"Something Wicked" (Malloren, #7) by Jo Beverley (born in England, resident in Victoria BC, sons grown), taking foolish teenage chances at a Vauxhall Gardens Midsummer Midnight masquerade turns deadly dangerous. Adult bedroom escapism, poor moral model, proves that the female mind is fooled into "love" by hormone floods. Not a swooning save-me, ravish me, oh no, please no. Not "a silk cushion - pretty, comfortable and ready to conform to his every need." but "a fine sword - flexible steel, ready for action, and potentially lethal" p336. Humor and persiflage elevate X-rated "anticipate the introduction of my more outstanding external organ into your soft, moist, hot, and oh so empty internal space", "You have a wicked tongue", "You don't know how wicked" p159, "she needed a new vocabulary entirely" p176.
Lady Elfled Malloren, in flamboyant gold and red, as caped and masked Lisette, speaks fluent French to intriguing Earl of Walgrave, Fortitude Harleigh Ware, overhears him plot with a Scot against King George, and seduces him on one long night, to find the secret guarded in his London mansion basement, worries later about pregnancy. (Why is Fort heroic supporting two illegitimate offspring?) She talks of courage, acts foolhardy. In her defence, servants are killed and wounded, as is Fort. She orders the fatal shot on the Scottish leader Murray, disguised as clergy. Her brothers married in previous books, her twin Cyn to Fort's sister Charity, so the outcome is inevitable. Family motto: "With a Malloren, all things are possible" p69 and more, is not always positive.
Her physical metamorphosis from innocence lasts a single night, but transforms her exterior from prim pastel floral sprigged cottons to jewel amber silks p331. She should herself offer to participate in the family business, study and demonstrate competence. She is hypocritical to complain that her brothers fail to offer p91; they entrust her with silks despite experience limited to the household p283. When she gets gun and knife (throwing only?) lessons, my admiration rises p300, but again, her brothers took the first steps, teaching her how to load and shoot.
Ponderings:
• Fort: "Ten times your normal fee" p110 is one example of their (and present-day Prince of Wales) mutual attitude, money is to gratify whims of "the quality" - who thus demonstrate a lack of quality traits
• Elf smashes a "valuable Chinese vase" in flighty temper "The world needs changing", not for a useful purpose or defense p250, again, spoiled rich brat.
• "He deserves to find someone with whom he can be joyous in season." p287 for summer? Christmas holiday? in heat, like animal? not a misprint, repeats "someone who could make him joyous in season" p334, not an historical expression, seems related to expression of giving a young girl her "season", starting with debut, for husband hunting
• "said Sappho gently, as if she could read her mind." p295 The following conversation only makes sense if the silent thought was aloud.
• Sappho advises marriage does involve loss "and should only be undertaken if the gain is equal to or exceeds the loss" p298. How does the "scientific" viewpoint fit in a romance?
• Costumes and masks are a standard Beverley trick, but actors are recognizable in other roles, by distinctive features (Fort examines Lisette's chin), stance, mannerisms, expressions. A voice can even give away a relationship. Big brunette Selina Griffiths, guest succubus on UK "Being Human" sounds exactly like her more delicate-appearing white-haired mother Annette Crosbie, patient wife of curmudgeon Victor Meldrew on "One Foot in the Grave". Even identical twins are distinguishable by voice and appearance.
Typos:
p346 "crossed her legs as her bother would do" should be "brother"
p348 "tear her part" should be "apart"
References:
p110, 370 "Benedick and Beatrice" are sweethearts in Shakespeare's "Much Ado About Nothing"