Clare Barron has such a singular voice in playwriting that is fully apparent in this anthology. As the introduction notes, it is cool to see the resonances across her career (ballet in "Dirty Crusty" to "Dance Nation"). Barron writes about pre-teenage experience in such a vivid, visceral way. It is sort of crazy to me that she took classes with Deb Margolin: the imprint of automatic writing is so evident on these pieces in their disparate,
My favorite of the four, "Dance Nation", is uncompromising in its brutality, demonstrating Barron at her most inventive and agile. It is no surprise that it was a Pulitzer finalist: it is tight and controlled in a way some of Barron's other works can splay out.
"I'll Never Love Again" was a surprising highlight for me: I loved the use of chorus to denaturalize Clare's voice and create an intensely personal look at her own development. So much pain hides within the lines of that piece, which Barron notes in her introduction, and it is in this work where that unprocessed grief is most tangible and visceral.
"You Got Older", while slightly unfocused at times, does a brilliant job at creating the sort of vacuousness/rhythm of inter-family small talk, amidst an ongoing medical emergency. "Dirty Crusty" epitomizes the pitfalls of Barron, where these disparate parts become almost incoherent. It perplexes me that this could be read, in some ways, as a satire on a romantic comedy. I don't know, there's something about it that I don't buy!!
Overall, an excellent spread of work by an excellent playwright. I look forward to the moment when I get to see all of these works staged!!!