In the prologue, which takes place in March 2009, we literally are given a front row seat to a slice of life that defines the rest of the book. Some prologues work, some are wanting, this book delivers, sprinkling riddles that tempt the reader to find out answers. I was immediately engaged. Another riddle in the prologue was presented as a pithy, albeit lovely, romantic quote, “We have forever, Kat.” This turns out to be false, and sadly ironic. As a reader, I’m suspecting that this character, Kat has lived through a powerful, traumatic event. At Chapter two, I was hooked. I read to find out about Kat. Much of her back story is told through a series of flashbacks. We learn in layers, a little peek at a time. Chapter two brings Kat to Charlock Mansion for the job of curator. Kat is shocked she’s offered the job, because she realizes, as does her closest friends and family that she is far from functioning optimally, but is a grief stricken, jet-lagged, and memories-soaked woman. A woman who is running from her past and not sure she wants or is entitled to a future.
By chapter seven, Pauline the veteran curator of Charlock retires to Scotland and Kat is settling into her new role as curator. She starts to live and breathe the history of the Gilford family. She begins to identify with the Gilford family, but she can’t reconciled the warmth & love she associates with them and the distant machine that is her boss, whom she calls “Mr. Chill,” aka, Trenton Gilford. He seems distant, remote, and mainly focused on making money verses the heritage pasted down from his family. In chapter eight, when asked to produce certain documents for Mr. Chill in a week’s time; she starts working 24/7 in the library to fulfill the unreasonable request. At the end of chapter eight, Kat continues working at a fever-pitch, not sleeping or eating, which alarms some of the staff, but she pushes on as she is almost finished. However, just prior to her victory dance, Kat tumbles into 1878 and becomes Katharine, governess to the Gilford family.
What I Liked:
Moyes very deftly had me identifying with her characters, such as Kelly, Pauline, Merrick, Elizabeth, and Mr. Chill/Trenton to name a few. Kat’s roommate, Kelly is a gem of a friend, desperate to reach the grief-drowning Kat. She posts various job ads every day around the apartment, in a type of game to attract Kat, such as a pineapple picker in Hawaii or a bilingual puppet master on another day. She works hard to help Kat re-enter the day-to-day world, which Kat disappeared from in her despair and grief. Her efforts actually induce a laugh from Kat. One ad piqued Kat’s interest, the job of a curator for Charlock mansion, which was Gilford Estate in England. The ad intrigues her enough, she sends off her resume.
During the interview for the Charlock position, Trenton Gilford, III, executor of the estate seems a bit unfocused, but Pauline Campbell is a gem. Kat, in fact thinks that Pauline is like her “crazy Aunt Susan, eccentric and audacious.” Pauline at various points functions like she “knows” what will happen to Kat in the near future. She tell her “a do hope ye consider the position, lassie, ‘tis seems tae fit ye.” What? Why is that? In chapter six, when both Pauline and Kat are waiting out a wedding on the estate grounds to finish, she tells Kat to “Keep a fire roastin’ and bide yer time, twill pass, love.” Kat expresses the idea that Pauline seems to have a strange sixth sense, like she knows more about Kat than she had ever expressed on her resume or in her job interview. I began to think that also, wondering what that something was. Pauline is interesting because she is a phenomenally informed employee, but at the same time, a horrible, disorganized pack-rat. She doesn’t believe in filing anything, nor does she believe a computer could cut down on paperwork! It is this very fact, which is pivotal in sending Kat back into history.
In 1878, Katherine struggles with the requirements of society in regards to how the appropriately dressed woman is to appear. Things that constantly frustrate her were the need for shoes at all times, nylons, and undergarments. A funny comment from Kat came after Elizabeth sent some clothing for her to wear and she notices the undergarments. Her thoughts as she “lifted up a pair of baggy shorts….Knickers” and thinks, these “underwear [are] the size of New Jersey.”
Once Kat has slide into 1878 Charlock, we are introduced to history of the Gilford family in more detail, the estate, various staff, customs and language, and some sterling characters. My favorite historical characters were Elizabeth and Merrick.
I found particularly effective the various hints that foreshadow Kat’s travel to 1878 and even about her future with the current Charlock owner. Pauline hints at how the Charlock job will benefit Charlock as well as Kat. Kat expresses a lack of confidence concerning her ability to do the job at Charlock, as she talked by cell with Kelly. Kelly states, “I believe you’re exactly where you should be right now. You need this.”
Another hint comes after Kat finishes a tour, sits down on the entryway settee and stares at the majestic Gilford portrait, which was finished shortly before Mrs. Gilford’s untimely death. Hennessey, the butler asks her if she is doing well. Kat takes the opportunity to question him about the Gilford family. She then confesses, “Every time I pass this portrait, I feel something strange.” As well she might, as this family and house will become very significant to Kat.
The last reason I found the book satisfying is the real way the author presents grief in its various stages. This was well done and added to your understanding of Kat and to the momentum of the story.
Conclusion:
Both time periods help build the story of Charlock and the story of Kat or Katharine. We learn about customs of the time, both upstairs and downstairs. Although the challenge for Kat is daunting; Kat is truly transformed into a whole person once again, one who embraces life, her life at Charlock both past and present, and Charlock’s current owner-Trenton. This was a satisfying story, cleverly written without any degrading language or lifestyle issues.