A master class from the acclaimed photographer, bestselling author, and popular teacher, featuring lessons and workshops previously available only through the Bryan Peterson School of Photography
Have you ever dreamed of attending a photography class led by one of the most respected professional photographers in the world? Step right up! Bryan Peterson invites readers to participate in his famous workshops, sharing all his best tips and tricks for capturing subjects and landscapes in a magical moment.
Using before-and-after examples from real-life students, Bryan reveals the keys to improving your craft with the right angle, aperture, lens, and filters. Including lessons in shutter speed, white balance, light meter, lens choice and point of view, Photoshop, and so much more, Bryan Peterson Photography School is a unique opportunity to hone your skills and learn how to produce impeccable photographs.
Bryan F. Peterson has been a full-time commercial photographer since 1981, shooting assignments all over the world for many of the Fortune 500 companies, including Kodak, UPS, and American Expiress. He is also a contract stock photographer for Corbis and Getty. He has been a contributing editor at Outdoor Photographer Magazine and is currently a contributing editor at Popular Photography and Imaging Magazine. Within the photographic community, he is most noted as the author/photographer of four best selling “how-to” photography books, Understanding Exposure, Understanding Shutter Speed, Learning to See Creatively and Beyond Portraits, with two new books due out in the spring of 2009, Understanding Close-up Photography and The Field Guide to Photography. He is also the founder and one of the instructors at the world’s number one on-line photography school, www.ppsop.net.
The author is a fantastic teacher. When comparing A and B photographs, he'll pull out the details about how the better photograph was made to happen. The section on wide angles is impressive, as you see boring, uninspiring photographs transformed to unique point of views. Even when he gets lost in the weeds, he always comes back and extracts out the most important takeaway for any photographer.
I find the consistently tone of self-congratulation annoying, but otherwise it is a great read.
The book assumes some basic knowledge, and what equipment you may have, which was alright with me.
What I didn't like was the teeny tiny print. The pages were very artfully designed to make it look good, instead of making it readable. There was also a design line on the page which my eye kept catching and thinking momentarily that it as part of the illustration.