Hadewijch: The Complete Works

The Classics of Western Spirituality

by Hadewijch, Columba Hart (Translator)

Hadewijch, a Flemish Beguine of the thirteenth century, is undoubtedly the most important exponent of love mysticism and one of the loftiest figures in the western mystical tradition.

Genres: Poetry, Mysticism, Religion, Philosophy, Christianity, Medieval, Spirituality

448 pages, Paperback

First published September 1, 1980

About the author

Hadewijch was a 13th-century poet and mystic, probably living in the Duchy of Brabant. Most of her extant writings are in a Brabantian form of Middle Dutch. Her writings include visions, prose letters and poetry. Hadewijch was one of the most important direct influences on John of Ruysbroeck.

Reviews

[Jessica · Rating 3 out of 5]

Um, okay, so try and think of another thirteen-century Christian mystic who looked exactly like Siouxie Sioux... HAH, you totally CAN'T!

Hadewijch rules. And obviously the people who illustrated the cover of almost every Paulist Press book also totally rule.

[Jerusha Crone · Rating 3 out of 5]

sry @ love mysticism

[Drury · Rating 1 out of 5]

Although Hadewijch discusses the relationship between love and reason throughout many of her works, her perception of the relationship seems to change over time. She begins by seeing reason as a tool which must be used with caution. Later she refines this view, showing reason as a tool which must be used to fully experience love.
In her 4th Letter, Role of Reason, Hadewijch outlines the areas where she feels men err in reason because they do not properly understand or practice hope, charity, rule of life, tears, desire of devotion, bent for sweetness, terror of God’s threats, distinction between beings, receiving, giving, etc (53). She outlines each of these points in depth, with the ultimate conclusion that man’s reason errs when it attempts to obey anything that does “not belong to perfect love” (55). But she feels that we can use reason to “[throw] light on each of these points according to their value” (55). This marks a common tension in her works, that of the obedient servant to that of the questioning but loyal one.
Hadewijch’s 30th Poem, Love and Reason, depicts a spiritual journey in which Love and Reason are personified. She has a relationship first with just Love, which when fully realized, “was wanting” and “gave [her] pain” (213). She then seeks “Reason’s counsel about Love,” only to realize that a purely rational examination of Love removes “the attire Lover herself had given” her (214). She finally comes to the conclusion that “one can win / veritable fruition of Love” through Reason, which allows one to fulfill the desires of both Love and Reason. The ultimate conclusion of this poem is that although it is a tough and painful journey, one cannot become spiritually complete without first justifying one’s love with one’s reason. This theme is also continued in some of her other work.
The 9th Vision of Hadewijch, Queen Reason, yet again personifies reason, this time as a regal queen wearing a dress composed of the “knowledge of love” (286). In this vision, she sees Reason accompanied by three maidens, who she later identifies as her Holy Fear, Discernment between Reason and Love, and Wisdom. She sees the queen at first as an ominous threat, but soon overcomes her fear. After reflecting truly on her beliefs, she deposes reason from her rank as queen to that of subject. Only after this, does the once again personified Love come and embrace her. Once again, we are shown her need to overcome reason in order to have a full relationship with Love.
For Hadewijch, reason is a necessity; albeit an unpleasant one. She feels that reason is a tool with which one can examine oneself from a spiritual perspective. The three maidens identified in her vision are the best way of defining the role of reason for her: allowing her to see in what ways she is completely adhering to her relationship with God, to identify what matters belong to the spiritual realm and what to the physical, and finally grant her wisdom in a sense similar to that of Bernard of Clairvaux, the knowledge of God as God, and being able to see oneself as God does. Without these tools, ones might feign a relationship with God, but will never attain the level of faith possible by first overcoming reason.

[Ivan Granger · Rating 4 out of 5]

I was introduced to the divine love poetry of the Flemish mystic Hadewijch in the excellent anthology Women in Praise of the Sacred, edited by Jane Hirshfield. I knew I had encountered something amazing, but the sampling in that book was frustratingly small. I finally found this book with the complete works of this mysterious Beguine spiritual figure — visions, letters, and a beautiful collection of sacred poetry. The love mysticism of her poetry rightly draws comparisons to the rich traditions of Sufi and Bhakti poetry.

[Alana · Rating 3 out of 5]

this is EXACTLY like when you meet a drunk girl in the bar/party/club/gig bathroom and it turns out she is the prophet of divine love. in the 13th century they were mystics having visions and getting kicked out of their Beguine because the other bitches were jealous of their copious amounts of godhead suffering aura.

i only read the first two letters because only 1/6th of the rest (the poems and visions which i read) was necessary. i’m just not into church like that. i love shackles by mary mary and sunday candy by chance but i’m NOT going to church. despite this, it renewed my wound for the maddening abyss into which Love (with a capital L) hurls, the forever night that is lived even throughout the light of day, or the constant flicker of the florescent lights in the girls toilet, meeting ur best friend in the whole world, if only for the next 15 minutes.

[Francesca · Rating 5 out of 5]

Hadewijch has all the angst & brooding of a teenage goth listening to Siouxsie & the Banshees & swooning over dead Romantic poets. Her vulnerability, emphasis on love & union with the Divine Beloved, and the sheer semi-erotic strangeness of her visions make for deeply intriguing reading. I really connected with Hadewijch in a way that I struggled to with Hildegard's Scivias, for instance.
But her poetry is the true outstanding gem here, and deserves far more critical attention. Modernists, afficionados of love poetry & even the work of John Wieners will find riches in these pages. It's worth pointing out that if a male monk had written these poems, they would be widely anthologized. Give Hadewijch's unique, timeless work the long-overdue attention it deserves!

[Kenny Kidd · Rating 2 out of 5]

The gall of me to rate one of THE classics of Christian mysticism a 2 out of 5 stars :/

This rating is certainly reflective of my experience reading Hadewijch, rather than her writing itself. Her visions are beautiful and evocative, as are many of her letters and poems—she just sorta revolves around the same ideas of the multi-layeredness of God’s love, the paradoxical pain present in it, and feelings of God’s absence, to the point where I got super bored and felt myself trudging along to finish it 😕 It was my last book of 2021 (got through 82 of my planned 100 books, which I’ll still take some pride in :)), so that’s something!

[Othy · Rating 3 out of 5]

Hadewijch is an interesting author and poet, combining (especially in her poetry) chivalric language with religious themes. Her poetry also is in the form of petitionary prayer in the second person, which is a very interesting style. Unfortunately, there is little notable in her poetry; and/or the translation does not convey much of the power of the original (I have not read her in her original language). Most notable are her visions, which are fascinating and are at times much more imminent than her poetry.

[Jared · Rating 5 out of 5]

For each revelation I had seen partly according to what I was myself, and partly according to my having been chosen; but now I saw this and was associated also with my choir, to which I was chosen in order that I might taste Man and God in one knowledge, what no man could do unless he were as God, and wholly such as he was who is our Love.

[Nate Rubright · Rating 5 out of 5]

Wrote a paper on Letter 6. Great mystical work from a mysterious person.

[Laura Taltavull · Rating 5 out of 5]

Perfecta

[Erin Suniega · Rating 5 out of 5]

A phenomenal, underrated mystic with a deep-engulfing fervor for a love-centered spirituality.

Hadewijch is not the first Christian mystic I have read concerning Love in religious and mystical terms. However, she has put further emphasis and flavor into writing about the subject matter. I have always felt like the words she engraved in her writings were a breath of fresh air, which insinuated within me a deep love and passion in living a life like this mystic. Her poetic, metaphorical, and analogical speech made her theology more personal and relational, awakening a spiritual and emotional curiosity in embodying her love-centered theosis.

To end this review, here is a quote from one of her letters:

"For my part, I am devoted to these works at any hour and still perform them at all times: to seek after nothing but Love, work nothing but Love, protect nothing but Love, and advance nothing but Love. How you are to do or omit each of these things, may God, our Beloved, teach you." - Living in the Rhythm of the Trinity, Letter 17

Pray for us, Saint Hadewijch! I love you so much!

[Noah Christiansen · Rating 5 out of 5]

Read:
- Various excerpts

[Kate]

Professor Amy Hollywood taught this book in her course entitled Mysticism and Christianity.

[Mary A. · Rating 5 out of 5]

Beautiful example of Beguine spiritual poetry with themes of integrating love and reason.

[Ann · Rating 5 out of 5]

This sainted woman facilitated a healing of my heart.