This is not an easy novel about Native American life, nor is it a non-fiction ethnographic story of early American life. Ella Cara DeLoria, herself one-quarter Sioux, writes a complex accounting of the lives of women of the Teton Lakota Sioux Indians.
While telling the story of Waterlilly, the unrecognized child of the abandoned Blue Bird, DeLoria also tells a tale of feminism of two independent, strong women whose lives were clearly defined by their tribe and culture. When Blue Bird elopes with her lover, she faces the consequences from a society that considers such behavior damaging to the entire family circle.
Blue Bird, pregnant and deserted, is sent away to live with another family circle, and there she and the new social circle raise Waterlilly to observe the rules of social kinship (which include family laws of avoidance of emotions and specifically expressive behavior) even in times of extreme hardship. The highest expression of wealth and success in a tribe is expressed through gift-giving. The higher the status, the more you are expected to host celebrations, give away beautifully hand-crafted clothing, and horses or hides.
The day-to-day life is detailed as are the celebrations. Waterlilly grows from a baby to a teenager who tests her limits, to a wife, widow and mother before she turns 21.
DeLoria was born in 1889 to a Sioux who became an Episcopalian minister. An ethnographer herself, DeLoria wrote the book from documents and family history. The story takes place in the 1700s, before significant contact with European settlers.
I read the book because I am a folklorist and interested in cross-cultural transmittal of ritual.