In this work, Miura asks the eternal question of the problem of evil in the face of a gut-wrenching disaster that kills many in the settlement village that Kōsaku, the MC, lives in and the horrifying aftermath of the natural disaster that leaves the entire farmland toxic and impossible to settle—or so Kōsaku thinks. Even in the face of this crisis, Kōsaku’s older brother and the village mayor are determined to remain, to restore the toxic farmlands back to what it was and one day harvest rice on there again.
Miura seamlessly weaves through the probing life-questions and quiet assumptions we have, namely, that ”Good should be rewarded with good, and evil should be rewarded by evil.” Miura turns this on its head, as Kōsaku, his family, and friends, who are genuinely ”good” in all its purest sense, suffer one evil fate after another.
Through his mother, who had become a Christian while in the care of the church at her workplace while she was ill, we find the counterpoint/antithesis in the story of Job that she compells Kōsaku to read.
”Naked came I out of my mother's womb, and naked shall I return thither: the LORD gave, and the LORD hath taken away; blessed be the name of the LORD.” (Job 1:21)
When Kōsaku realises that he cannot say the same, it is really Miura asking us, ”And what about you?”
This entire review has been hidden because of spoilers.