Partly thanks to the success of Netflix’s The Last Kingdom and History’s Vikings, the stage has been set not just for stories that take place during the creation of the English monarchy, (starting with the absorption of lesser kingdoms into three great ones, Northumbria, Mercia and Wessex), but also for stories that present this world with heroines who do not mold themselves to the damsel-in-distress cliche. Set in 862 AD, Claire Marion’s Aeva the Wild is a winner in the young adult, historical fiction world, diving straight into the bloodshed of a fragmented nation that will one day be England as it faces the onslaught of Viking hordes.
It is easy for a story of this magnitude to get lost in political explanations and battle schematics, but Marion deftly weaves a coming-of-age yarn where a young girl first survives hunger by stealing, and then has to survive the realities that, as a woman with a secret royal lineage, she will always be a pawn in the eyes of too many men. Protagonist Aeva makes split-second decisions that keep the pace moving, and there is no discomfort of having to suspend disbelief in order to ride along on this journey. The camaraderie that she initially forms with a group of battle-weary soldiers almost has a Lord of the Rings quality to it, and yet, her gender is constantly the wedge that keeps her from ever entering a real brotherhood. She is the consummate outsider who has to keep a wary eye on the decisions and reactions of others. Though she was reared in a nunnery to hide her illustrious birth, Aeva is not so innocent that she doesn’t recognize that succumbing to the advances of certain men will afford her protection in a world where there is none. Still, she possesses a sense of self-determination and cannot stop herself from falling in love, even when battles rage and outcomes force her into futures not of her own design. Luckily for readers, there will be more of this heroine’s tale to come.