ABANDON THE PURSUIT OF ORDINARY HAPPINESS! One young man’s barren college life changes forever when he shares a budding romance with a girl named Mizuo...only for it to all come crashing down when she has the gall to dump him! With the specter of a solitary Christmas Eve looming, he tears through the streets of Kyoto with just his powerful (some might say delusional) imagination to protect him from the cruel world at large. A Japanese fantasy novel for every man who’s been let down by love—and those still bracing for it!
This book starts with these sentences, meaning "In some way, they're fundamentally wrong. This is because there's no way I'm wrong." I love the mismatch between his a little too intellectual writing style, which reminds me of those of literary figures in the Meiji or Taisho era, and the absurdity of his stories. Also, I love the fact that a Japanese publisher has enough sense of humor that Morimi won The Japan Fantasy Novel Award for this novel. Who else in the world thinks of mere delusions of a male university student without any girlfriend as a fantasy novel? The main character tackles many too absurd things too seriously to be true, but as I read the story further and further, I couldn't help feeling he was getting more and more likable, adorable, even. Yes, I love this story.
A little more sentences I love from this story: 「良薬とはつねに苦いものである。ただし、苦いからと言って良薬であるという保証はどこにもない。毒薬もまた苦いのだ。」― "Good medicine always tastes bitter. However, just because a medicine tastes bitter, there's no guarantee that it is a good one. Poison also tastes bitter."
Very much a proto-Tatami Galaxy or Night is Short, Walk on Girl. It's full of those works' brand of humor, ridiculous situations and colorful characters. The main character is very easy to hate, and part of the humor comes from him being a shitty, inconsiderate megalomaniac who's very transparently heart broken and desperate for companionship.
I enjoyed this one. Feels like something of a spiritual predecessor to the Tatami Galaxy and Night is Short, Walk on Girl with the strong links to its Kyoto setting and elements of magical realism. I will say that while the main characters of those come across as stubborn, the main character here comes across as pretty dislikable. Fortunately his sense of self-importance is presented as a character flaw that lessens as the story goes on, but due to the first person perspective I could see how a reader could miss that the book is gently poking fun at its narrator. It's probably not Morimi's greatest work, but it's a fun read. I started reading in the lead up to Christmas which feels like the perfect time given the untraditional festive setting.
At times, I felt like this book was all over the place. I did have a lot of good laughs (laughing at the characters), but it was a little difficult to read at times. I kind of looked at them as cynical losers, but the things the characters said and did were just weird and offsetting. They were extremely hard to sympathize with. The last few pages really got to me though. Overall, I enjoyed the book as I interpreted it as a messed up individual getting over the girl he loved. Hopefully MC becomes a better person following this!
I'd describe this book as "Magical-Realism-for-babies". Of particular note: I like how the writer focuses too much on mundane, inane things, and not too much focus on the actual plot. In other books I'd hate this, but the writing (and translation) feels so smooth and flowing that I never minded any of it. Rather, it's the part that I like the most about this book.
Like other Morimi's books I've read so far, this one is an absurd tale brilliantly written (and smoothly translated). However, for me as a woman, this book sits, swaying, rather uncomfortably at the border of funny and creepy. Is this the study of a highly imaginative, proud man who has not moved on from an old love, or of an incel and stalker?
dnf'd after about 100 pages. I just couldn't read anymore and forcing myself was painful. I love the anime adaptations of his other novels (Tatami Galaxy, Night is Short, The Eccentric Family), but this felt very much like the draft version of his later works. I tried to get through it for months and I just couldn't. Maybe I'll come back to it once I read his other novels I own.
The weakest of the university story books by Morimi. Still a very good read which can appreciated more without the expectation of something at the same level of Tatami Galaxy or The Night is Long
As Morimi's first book, it definitely shows. While it is still interesting and absurd in just the right way, it gets boring at times and the main character makes makes incels look normal. It feels like a weaker version of Tatami Galaxy and Night is Short, but it's still worth the read as it shows the growth of the author compared to his other novels.
So, I got this book by accident, because I simply liked the description of the premise, thinking it would be another heartfelt Japanese story that I've been reading and really enjoying recently (such as "Three days of Happiness", or "The Tunnel to Summer: The Exit of Goodbyes"). Once I started reading it, however, I was greeted by a completely different writing style - comedic, lighthearted, almost psychedelic. Then I realized what it reminded me of.
I had watched "The Tatami Galaxy" anime years ago and remember being really confused the first few episodes but really enjoying it by the end. It had become exactly the kind of heartfelt story I wanted to experience. As such I wasn't surprised to learn this book was written by the same author. That quirky writing style was unmistakable.
Still, the book was off to a rough start - the protagonist was really unlikable with his delusions and stalker behavior. I realized quickly that it was intentional on the part of the author to subtly poke fun at his main character. The other male characters were not much better either. It was also hard to follow the story sometimes since it jumped from one short vignette to another with no transition in between with no coherent structure. The narrator protagonists frequently engaged in long-winded stories from his past and it was hard to follow the timeline. He also frequently used "big" words and mentioned locations in Kyoto which made it even harder to understand.
Nevertheless, by the middle of the book I felt like the story was getting into its groove once the mystery of the titular tower was introduced. At that point in time I got really excited and thought things would finally become more focused and interesting. Unfortunately that didn't end up being the case. The mystery of the tower and the protagonist's love interest's obsession with it remained unresolved. The story got back to its previous style of random musings and delusions.
As such I was almost ready to just give up and leave the book unfinished but I thought - what the heck - it's a short book, might as well power through. In the end, I'm glad I did. The last 30% of the book and especially the last few pages were really enjoyable. Somehow the protagonist and his friends became more sympathetic as the story made them look more vulnerable and human with regards to their social interactions. In the end, despite their self-imposed rejection of "ordinary happiness", or normal social interactions and aspirations and especially of romantic pursuits, deep down they were all desperate for human affection...especially from the opposite sex. In a way it was pretty pathetic, but adorable at the same time. I could feel they were all good guys who were just lying to themselves and trying to deal with their social awkwardness as best as they could.
The same goes double for the protagonist - in the end he was just a young man who couldn't get over his breakup and was still obsessed with the girl, so he used his delusions as a coping mechanism. The final parts of the story detailing his memories of the moment they broke up, the moment they had their big argument, and the good memories from their relationship in general were really good and heartwarming.
The book's ending was pretty open with the whole situation pretty much unresolved. It was pretty confusing what actually happened and the narrator himself states he wouldn't tell us. Nevertheless, I felt like the protagonist was finally able to grow a bit and let go - by finally admitting he might be in the wrong.
After finishing the book I felt good about it, but not to the same extend as with "The Tatami Galaxy". I later learned this book is the author's first work and it shows - it's still pretty experimental and unrefined. Still, it's a good book and pretty short, so it doesn't overstay its presence. If it had been longer I might not have finished it and would have missed on the nice ending.
'밤은 짧아 걸어 아가씨야'를 먼저 읽고 이 책을 읽었는데, '태양의 탑'의, 이제는 헤어진 여자친구가 '밤은~'의 여주인공과 여러모로 닮아보여서 마음이 짠했다(게다가 두 작품에 일관되게 나오는 여자 캐릭터의 특성이 이렇게도 겹치다니, 이건 작가의 취향 또는 이상형인가보다 싶기도 하다). 따라서, '태양의 탑'을 먼저 보고 '밤은~'을 보는게 더욱 나을 것이다. 처음엔 그저 찌질해 보이기만 했던 주인공이 가면 갈 수록 사랑스러워 질 것이고, 그러다보면 나중에는 가슴이 아파질 테니까.
Wow this was fun. The description of the book on the inside cover suggests a much less interesting, straight novel about love, not this wacky jaunt. Great writing, an obnoxiously fun first person narrator, and a weird weird world!