte leren we ook veel over de liefde van Ailenor voor poëzie, de verhalen van King Arthur en borduren. Een groot deel van het verhaal gaat over opdrachten die Rosalind krijgt van Ailenor om de verschillende paleizen te decoreren. De roos komt verschillende keren symbolisch terug, net als zijde. Beiden verwijzend naar de titel van het boek.
Voor mij was dit een mooie kennismaking met Eleanor Of Provence. Jammer genoeg ben ik niet helemaal weggeblazen over de schrijfstijl en de verschillende perspectieven die McGrath heeft gekozen. Maar ik zal met plezier deel 2 over Eleanor of Castilië (waarover ik echt niks weet!) lezen.
Er staan nog een aantal boeken over Eleanor Of Provence en haar zussen op mijn lijstje. Heel benieuwd om daar eens aan te beginnen.
May 30, 2020
A great read
July 23, 2020
Royal dramas, plots and embroidery, through the eyes of a powerful Medieval Queen
The Silken Rose is the first in a trilogy of novels focussing on powerful medieval queens who may have been unfairly documented in history. The viewpoint shifts between Ailenor, brought to England from Provence at thirteen years old to marry Henry III; Henry’s sister, Eleanor (Nell); and a fictional embroideress called Rosalind, who is sponsored by Ailenor and becomes relatively powerful herself. Throughout court dramas, secrets, and threats to the throne, the three characters develop a close friendship, and there is real love and respected between them (though they are often on opposing sides of conflict due to their marriages). The connection between these characters really adds to the tension during the frequent times of conflict.
I especially enjoyed Rosalind’s story. She is a fictional character, but brings depth to the overall narrative, and a perspective of the merchant class which would otherwise be missing. Perhaps because there was more freedom to explore her character and life events, I connected with Rosalind more than Ailenor or Nell, and found her story the most engaging. All three characters are well placed to give a different perspective of the major events of the time.
This book made me want to read more about the subject. I didn’t know much about this period of history, but The Silken Rose really brought me into the time setting. The specific historical details—sights, smells, colours and small details—are amazing. The setting is so believable without taking centre stage or distracting from the natural drama of the time and characters. There is a lot of detail, but the text flows and it did not take long to read. There is a good balance between excitement, historical detail, and emotions, for my own reading preferences.
The story spans about a thirty year time period, but still manages to feel personal and urgent in the right moments. It is sweeping, but there is some progression in Ailenor over the years, from young princess just arrived in England to marry a king twice her age who she’s never met, to middle aged mother who can balance aiding her husband in important political decisions, holding court, and maintaining relationships. The timeline jumps forwards to the most important years, and you watch as Ailenor adjusts into her life in a powerful position, and learns to navigate political turmoils while making her husband think he’s the one who’s come up with the solution.
Ailenor was an unpopular Queen, chosen for her arranged marriage as many were to provide a strategic advantage. Documented as a ‘she-wolf’, Ailenor was accused of nepotism, and disliked by many. She needed to be cunning, brave, and ruthless to survive, support her husband, and maintain their rule. In order to rebuild Westminster Abbey, organise a crusade, fund an unpopular war to protect Gascony (the last English held territory in France), bribe barons, and maintain an image of success, Henry repeatedly increased taxes. Henry’s popularity with his barons and his people was turbulent.
I love how the story gives voice to Ailenor (Eleanor of Provence), rather than Henry III. Not only is this an interesting period of history to learn more about, but it is imagined from the point of view of historical figures who may usually be overlooked or remembered unfairly. The next two books in the trilogy will focus on the next two queens of England, who were also generally disliked. I’m excited to see how the author fleshes out these stories around the many events of their time.
The Silken Rose ends soon before another interesting period of conflict, the Second Barons’ War, and this is where the next book in the trilogy will pick up. I was disappointed that this was not covered in book 1, as it will be a high period of tension for Ailenor and Henry, and their relationship with Nell, who was married to Simon de Montfort (the man who led the uprising). It’s a shame that this conflict probably won’t be told from the viewpoints of Ailenor and Nell.
Overall, I recommend this book for someone who likes to be immersed in a historical setting, enjoys royal drama, and wants to know more about the lives and histories of powerful medieval queens. I enjoyed this book, and will definitely keep books two and three in mind when they are released.
Thank you to Headline Accent Press and NetGalley for an Advance Review Copy, which I have reviewed voluntarily and based on my unbiased opinion.
The Silken Rose is the first in a trilogy of novels focussing on powerful medieval queens who may have been unfairly documented in history. The viewpoint shifts between Ailenor, brought to England from Provence at thirteen years old to marry Henry III; Henry’s sister, Eleanor (Nell); and a fictional embroideress called Rosalind, who is sponsored by Ailenor and becomes relatively powerful herself. Throughout court dramas, secrets, and threats to the throne, the three characters develop a close friendship, and there is real love and respected between them (though they are often on opposing sides of conflict due to their marriages). The connection between these characters really adds to the tension during the frequent times of conflict.
I especially enjoyed Rosalind’s story. She is a fictional character, but brings depth to the overall narrative, and a perspective of the merchant class which would otherwise be missing. Perhaps because there was more freedom to explore her character and life events, I connected with Rosalind more than Ailenor or Nell, and found her story the most engaging. All three characters are well placed to give a different perspective of the major events of the time.
This book made me want to read more about the subject. I didn’t know much about this period of history, but The Silken Rose really brought me into the time setting. The specific historical details—sights, smells, colours and small details—are amazing. The setting is so believable without taking centre stage or distracting from the natural drama of the time and characters. There is a lot of detail, but the text flows and it did not take long to read. There is a good balance between excitement, historical detail, and emotions, for my own reading preferences.
The story spans about a thirty year time period, but still manages to feel personal and urgent in the right moments. It is sweeping, but there is some progression in Ailenor over the years, from young princess just arrived in England to marry a king twice her age who she’s never met, to middle aged mother who can balance aiding her husband in important political decisions, holding court, and maintaining relationships. The timeline jumps forwards to the most important years, and you watch as Ailenor adjusts into her life in a powerful position, and learns to navigate political turmoils while making her husband think he’s the one who’s come up with the solution.
Ailenor was an unpopular Queen, chosen for her arranged marriage as many were to provide a strategic advantage. Documented as a ‘she-wolf’, Ailenor was accused of nepotism, and disliked by many. She needed to be cunning, brave, and ruthless to survive, support her husband, and maintain their rule. In order to rebuild Westminster Abbey, organise a crusade, fund an unpopular war to protect Gascony (the last English held territory in France), bribe barons, and maintain an image of success, Henry repeatedly increased taxes. Henry’s popularity with his barons and his people was turbulent.
I love how the story gives voice to Ailenor (Eleanor of Provence), rather than Henry III. Not only is this an interesting period of history to learn more about, but it is imagined from the point of view of historical figures who may usually be overlooked or remembered unfairly. The next two books in the trilogy will focus on the next two queens of England, who were also generally disliked. I’m excited to see how the author fleshes out these stories around the many events of their time.
The Silken Rose ends soon before another interesting period of conflict, the Second Barons’ War, and this is where the next book in the trilogy will pick up. I was disappointed that this was not covered in book 1, as it will be a high period of tension for Ailenor and Henry, and their relationship with Nell, who was married to Simon de Montfort (the man who led the uprising). It’s a shame that this conflict probably won’t be told from the viewpoints of Ailenor and Nell.
Overall, I recommend this book for someone who likes to be immersed in a historical setting, enjoys royal drama, and wants to know more about the lives and histories of powerful medieval queens. I enjoyed this book, and will definitely keep books two and three in mind when they are released.
Thank you to Headline Accent Press and NetGalley for an Advance Review Copy, which I have reviewed voluntarily and based on my unbiased opinion.
June 8, 2020
The Silken Rose is an account of the life of Queen Ailenor, the wife of Henry III. In the novel, fiction is woven around the known facts of Ailenor's life.
The novel opens in January, 1236, when 13-year old Ailenor, a Princess of Provence, was being conveyed through a rain-soaked landscape from Dover to Canterbury, where she was to meet the man she was to marry, King Henry III of England. To her disappointment, the King, whom she’d not yet met, was not there to greet her upon her arrival, but was at prayer.
Her wedding to the English King being seen as prestigious as the marriage of her sister, Marguerite, to the King of France, Ailenor was anxious that all should go well, and was relieved that the King’s sister, Eleanor, immediately took her under her wing, and helped her with a travel problem that had affected her dress. Her impression of Eleanor was favourable, and it was an admiration that seemed to be mutual, as Eleanor asked Ailenor to call her Nell. Nell, who’d taken a vow of chastity, the renouncement of which was to have unforeseen repercussions, was to become one of Ailenor’s two closest friends.
When Ailenor met the king, who was of average height and stocky, her fear was that she might grow too tall for him. He had fine, flaxen hair, and an eye that drooped, but he showed great generosity towards her by heaping upon her gifts. This made her uncomfortable that her only gift for him was an Arab stallion. His understanding of her anxiety at the disparity of their gifts to each other showed his kindness, and she was content with her royal husband.
The generosity that the KIng showed towards Ailenor hints at him spending large sums of money with ease. This is further indicated by the magnificence of the building projects he enumerates to Ailenor, such as Westminster Abbey, which he is building, but for which the people are paying, and by his enthusiasm for the Crusades and his willingness to spend great sums to secure his lands, and, later, to see his children married with an extravagance of clothes and surroundings.
The reader follows the lives of Ailenor and Henry over the years, and shows how they lived against a background of revolts by barons, and betrayals by one’s family and trusted friends. We see also the lives of Nell, who fell in love with the King’s steward, Simon de Montfort, and of the embroideress, Rosalind, a fictional character, who taught the Queen to embroider intricate designs. Rosalind, who became Ailenor’s other close friend, fell in love with a young squire, Thomas, who rode with Simon de Montfort.
In following the lives of Ailenor and Henry and their friends, the reader is taken into the realms of the upper classes who inhabited the medieval world, a world in which marriage was a way of uniting royal households, of securing lands for oneself and for one’s children, of filling coffers that had become empty over the years and of reviving businesses that needed a fresh injection of capital.
The role of the Queen is clearly shown. She needed to retain the respect due to her status by dressing stylishly and in the richest of materials, by dining on a wide range of food and delicacies, and by living a life wherein she was waited on hand and foot, and wanted for nothing. McGrath delights in the details of textiles and of the clothes she wears, and the food she eats, and on the skilfully executed embroidery for which the Queen came to be known.
The reader also follows Ailenor’s great desire to give the King a son, which she knows to be the outcome expected by their liaison, and she does indeed do this. Over the years she has several children, and also several miscarriages.
The limitations of her power are also clearly shown. While he took her advice on a number if occasions, she was not always able to influence the King in the way she would have wished, and at times the King expressed his annoyance with her interference and they were estranged. Over the years, she had to deal with the complaints by the barons that she was guilty of nepotism, having filled so many of the positions at court with those she’d brought with her, or sent for, from France.
Carol McGrath successfully succeeds in bringing alive this medieval world, both in England and France, which is a period of history that is less frequently studied at school and therefore is not so widely known. Reading The Silken Rose is a great opportunity to learn more about this world.
The novel opens in January, 1236, when 13-year old Ailenor, a Princess of Provence, was being conveyed through a rain-soaked landscape from Dover to Canterbury, where she was to meet the man she was to marry, King Henry III of England. To her disappointment, the King, whom she’d not yet met, was not there to greet her upon her arrival, but was at prayer.
Her wedding to the English King being seen as prestigious as the marriage of her sister, Marguerite, to the King of France, Ailenor was anxious that all should go well, and was relieved that the King’s sister, Eleanor, immediately took her under her wing, and helped her with a travel problem that had affected her dress. Her impression of Eleanor was favourable, and it was an admiration that seemed to be mutual, as Eleanor asked Ailenor to call her Nell. Nell, who’d taken a vow of chastity, the renouncement of which was to have unforeseen repercussions, was to become one of Ailenor’s two closest friends.
When Ailenor met the king, who was of average height and stocky, her fear was that she might grow too tall for him. He had fine, flaxen hair, and an eye that drooped, but he showed great generosity towards her by heaping upon her gifts. This made her uncomfortable that her only gift for him was an Arab stallion. His understanding of her anxiety at the disparity of their gifts to each other showed his kindness, and she was content with her royal husband.
The generosity that the KIng showed towards Ailenor hints at him spending large sums of money with ease. This is further indicated by the magnificence of the building projects he enumerates to Ailenor, such as Westminster Abbey, which he is building, but for which the people are paying, and by his enthusiasm for the Crusades and his willingness to spend great sums to secure his lands, and, later, to see his children married with an extravagance of clothes and surroundings.
The reader follows the lives of Ailenor and Henry over the years, and shows how they lived against a background of revolts by barons, and betrayals by one’s family and trusted friends. We see also the lives of Nell, who fell in love with the King’s steward, Simon de Montfort, and of the embroideress, Rosalind, a fictional character, who taught the Queen to embroider intricate designs. Rosalind, who became Ailenor’s other close friend, fell in love with a young squire, Thomas, who rode with Simon de Montfort.
In following the lives of Ailenor and Henry and their friends, the reader is taken into the realms of the upper classes who inhabited the medieval world, a world in which marriage was a way of uniting royal households, of securing lands for oneself and for one’s children, of filling coffers that had become empty over the years and of reviving businesses that needed a fresh injection of capital.
The role of the Queen is clearly shown. She needed to retain the respect due to her status by dressing stylishly and in the richest of materials, by dining on a wide range of food and delicacies, and by living a life wherein she was waited on hand and foot, and wanted for nothing. McGrath delights in the details of textiles and of the clothes she wears, and the food she eats, and on the skilfully executed embroidery for which the Queen came to be known.
The reader also follows Ailenor’s great desire to give the King a son, which she knows to be the outcome expected by their liaison, and she does indeed do this. Over the years she has several children, and also several miscarriages.
The limitations of her power are also clearly shown. While he took her advice on a number if occasions, she was not always able to influence the King in the way she would have wished, and at times the King expressed his annoyance with her interference and they were estranged. Over the years, she had to deal with the complaints by the barons that she was guilty of nepotism, having filled so many of the positions at court with those she’d brought with her, or sent for, from France.
Carol McGrath successfully succeeds in bringing alive this medieval world, both in England and France, which is a period of history that is less frequently studied at school and therefore is not so widely known. Reading The Silken Rose is a great opportunity to learn more about this world.
May 29, 2020
The Silken Rose begins on a genteel note: thirteen-year old Ailenor of Provence arrives on the shores of England to be married to king Henry III. We join Ailenor on the journey of discovery of the alien and most fascinating world of 13th-century England. Guided by McGrath, tentatively at first, we dip our toes in the medieval customs, mentalities and sensitivities described with flourish and attention to detail. Soon we find ourselves fully immersed in a time-space bubble.
Ailenor may only be a young girl, and on many levels she acts like one: she enjoys beautiful things in life, the company of her ladies, lavish feasts, poetry and embroidery. She is eager to please her king and fantasises of becoming Guinevere to his Arthur. She is beginning to awaken sexually. But we soon learn that one mustn’t be fooled by her young age and romantic fantasies. Ailenor is a she-wolf (a term she violently resents). She is ambitious, perceptive, even manipulative. She loves her king romantically but she also has more pragmatic objectives: she must give him an heir and sway his favours to secure her interests. She makes true friends (such as Nell, the king’s sister). She loves them dearly and supports them. But she also knows how to convert friendships into political alliances. She confidently navigates her way amongst the hostile barons and treacherous rivals. What started as an idyllic fairy tale of a royal wedding and giggling maidens soon becomes a darker, faster-paced tale of intrigue, assassination, betrayal and flights of blinding rage. In order to survive and protect her children, Ailenor hardens and perfects the art of factional war and smart diplomacy.
MacGrath’s tale has the flowing quality of a powerful river which, once you’ve dipped your toes in, sweeps you off your feet and carries you with the currents, rapids and waterfalls of power struggle and survival.
Ailenor may only be a young girl, and on many levels she acts like one: she enjoys beautiful things in life, the company of her ladies, lavish feasts, poetry and embroidery. She is eager to please her king and fantasises of becoming Guinevere to his Arthur. She is beginning to awaken sexually. But we soon learn that one mustn’t be fooled by her young age and romantic fantasies. Ailenor is a she-wolf (a term she violently resents). She is ambitious, perceptive, even manipulative. She loves her king romantically but she also has more pragmatic objectives: she must give him an heir and sway his favours to secure her interests. She makes true friends (such as Nell, the king’s sister). She loves them dearly and supports them. But she also knows how to convert friendships into political alliances. She confidently navigates her way amongst the hostile barons and treacherous rivals. What started as an idyllic fairy tale of a royal wedding and giggling maidens soon becomes a darker, faster-paced tale of intrigue, assassination, betrayal and flights of blinding rage. In order to survive and protect her children, Ailenor hardens and perfects the art of factional war and smart diplomacy.
MacGrath’s tale has the flowing quality of a powerful river which, once you’ve dipped your toes in, sweeps you off your feet and carries you with the currents, rapids and waterfalls of power struggle and survival.
April 1, 2021
This is a story about Eleanor of Province, I only knew Eleanor of Aquitine, so it was good to hear about this unknown Queen. She married Henry III, grandson of Eleanor of Aquitine, and it was a great match. At the tender age of 14 she moved from her home to England and had several children with Henry, including Edward I. This woman played her part as Queen with extreme efficiency, absolutely adored her kids and nursed Edward when he was very ill.
She also loved her husband Henry.
Rosalind, another character was fictional and was a embroideress in Eleanor's court, it was nice to learn about different designs and embroidery in the 13th century.
The Author brings in Henry's half brothers, who I think are Welsh, that King John could have had with Katheryn Swinford (his mistress), this is now the start of the Tudor time.
Good read but I had to think a little about the characters as I had no knowledge of them in the past, but now I do and I have downloaded the book My Fair Lady (as I want to know more about this forgotten Queen).
She also loved her husband Henry.
Rosalind, another character was fictional and was a embroideress in Eleanor's court, it was nice to learn about different designs and embroidery in the 13th century.
The Author brings in Henry's half brothers, who I think are Welsh, that King John could have had with Katheryn Swinford (his mistress), this is now the start of the Tudor time.
Good read but I had to think a little about the characters as I had no knowledge of them in the past, but now I do and I have downloaded the book My Fair Lady (as I want to know more about this forgotten Queen).
May 2, 2020
The Silken Rose is a brilliant start to this trilogy of books by Carol McGrath about the Queenly She-Wolves of England. The main protagonist is Aelinor of Provence, a 13-year-old girl when she is despatched to London in the mid-1230s to marry King Henry III, a man approaching 30. Her story is one which must’ve been shared by all those girls sent off to marry men they had never met, but hers takes on even more drama because of the problems within England and those caused by her husband’s ineptness. One can really begin to understand the circumstances whereby Aelinor felt she needed to defend herself and her family by bringing trusted kin to England from Savoy.
I also found the factional infighting within Henry’s family and government fascinating. The shadow of Simon de Montfort looms large throughout the novel, but it is Aelinor’s step out of the historical shadows which is the real triumph of The Silken Rose.
Highly recommended.
I also found the factional infighting within Henry’s family and government fascinating. The shadow of Simon de Montfort looms large throughout the novel, but it is Aelinor’s step out of the historical shadows which is the real triumph of The Silken Rose.
Highly recommended.
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