I must have read a different book than the other reviewers. This was a terrible book. I’ve never written a review before, but there is just no way this book deserves the rating it currently has.
Where do I begin?
For one, the book is absolutely *riddled* with spelling and grammar errors. Below are just a few I noted — how these were missed by the editor is beyond me. Some of these mistakes are high school-level.
- “He gave me one of his signature, smiles.”
- “He’s defiantly one of them.” (instead of “definitely”)
- Page 235, Pieter is spelled “Peiter,” then 11 words later, spelled correctly again.
- “key word” spelled “keyword”
- “Heil Hitler” is intentionally written backwards as “Reltir lieH” which, written forward, is “Heil ritleR”
- “The had the Führer in their eyes.”
- “Edition” spelled “addition”
- COUNTLESS errors with quotation marks (and punctuation in general). For example, on page 308, an end quotation is used twice, so you don’t know when Josef’s dialogue has ended. On page 303, an end quotation occurs where a beginning quotation should be used. On page 179 there is a period after a quotation mark. Microsoft Word should catch these errors, so what happened? Where is the editor??
Again, these are just the errors I bothered writing down. I actually had to google whether English was the author’s first language (it appears to be).
I might have been able to see past these obvious mistakes if the story itself was good. It was not. The main character, Josef, has synesthesia, which essentially causes some of his senses to overlap. This seemed interesting at the beginning of the book, but ultimately proved to be a gimmick and crutch for the author. It is much easier to add meaningless flourish to your writing when you’re not limited to the sensory explanations the majority of us are limited to. I don’t have an example saved, but think: “his sadness tasted blue.”
Apart from that, *The Boy Who Saw in Colours* is absolutely, brutally, cringey. It is riddled with statements like “I was ready to serve the Führer. Heil fucking Hitler.”
I mentioned that the main character has synesthesia. Well, he’s also half Jewish, and pretty much openly gay. All while serving in the Hitler Youth. Again, these could be fascinating character traits, and I have no doubt these people existed, but in this case they are absolutely and obviously used as a crutch. Instead of writing a deeper story, the author squeezed in as many gimmicks as she reasonably could.
Lastly, the narration perspective makes no sense and is wildly inconsistent. The narrator is Josef himself, and at times he speaks from a future perspective, providing historical facts that only someone several generations in the future would know (for example, he mentions wars taking place in the 90’s). Other times, he speaks as though he’s writing in his 1940’s diary.
I cannot recommend this book to anyone. If you’re interested in a child’s perspective of World War II, read *All the Light We Cannot See* instead.