“I know a married man with two children who bought a twenty-one-room motel near Denver many years ago in order to become its resident voyeur. With his wife nearby to assist, he cut rectangular-shaped holes in the ceilings of a dozen rooms, each hole measuring six by fourteen inches. Then he covered the openings with louvered aluminum screens that simulated ventilation grilles, but were in fact, observation vents that allowed him, while he knelt or stood on the thickly carpeted floor of the attic, under the motel’s pitched roof, to see his guests in the rooms below. He continued to watch them for decades, while keeping an almost daily written record of what he saw and heard – and never once, during all those years, was he caught…”
- Gay Talese, The Voyeur’s Hotel
What am I doing? I asked myself, as I purchased Gay Talese’s The Voyeur’s Motel.
What am I doing? I asked myself, as I cracked the front cover.
What in the literal hell am I doing? I asked myself, as I began reading the “true” story of a man who bought a motel, installed peep-vents in the ceiling, and then spied on his customers for years, while obsessively recording his observations in a journal.
This book is garbage. I knew that long before I read it. Hence, the questioning of myself. Why did I do it?
Oh, come on!
We all know why. I’m attracted to trash like a raccoon is attracted to…well, also trash.
You might have heard about the concept of The Voyeur’s Motel. If not, I hate to be the one to tell you – but I’m going to, anyway. This is your last chance to leave. Still here? Okay. Later on, when you’re trying to scrub the memory from your brain, don’t say I didn't warn you.
As mentioned above, The Voyeur’s Motel is about an innkeeper who spies on his guests. The owner, a high-functioning degenerate named Gerald Foos, purchased the motel to satiate his pathological urge to snoop. He built a walkway above the rooms of his motel, and installed vents through which he could observe his customers going about their quotidian chores: watching television, going to the bathroom, engaging in marital spats. Oh, and having sex. That’s what this is really about. Foos watching people having sex. And writing about it. In a field journal in which he kept meticulous notes filled with his utterly banal descriptions (“a beautiful body, slightly plump, but sexually attractive anyway”) and ridiculously unsupported conclusions (“[t]hey are not a happy couple…He is very ignorant of sexual procedure and foreplay despite his college education”).
Allegedly, this is a true story, which ratchets up the ick-factor to eleven. In the 1980s, when Talese was close to publishing Thy Neighbor’s Wife, his classic account of the sexual revolution, he received an anonymous letter from a man who turned out to be Foos. This man claimed to have important contributions to Talese’s survey of sex in America, specifically his ability to out-peep any Peeping Tom in history. Talese engaged Foos over the years, but refused to do anything with Foos’ material until Talese could use his real name. Talese declares that his hesitance had to do with his high journalistic standards against nameless sources. This should no longer be an issue, because I don’t believe – in light of this book’s publication – that Talese has any standards left.
The Voyeur’s Motel courted controversy from the start. This controversy is twofold. First, there is a moral component at play in this book’s very existence. Specifically, Talese is writing about an uncharged criminal who unlawfully violated the privacy of his guests for years, and years, and years. (The Denver DA has said that the statute of limitations has run out for any potential charges). Should such a book even be published? And if published, read?
Second, there are issues about Talese’s journalistic integrity, calling into question many of the basic factual underpinnings. As I'll discuss in a moment, many of the things Foos says he witnessed occurred at times when he did not own his motel.
Let us explore these controversies in turn.
As to the moral question, I’m not really in the position to cast judgment. After all, I knew what I was getting into. I can’t pick up a book about a perverted motel owner and then get the vapors because the book is, in fact, all about a perverted motel owner. No one tricked me into reading this; no one forced me. No, I was compelled by my own prurient interest, making me, in a way, as complicit as Foos (a notion a more intelligent book might have taken time to explore).
Even if I had grounds for self-righteousness, I’d give The Voyeur’s Motel a pass. I don’t condone Foos’ actions, but bookshelves the world over groan beneath the weight of titles concerning terrible people doing terrible deeds. It’s a little too late to only start publishing books about good people doing helpful and amazing things.
(For example, I hate Adolf Hitler, as any sane person does. Yet I have an entire bookcase – not shelf, bookcase – devoted to the Nazis).
My thinking would be different if I thought there was a serious risk that innocent people would be harmed by this, but I don’t think there is. Foos never mentions anyone by name; he didn't take pictures or videos or post anything to the internet; and his descriptions are so dreadfully stupid and juvenile (usually centered on bust size) that you’d never be able to identify an actual person from his words (if, in fact, much of this actually happened; which I’ll discuss below). Of course, anyone reading this who has spent time in Aurora’s “Manor House Motel” might be emotionally affected; this risk, though, is mitigated by the fact that decades have passed since Foos’ project ended.
Thus, we get to the second controversy regarding Talese’s journalism. Publication was delayed after Foos’ credibility was called into question. Foos’ journal, you see, begins describing his voyeuristic journey in 1966. The problem is that records show he didn't purchase the place until 1969. Other events are recorded as happening in the 80s, again, during a period in which Foos did not own the motel. Talese mentions this offhandedly in the manuscript, and shrugs it off as the result of Foos being an “unreliable narrator.” According to the Washington Post, however, Talese did not know about the extent of Foos’ fabrications until presented with the information by its journalists. In other words, Talese’s research falls a bit short of meticulous. (When the Washington Post first presented Talese with these oopsies, Talese disavowed his book. A half second later, he said he stood by it. I can only assume there was a financial aspect to this decision). Talese also relates the story of a murder that took place in the motel, one that Foos claimed to have witnessed. You will not be surprised, dear reader, to learn that there is no evidence that this ever occurred.
Is the book entirely false? Well, according to Talese, he actually visited the motel and watched a couple engaging in sexual activity. Not only that, but his tie slipped through the vent, and they almost got caught. If that story – with that too-cute detail about his tie – convinces you of anything…Well, I’ll leave it at that.
I will add, as an aside, that this might have made a fascinating novel. I can see a better, more imaginative author building on Foos’ petty megalomania, his inflated ego, his radically unjustified sense of his own powers of observation, and used that to construct a dark and kinky piece of fiction. That’s not what happens here, though. Instead, we get bad fiction dressed up as worse nonfiction.
Let’s leave the controversy aside. Does the book have merit as entertainment? No. This is an empty collection of excerpts from Foos’ journal, large parts of it (based on property records, and the clearly-invented dialogue) simply false. Talese doesn’t try to find a larger meaning to all this. He just plods along, relating dirty stories jotted down by a narcissistic hack. There is no titillation, because these jottings have all the artistry of the masturbatory daydreams of a thirteen year-old boy. In Thy Neighbors Wife, Talese used a masterful structure of segueing chapters to survey contemporary sex in America. Here, he just gives an entry, briefly comments on it, and then repeats.
I am frankly a bit shocked that Talese couldn’t derive anything more out of Foos’ tale. We live in the age of the voyeur and the exhibitionist. We live in the age of the security state. We are all prying into the lives of others, and allowing our lives to be surveilled in turn. These are obvious connections, but Talese is so busy mailing this in, he can’t be bothered to draw any of them. Talese has had a remarkable career. Tom Wolfe once dubbed him the founder of New Journalism. This is not worthy of him or his talent.
Most of you know I’m not a literary snob. I like a good gutter-wallow as much as the next chap. I find a lot of value in the cheap and tawdry. But this goes beyond cheap and tawdry. It is cheap and tawdry and lazy and false and skeevy and also, just as damning, entirely unentertaining.
To paraphrase Nietzsche, when I peer too long into the abyss, I see myself, holding this book, staring back.