I would give this two stars, but it is better than Prisoner and I felt I should take that into account.
The quotes at each part did not make me roll my eyes, this time round. They were, for a while, a sweetening touch that cast Prisoner in a very positive light. I had to remind myself it was bad. I think the main factor in this was that the quotes were connected to people, who had history and opinions and positions, as opposed to proverbs, which must very quickly sound clever or be swiftly dismissed as stupid. The first two quotes were a bit of a chuckle, but the third one seemed quite... Out of place. Put there to sound encouraging, and falling flat. Still, better than before.
Those settings from last time are expanded on, fleshing out the climates a bit more. Of course, it is then entirely ripped out and forged anew, so we actually need to start again... That's not a negative, though, just an observance through the plot.
The culture is shown a bit more, too, mostly by people arguing about the von Adolwulfs... That goes on far too much, and nobody seems to have any strong opinions about other historical events. I'm assuming that's because there is no planned history ("They forgot it" is a feeble excuse to me).
I did come to learn more about the sword-naming, however, which is perhaps the single cultural aspect that is done well. Judging by the swords referenced to in Bound, it is pet names that are most commonly used for them... Makes me wonder what I'd call my own weapon, considering my terrible naming talents. I still don't really get what happens when you fall out of love, but it's interesting that the author found a way around it.
There are better characters in this. Erich is a reckless, runaway royal who has been deep in mourning for five years, is descended from Dieter through adoption, and whom goes running after Bright. He gets captured by Ingolf, the bastard son of the Kaiser who, since the invasion by Salhara, is the sole heir to the throne, and decides to tag along to make sure things go well. Ingolf, at least, grows greatly throughout the book, and Erich can at least say he got from A to B.
Aden is a spymaster who specialises in the use of poisons, is Erich's friend, and is descended from Beraht. He was my favourite character, being resourceful, curious and reliable, but he lost much of that edge after his second appearance. Reinoehl is the Cobalt General, recently taking up the position due to his father's execution, and is your typical Krian. I suppose they have character development.
In the background, though, there is Pancraz and Vester. Pancraz is a friend to Ingolf, and Vester is the commander of the Cobalt Army... To say more would ruin the tension in the plot, but they don't get much attention despite the obvious character and relationship development.
The plot... Well, it wasn't what I had immediately expected, and there was genuine threat this time. It lacked the usual focus of putting the rightful king on the throne, instead making the war and the forging of the new empire its point. And the characters made decisions I wasn't expecting, based on what I had read before by this author. Still... After about halfway through, I really started to wish they had just condensed it all into less pages. It's not enough to fill a book like this. Most of it is waiting, hearing a lot of what we've already heard, and having progress spoken about that is not visible. It was interesting, but it needed more to it.
The romance... It will get you through, at least. Erich and Ingolf were mostly boring, and then they were torture once they did start picking up my attention. Aden made me hopeful to see a relationship blooming out of something other than "love at first sight", but... That darn second appearance! Pancraz and Vester are better, but you'll never hear their story properly. They're too minor.
The writing has improved a bit. We switch only between the viewpoints of the four main characters, which made a huge difference. There was definitely more tension because of it.
There were, however, a lot more spelling and grammar mistakes than in Prisoner, especially as the end drew nearer. The most obvious one I can remember is "Uou" in place of "You".
There are less big words, so the author has at last given up on spitting out fragments of the dictionary. She has for the most part, at least. There is still a point where the narrator, slipping through a reasonably well-flowing paragraph, abruptly describes a green outfit as "apropos". I thought it was slang at first, it seemed so incorrect. There is absolutely no reason why "appropriate" had to be passed up.
This writing style can't bear the strain of slow plots or many battles. Fights are methodical, along with love scenes, and are sped through like a particularly disliked list. When the plot stirred up a little, the writing didn't, and all joy is sapped as months in the book start to feel like months in real life.
Too much is made of the von Adolwulfs. Seeing their names around and hearing scraps of stories from their life after Prisoner is nice. Hearing their name in every single moment of importance, along with a recap of their entire lives and legacy, is the creation of a strong desire to punch someone.
All in all, this is better than Prisoner, but I'm not sad to put it down.