A selection of twenty years of essays by one woman chronicles the changes in the women's movement, discussing the first Miss America Pageant Protest in 1968, the divorce from the New Left, the first fights for abortion rights, and more. First serial, Ms. Tour.
An award-winning poet, novelist, political theorist, feminist activist, journalist, editor, and best-selling author, Robin Morgan has published 20 books, including the now-classic anthologies Sisterhood Is Powerful (Random House, 1970) and Sisterhood Is Global (Doubleday, l984; updated edition, The Feminist Press, 1996); with the recent Sisterhood Is Forever (Washington Square Press, 2003). A leader in contemporary US feminism, she has also played an influential role internationally in the women’s movement for more than 25 years.
An invited speaker at every major university in North America, Morgan has traveled — as organizer, lecturer, journalist — across Europe, to Australia, Brazil, the Caribbean, Central America, China, Indonesia, Israel, Japan, Nepal, New Zealand, Pacific Island nations, the Philippines, and South Africa; she has twice (1986 and 1989) spent months in the Palestinian refugee camps in Jordan, Lebanon, Egypt, Syria, West Bank, and Gaza, reporting on the conditions of women.
As founder and president of The Sisterhood Is Global Institute and co-founder and board member of The Women’s Media Center, she has co-founded and serves on the boards of many women’s organizations in the US and abroad. In 1990, as editor-in-chief of Ms. magazine, she relaunched the magazine as an international, award-winning, ad-free bimonthly, resigning in late 1993 to become consulting global editor. A recipient of the National Endowment for the Arts Prize for poetry, and numerous other honors, she lives in New York City.
I was reading yet another mention of Robin Morgan and her powerful feminist writings, and decided I would look and see if I happened to have one of her books; I did have this one. So I read it.
As the subtitle indicates, it is a compilation of a variety of published and unpublished essays. Morgan resists being pigeonholed in one genre, so some pieces seem a bit like poetry, another like scifi, some are her personal experiences traveling to China, Africa, Latin America, Middle East, the Philippines, and other countries to women's meetings, very powerful.
I guess I will not attempt to put quotations here. There's so much, and you need to read longer passages.
The Demon Lover might be another book of hers to read. Probably any of them would be good.