"Bar None" feels a little bit like the literary illustration of the phrase "too many cooks in the kitchen..." Here, there are a few too many plot points that could've been interesting and worth following on their own, but thrown together proved overwhelming and detracted focus from the central mystery, weakening the book overall. I could see some of the threads—Sully's military background, Jude's family tragedy, the founding of the bar, Jude's toxic relationships, (to not even name them all!)—resurfacing and getting more attention in later tales, but including all that stuff in one novel was too much for a reader with too little foundation to be truly invested. I got the sense that the author is planting a lot of introductory character nuggets here for further exploration through a series, but some restraint on all these ideas in the first installment would've been helpful for the sake of the plot.
So let's talk about the plot! The trope—death ruled suicide that is definitely murder, ready for the solving—is a favorite of mine, as it allows for a lot more sleuthing, secret maneuvering, and general ~mystique~ because it necessarily excludes detectives and the straightforward, above-board methods at their disposal. Now this limitation did induce a few eye-rolls: Jude's insertion in the food bank, for instance, was kind of unbelievable but a necessary way to launch the story. I'm willing to let it go, but I think it would be worth exploring a more natural way to insert our protagonist in the action. We're also given a list of "suspects" to start out with, which is great in a very Agatha Christie way and gives us a good foundation for suspicions. I just wish we'd spent a bit more time actually exploring their backgrounds and potential motivations, that way we readers could've had an opportunity to formulate our own theories rather than being blindsided by the information and explanation that did come. Here, again, I think the story could've benefited from fewer distractions. Gasp-worthy surprises are fun; being blasted by a light beam revelation when you're in total darkness is not quite the same.
I am a HUGE fan of Jude's bar ownership as a plot device; this provides a dynamic setting for any crucial or tense moment/conversation, and the side plots centered here were fun and also felt relevant to the main story because they were so connected with Jude's priorities. Many of the book's best moments happened here, and if anything I think the bar itself could've been used more!
The bottom line: "Bar None" is a flawed but still captivating mystery that moves quickly enough to keep your interest, as long as you're willing to sacrifice some deeper character exploration when racing to the finish.
[I received an advance review copy for free, and I am leaving this review voluntarily.]