Anna could see the ramshackle, debilitated home from the roadside as the coach drove into the night, the letter from her grandmother safely in her pocket. Anna departed Sydney for the small country town in Victoria, a life of uncertainty among the dry, desolate pastures, anxious and alone.
Anna's estranged grandparents hadn't expected their seventeen year old granddaughter to visit, considering their daughter abandoned the family home and her family before Anna was born. Anna is in turmoil, her mother is attending a business conference in New Zealand, her father visiting his dying father in Germany and Anna is pregnant, unbeknownst to her boyfriend Nassim.
Anna's narration is harrowing, she's anxious, alone and navigating a new relationship with her estranged grandparents. In her final year of school, Anna is intelligent and motivated, wanting to study medicine at university. Escaping to the small country town, Anna plans to abort her pregnancy. The nonlinear narration shifts between the present and the events leading to Anna's decision to leave, moments from her mother's adolescence as the past and present converge.
In the present day, Anna's mother Cathy is an absent parent, businesswoman, entrepreneur and alcoholic, Anna's father excusing her behaviour, encouraging Anna to practice understanding and forgiveness. Anna's relationship with her mother is irrevocably fractured when as she introduces her mother to Nassim, her boyfriend. Cathy overindulges and becomes verbally and physically abusive.
As the storyline unravels, we learn about Cathy's adolescence, her parents Bette and Hessel, a stoic and racist Danish man. The Krause family colonised the local Indigenous land, white farmers who decimated the landscape. As children, Cathy and Leonie shared a wonderful friendship, Leone an Indigenous girl who Cathy was forbidden to see. Leonie, a local nurse, remained in the small country town and raised a wonderful son in Basil. Cathy and Leonie are no longer in contact with one another.
First Nations communities continue to endure racism and prejudice and with the permission from the Dja Dja Wurrung community, Christie Nieman explores the Blood Hole Massacre, a horrific incident of genocide. Basil, Leonie's son, is a storyteller and a beautiful character. The life he's endured, carrying the stories of his community. Basil's enthusiasm and effervescence is infectious, his character is incredibly endearing and proudly Indigenous, although also recognising his colonist ancestry.
Where We Begin raises awareness and encourages discussion of family violence, alcoholism, adolescent pregnancy, abortion and physical and emotional abuse. First nations, colonisation, Indigenous genocide, prejudice and racism. Although the narrative is harrowing and poignant, Where We Begin is written with compassion, delicately and an intricate tenderness. Often we choose novels without realising the impact they leave upon us and as readers, we experience our world through fictional characters. When We Begin is a remarkable read and I thank Christie Nieman for sharing her words.