Mary Heilmann: Save the Last Dance for Me

One Work

by Terry R. Myers

An illustrated study of Mary Heilmann's seductive 1979 abstract painting in hot pink and black, Save the Last Dance for Me . "You want beauty? I'll give you beauty!"—Mary Heilmann Mary Heilmann is one of the most important abstract painters of her generation. Her distinctively fluid, humorous, and bright canvases combine the modes of Abstract Expressionism with a vibrant Pop sensibility. Heilmannn's 1979 painting in hot pink and black, evocatively titled Save the Last Dance for Me , marked a shift in the artist's perspective. Heilmann describes it: "Now the work came from a different place. Instead of working out of modernist non-image formalism, I began to see that the choices in the work depended more on content for their meaning." This beautifully illustrated study of Save the Last Dance for Me explores the development of Heilmann's work, and the way it continues to engage us—psychologically, sensually, and socially. The three bright pink rectangles in Heilmann's painting seem to dance off the edge of the canvas, through a black field that seems dark as a nightclub after midnight—or perhaps the three are actually one pink rectangle, seen in a blissfully formal time lapse, moving across the dance floor/canvas. These definitively modernist geometric forms coexist with a sense of movement in real time. For many, abstraction may have been dancing its last dance in 1979, but Heilmann's bright pink rectangles boogie on.

Genres: Art

112 pages, Paperback

First published June 1, 2007

Reviews

[Chris · Rating 3 out of 5]

I’m not surprised there are no reviews, most people who read this are going to already be fans of Mary Heilmann. So you want to say nice things because she rocks so hard as an artist. But the book is a little lacking in the way that art historian critical thinkers can’t help themselves from being sort of boring. Parts of the book felt like a homework assignment I didn’t feel like I wanted to read. I’m not convinced by all the meaning and intention that the author claims. As an artist myself, I think art theorists can be a little full of hot air and I would love to chop about 20% of the book. But it is mostly very insightful and it’s always interesting to get a deeper historical and conceptual understanding of a brilliant artist like Heilmann.