The sacred and the profane clash when a Calvinist patriarch (George C. Scott) journeys from Grand Rapids to California in search of a daughter who’s become enmeshed in the world of pornography. Writer-director Paul Schrader, raised in a strict Calvinist home himself, has described Hardcore as his film about his father and the film seethes with an array of personal themes and obsessions from the nature of sin and the redemptive power of violence.
He and his brother, Taxi Driver (1976) screenwriter Paul Schrader, were born in Grand Rapids, Michigan.
Their family, of the Dutch Calvinist religious sect, forbade them to see any movies in their youth. Paul was quoted as saying, "That was a church edict. What they called worldly amusements were prohibited."
It wasn't until he was in college in the 1960s that Schrader saw his first movie.
Living in Japan in the 1960s and 1970s, Schrader taught American literature to Japanese students.Paul Schrader also wrote numerous screenplays for Japanese films during this time.
His first film, The Yakuza (1974), was co-written with his brother Paul. in addition to The Yakuza Leonard Schrader's other well known work is Kiss of the Spider Woman: The Screenplay.
When I was jokingly shown this book at a small local store (because I like hardcore music) I was actually really intrigued by the story. The guy owning the store acted really turned off by it and really was trying to emphasize how bad it is. He seemed kinda weirded out that I wanted to read it, but it wasn't that wild. There is one scene that is particularly graphic and VERY hard to get through but that was necessary to the theme and story.
I wasn't sure if it would be worth the read, but the intersection of conservative strict religion and the inhumane /dehumanizing workings of the underground porn industry juxtaposed well.