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129 pages, Kindle Edition
First published April 1, 2020
Murmurations is not set in a specific city, or country, but in the daunting urban landscapes painted by the American artist Edward Hopper. Noted for his reticence and habitual silence, Hopper's flat, saturated colours, his erasing of detail, produced pictures in which absence is as compelling and eloquent as presence. Each of these stories began as a response to one of Hopper's paintings...
Automat (1927), by Edward Hopper (*Wikipedia)She had hated this place from the start, hated its weather, and the way people talked, hated its ugly houses. and the shapes of the trees; she hated the way locals stuck together, the way they were always reminding you that you didn't belong, that you would never be one of them, however long you stayed; she hated when they banged on about the natural beauty of the place when honestly it was bleak, and much of it rundown, and all of it desperately behind the times. What she dreaded most, she'd said, was being stuck here until she was old, or dying and being buried here, trapped forever in its cold and hostile soil. ('Evening All Afternoon', p.39)