The Lumiat:
This story has a wonderful set-up, having Missy take on a companion and meet a female Time Lord who she thinks is the Doctor but who appears to be someone else. It creates an engaging mystery around the story. I also love the Missy-companion relationship; Bertram is a pretty typical companion, but Missy just cannot stand him.
The story turns out to reveal Missy's version of the Valeyard, everything good within her. It's a deep and unexpected twist that forever changes the Master as a character.
Michelle Gomez is amazing as usual and she's funny together with Gina McKee as the Lumiat.
Missy tries to do a lot of mischiefs, while the Lumiat tries to prove who she is, and this creates great tension throughout the adventure.
I love the references to the Master's past and the connections to the newest TV seasons. The only minor gripe is the fact that the story kind of keeps repeating itself until the final act. That being said, the way the story depicts Missy's deepest nature and her relationship with the Doctor is beautiful.
Brimstone and Terror:
This story is pretty bland. It brings back Oliver and Lucy from the previous set in bigger roles, as well as everybody's favourite Sontaran Strax. There's loads of pointless dialogue, and the acting isn't particularly interesting, not even from Michelle Gomez, whose contribution remains pretty small. The story flows pretty slowly, with no real turns or hooks to keep the listener interested. It is a sequel to 'A Spoonful of Mayhem' but doesn't really up the stakes. The climax is pretty anticlimactic and everything just kind of ends on a low note.
Oliver and Lucy's character development feels next to nothing and the entire story lacks any real point, excitement or real tension. It just feels like it's thrown together to allow characters from the first set to return and to give Dan Starkey plenty of roles to play. The story doesn't also do much with the first meeting between Missy and Drax, which is a shame.
Treason and Plot:
This is an interesting historical Missy-style, with Missy taking the English crown to help the Gunpowder Plot succeed. It's also an interesting use of the Time Agency and its recruit Rita Cooper. Seeing Missy attempt to help historical criminals follow through on their failed plans I'd fascinating.
I like the voice acting here, both Gomez, who is back on her usual form, and Ony Uhiara as the eager new Time Agent Rita.
It is great how this story mirrors 'Divorced, Beheaded, Regenerated' in how Missy tries to alert other time travellers of her intentions by messing with the timeline, as the Monk did in the earlier story. We have a wonderfully devious Missy, some sharp humour and finely tuned tension. Rita's involvement remains pretty minor, but she brings much-needed energy into the story.
The cliffhanger leads directly into the final story of the set and is a pretty fine ending.
Too Many Masters:
In the most comedic and exciting story of this set, 'Too Many Masters' brings back the Monk from 'Divorced, Beheaded, Regenerated' as well as the Ogrons, who have appeared in several Classic Who stories. It once again revolves around the endless bantering between the two Time Lords.
Michelle Gomez and Rufus Hound are an absolute joy to listen to, truly going at each other like old enemies. The Ogrons feature heavily here, get some funny dialogue and sound stupid in a funny way. I also like the way they are portrayed here, making them more fleshed out than usual.
The plot itself is pretty thin and the pacing is very slow, with long sequences revolving around the same themes to the point of them running dry. It's the fine performances and the funny dialogue that keep things flowing, though. The second half also is significantly faster and tenser. The cliffhanger ending allows for a very interesting third set down the line.
Some of the best gags are those that break the fourth wall and reference real-life things.
RANDOM OBSERVATIONS:
The Lumiat features the Black Archive, as seen on the show in several Moffat era episodes. It contains the TOMTIT machine, used by the Master in The Time Monster (1972).
Missy uses the classical "I am your Mistress, and you will obey me" hypnosis technique perfected by the Delgado Master.
Too Many Masters refers to the Master's previous encounter with the Ogrons, back when the Delgado Master worked with them in Frontier in Space (1972).
Score: 73/120 = 3,0 stars