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Little Debbie and the Second Coming of Elmo: Daily Comic Strips, August 1960-September 1961
For a dozen years, Cecil Jensen created a comic strip called "Little Debbie." It had once been known as “Elmo”—one of the darkest and wildest strips ever made. In the summer of 1960, the 58 year-old journeyman brought Elmo and his weird world back into the strip for a final hurrah that is among comics’ greatest surprises!"The Second Coming of Elmo" gathers the final 13 months of Jensen’s comic strip, which appeared in a handful of newspapers and was on its last legs. In the 1950s, Jensen often used a ghost artist and, though inspiration still struck him with the strip, he seemed adrift. The revival of Elmo Chuckle, Commodore Bluster, Popnut Skrummies and the dark, droll hi-jinks that distinguished the strip’s original 1946-48 run, inspired Jensen anew. He took full control of the strip. Once again, Elmo got away from the cartoonist, but he rallied again for one of the most bizarre, satirical and touching finales of any comic strip, past, present or future!An introductory essay by Eisner Award-winning comics creator and historian Frank M. Young sets the stage for this remarkable final act, which has as its prelude 100 hand-picked “Little Debbie” daily strips from the Elmo-less years, which shows that Jensen’s weird wit hadn’t abandoned him.This 236-page sequel to the acclaimed " An American Experiment" also explores Cecil Jensen's 50 years of editorial cartooning, including the first-ever gathering of the 36 "Adventures of Col. M'Cosmic" strips that declared war on rival Chicago media mogul Robert R. McCormick. These seldom-seen cartoons are the zenith of Jensen's graphic skill, and their historical and political references are explained--although the series is a riot with or without context!This smorgasbord of Cecil Jensen's work will be followed by a volume of the political cartoons he created in the heyday of "Elmo" (1946-1948). Overlooked and under-appreciated in his time, Cecil Jensen's work makes complete (non)sense in the 21st century.
236 pages, Paperback
Published May 5, 2020
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Displaying 1 - 2 of 2 reviews
May 28, 2021
Have you read the first collection of ELMO strips, titled ELMO: AN AMERICAN EXPERIMENT: VOLUME ONE? If not, it’s high time you did. For the reasons why, I refer you to my review of that title, posted a year and half ago.
The ELMO strip, which began in various newspapers in 1948, morphed into Elmo and Debbie and turned into Little Debbie in April 1949. Elmo himself, the original star of the strip, disappeared without a trace, while Debbie journeyed on without him for the next twelve years.
As we learned in the first volume, Elmo is a super-nice guy and a perpetual optimist, always thinking the best of other people. Trouble is, his IQ falls somewhere south of that of Li’l Abner. If there was a dumber character in the history of comics, I’ve yet to meet him.
Without Elmo’s consistently oddball presence, the Little Debbie strip was unpredictable. Often, editor Frank Young tells us, it was a quite unremarkable example of daily gags. But writer/artist Cecil Jensen’s sense of humor was too quirky to be thoroughly restrained. On many occasions over that twelve-year stretch, Jensen’s deadpan dark humor would burst to the surface, taking readers to unexpected places.
This new collection is divided into five parts. First, we get a comprehensive and entertaining Introduction by Frank Young, who rescued and cultivated and restored these strips from fading newspaper files. He also adds further commentary throughout the book, and just reading it makes you feel smarter..
Next, those twelve Elmo-free years are represented here with 100 daily strips, hand-picked by the editor as rising above the ordinary and proving that Jensen had not lost his touch. Following that is a full month’s selection (from March 1950) of Cecil Jensen at his best.
Then comes the main event: The 13-month run from August 1960 until the strip’s demise in September 1961, in which Little Debbie jumps the rails to explore new (and old) territory, taking flights of fancy never before seen in the funny papers. The main focus is on the unexpected return of Elmo, completely forgotten until Debbie mentions to her pal Tugwit that her brother will soon be coming home from the army. That alone is odd, because back in the ‛40s Elmo was not her brother. Debbie was merely a little girl who wandered into his strip and caught the fancy of readers.
The final 13 months featured other surprises as well, which you’ll want to discover for yourself.
As Frank Young points out, Cecil Jensen left no record of thought process or motivation regarding Elmo’s disappearance, or return, or, indeed, any of the changes or surprises to be found in the strip. All we have is the strip itself, and we (with Frank as our tour guide) can only speculate on what was going through Jensen’s fertile mind.
Frank makes frequent comparisons to the better known little-kid strips Nancy (which preceded Debbie) and Peanuts (which followed), pointing to differences and possible influences. One particularly interesting sequence in the final weeks is a parody of Peanuts.
Prior to the publication of these Elmo volumes, Jensen was remembered mainly for his editorial cartoons in the Chicago Daily News. Those cartoons began in 1928 and continued until 1976. Several of his best are included in this book, and the final section features a series of more than thirty featuring the wartime adventures of an opinionated observer called Col. McCosmic.
In all, Little Debbie and the Second Coming of Elmo is a rich and varied collection of off-the-wall wit and humor, often straying well into the Dark Side. It’s an important commentary on the history of comic strips between 1949 and 1961. If you’re more than a little bit crazy (like me), you’ll love it.
The ELMO strip, which began in various newspapers in 1948, morphed into Elmo and Debbie and turned into Little Debbie in April 1949. Elmo himself, the original star of the strip, disappeared without a trace, while Debbie journeyed on without him for the next twelve years.
As we learned in the first volume, Elmo is a super-nice guy and a perpetual optimist, always thinking the best of other people. Trouble is, his IQ falls somewhere south of that of Li’l Abner. If there was a dumber character in the history of comics, I’ve yet to meet him.
Without Elmo’s consistently oddball presence, the Little Debbie strip was unpredictable. Often, editor Frank Young tells us, it was a quite unremarkable example of daily gags. But writer/artist Cecil Jensen’s sense of humor was too quirky to be thoroughly restrained. On many occasions over that twelve-year stretch, Jensen’s deadpan dark humor would burst to the surface, taking readers to unexpected places.
This new collection is divided into five parts. First, we get a comprehensive and entertaining Introduction by Frank Young, who rescued and cultivated and restored these strips from fading newspaper files. He also adds further commentary throughout the book, and just reading it makes you feel smarter..
Next, those twelve Elmo-free years are represented here with 100 daily strips, hand-picked by the editor as rising above the ordinary and proving that Jensen had not lost his touch. Following that is a full month’s selection (from March 1950) of Cecil Jensen at his best.
Then comes the main event: The 13-month run from August 1960 until the strip’s demise in September 1961, in which Little Debbie jumps the rails to explore new (and old) territory, taking flights of fancy never before seen in the funny papers. The main focus is on the unexpected return of Elmo, completely forgotten until Debbie mentions to her pal Tugwit that her brother will soon be coming home from the army. That alone is odd, because back in the ‛40s Elmo was not her brother. Debbie was merely a little girl who wandered into his strip and caught the fancy of readers.
The final 13 months featured other surprises as well, which you’ll want to discover for yourself.
As Frank Young points out, Cecil Jensen left no record of thought process or motivation regarding Elmo’s disappearance, or return, or, indeed, any of the changes or surprises to be found in the strip. All we have is the strip itself, and we (with Frank as our tour guide) can only speculate on what was going through Jensen’s fertile mind.
Frank makes frequent comparisons to the better known little-kid strips Nancy (which preceded Debbie) and Peanuts (which followed), pointing to differences and possible influences. One particularly interesting sequence in the final weeks is a parody of Peanuts.
Prior to the publication of these Elmo volumes, Jensen was remembered mainly for his editorial cartoons in the Chicago Daily News. Those cartoons began in 1928 and continued until 1976. Several of his best are included in this book, and the final section features a series of more than thirty featuring the wartime adventures of an opinionated observer called Col. McCosmic.
In all, Little Debbie and the Second Coming of Elmo is a rich and varied collection of off-the-wall wit and humor, often straying well into the Dark Side. It’s an important commentary on the history of comic strips between 1949 and 1961. If you’re more than a little bit crazy (like me), you’ll love it.
March 1, 2023
Some things that are forgotten are better off left that way, the Elmo/Little Debbie comic strip isn’t one of them. Bizarre, grotesque, and outright funny, it’s a strip for our times.
Displaying 1 - 2 of 2 reviews