Everything that I love most about reading is embodied in the novels of Ann M. Martin. She has become the master of the simple story, the type of tale made beautiful not by flashy language and shocking twists, but by the way it mimics the rhythms of real life with such haunting and undeniable truth. You're never going to see a pat ending to any of Ann M. Martin's novels, no feel-good finish contrived as a way of slapping on a happy end just to set the reader's mind at ease. I don't believe that Ann M. Martin would ever cheat her readers by fashioning such a plastic conclusion to any of her stand-alone books. Anything can happen in those final pages as we learn the fate of the characters in whom we have become so invested, and therefore any happiness that they gain by the end of the story feels more real and more valuable than any pleasure attainable through a happy ending that just doesn't feel authentic.
In America of 1963, our nation was poised to run up against another major tragedy, in the same mold as those we endured when presidents Abraham Lincoln, James A. Garfield and William McKinley were assassinated during their respective administrations. On November 22 of '63, president John F. Kennedy, like those three predecessors to his office, would take a bullet to his head, and it would be the end of a legendary era in U.S. politics. Before that day, though, no one knew that anything was wrong. The tragedy headed our way was still not even a thought in the minds of most Americans.
And so it is for Ellie Dingman, living with her parents and younger siblings in the quiet suburban town of Spectacle, New York in 1963. Her neighbors are the most real, most average, yet most wonderful people you would ever want to meet and spend your time getting to know better. Honestly, I felt twinges of envy for Ellie's position among them, centered as she was with such genuine people living around her, people that I would love to grow up around and have as my neighbors and friends in times good and bad. As is the case for the story itself, I believe it is how real these people are that makes reading about them an experience capable of stirring up those kinds of lingering feelings. It's that they are flawed and they get in arguments (even between Ellie and her best friend, Holly) and bad things happen to them in varying shades of awful and not everyone on the block is even a good person, but that again simply shows the way that real life goes. Not everyone in any community will ever be good, but that doesn't mean one should dispose of the community. Even as an imperfect thing, broken around the edges and not whole in many respects, harboring some broken hearts and broken minds in its midst, that community can still be a wonderful, beautiful thing, worth saving and worth holding onto because its people are still capable of so much good, even considering their brokenness.
And so Ellie enters sixth grade alongside her friend Holly, and the trouble begins for her both in school and at home. The Sparrows, a group of three (now four) popular girls who have always banded together to ridicule Ellie, Holly and anyone else less socially inclined than themselves, are at it worse than ever. Ellie's teacher may look like Jimmie Dodd of Mouseketeers fame (Yay! How can you not like Jimmie Dodd?), but unfortunately he can't keep the Sparrows from branching out into crueler tricks than ever, and with the addition of the new Sparrow leader, Ellie and Holly are more at risk than they've ever been in years past. The new girl's horrible games to get at Ellie and Holly make going to school a nightmarish experience for them, until the national tragedy strikes like a blasting comet of white heat and cosmic fallout; however, even the sudden shock of the president's death can't permanently change the hearts of four girls who haven't learned what it means to really care about a person and respect their humanity. And so the hurting continues for Ellie and Holly, with no end to the Sparrows' attacks in sight.
While Ellie's school situation is deteriorating, it turns out that so is her family life, though no one yet has any cause to suspect such a thing. Ellie's mother has been infatuated with the idea of fame for most of her life, either earned on the Broadway stage or as a star of the screen, but her taste for the limelight really begins to grow as she has a few modest success in the show business arena, and starts to believe that perhaps she really does have what it takes to hit it big. Her penchant for the life of a star leads her to begin drifting away from her family, and Ellie and her young siblings grow increasingly confused about what is happening in their lives. It's not too long before their mother is inaccessible to them entirely, and Ellie is left as the closest thing to a mother figure that her brothers and sisters have left to soothe for them the sting of the bleeding wound. Oh, that she would not have to be both sister and mother to children in need of more than just a stopgap substitute, earnest in her efforts as she may be...
Everything in her life seems to be going wrong, but this is the life Ellie has been given, and despite her own deep sadness there is nothing for her but to move forward anyway and learn again how to cope as things change rapidly and people come and go in her life, and perhaps come back again. It's like a flickering switchboard of colored lights popping up and around at seeming random, all shifting so quickly that it's hard to get a read on what it all really means, but Ellie has a better handle on it than most. After all, she fits in well with the other people on her street who all live life with love and enthusiasm and patience for their families even when it's not easy to fill any of those traits, and Ellie can do the same as she waits for the bad things that have happened to maybe take a turn for the better. And as she does, she sees that though she can't control the behavior of people around her who make bad choices and travel down paths that ultimately will lead to nowhere, she can control her response to the challenges created by those bad choices, and help her family and everyone she loves to adjust, as well. Real love seems to have the power to tie up loose ends, albeit imperfectly.
Simply to say that I loved this book would be an understatement. Here Today is a story that got inside of me much deeper than that. It got under my soul and into so many of the hidden emotional places that I'd temporarily forgotten, reaffirming in my mind lessons of life that I may have already understood, but hadn't felt this deeply in a long while. When you take a copy of this book in your hands, you're holding a piece of real life, as real as if Ellie and its other characters had lived just as their lives are written in the story. Because while the details may be fiction, every ounce of emotion and thought that the book offers is completely real, and it's that honest emotion that affects us so deeply through the characters as we read, giving us the gift of seeing these lessons as if for the first time because we are experiencing them anew through the lives of such genuine people, people as real and nuanced as anyone we come in contact with in our own lives. And their story relights hope within us that we don't have to hit the mark of perfection in order to be happy; maybe, as Ellie observes, we can still be happy being a little bit broken from the ordeals we've survived.
These days, I'm really coming to see the writing of Ann M. Martin for the incredible gift to the world of literature that it is. She has written some enduring book series (The Baby-Sitters Club, Baby-Sitters Little Sister, The Kids in Ms. Coleman's Class, etc.) that have charmed the imaginations of readers for decades, but it is in her novels that her ability as an author has truly found its zenith, and Here Today may be her best one yet. It is a masterful contribution to the genre of children's stories, and I give it at least three and a half stars.