I'm a longtime fan of Kathy Reichs and of the Tempe Brennan series. I’ve read all of the books and greatly enjoyed them. So, it is with regret that I say this book is a complete and utter mess.
The A story is pretty standard Tempe fare. Four young women are murdered, their bodies sealed inside two containers and tossed in the water. The catch is two of them died in Canada 15 years ago, and two were just discovered. The unsolved past case haunts Tempe, and she enlists Ryan to help her connect the cases and catch the killer. So far, so good.
The B story is about a virus spreading unchecked throughout some Southern cities. This is set in a post-COVID world, although COVID is barely mentioned. People get this virus from dogs and we eventually find out they get sick because their DNA has been tampered with via a flu VACCINE. They die terrible, gruesome deaths, and there is no cure.
What? Let me say that again. WHAT? Unless everyone involved in the production of this book really believes that there is a microchip in the COVID vaccine and is trying to warn off people from getting the shots, there is no reason to use this storyline. It is actually irresponsible to put this out there when so many people are on the fence about getting the vaccine. And don't come at me about 'it's fiction.' So is the whole microchip thing, and millions of people believe in that.
This is a case where the writer, editors, and publisher need to learn to read the room. People do not want to read about another unknown virus killing people and whipping up violence among a divided public. They do not want to hear that the virus was caused by a flu vaccine tampered with to make a company billions of dollars. Talk about tone deaf.
Secondly, after we find out that the men who killed the young women Tempe is investigating actually caused this virus intentionally in order to profit from it, we get no resolution to the situation. Nothing about what this revelation would do to the public, how the virus would be contained or anything. The guy is caught, mystery solved and five days later our heroes are sitting down to Thanksgiving dinner without a thought to all those still suffering and dying. The refrigerator trucks housing the overflow of bodies are still lined up but pass the cranberry sauce.
The next problem is the character of Tonia Vislosky. She’s a big Black woman with attitude and a fast temper. One minute she’s gruff, rude, and dismissive. The next minute she’s open to Tempe and empathetic about lost little girls. The personality switch happens during several scenes all throughout the book. There are hints a plenty that she’s gay and from the wrong side of the tracks, but there is no development of her character. She starts out uneven and confusing and ends that way.
As a bonus there is a conversation between her and Tempe that is leading me to do something I have never done in a book review; suggest a line edit. About halfway through the book when Tempe asks Vislosky if she played basketball and Vislosky queries if Tempe is asking because Vislosky is black, Tempe thinks to herself: “Jesus. What was her problem?” That lines needs to go. That thought about ‘what was her problem,’ was absolutely not in Tempe’s voice or character. I don’t know where it came from, but that is not Tempe. That sounds very much like someone who has a big problem with the anti-racism sentiment in the U.S. right now. Not a good look for author or publisher.
Then Tempe says, “I don’t know a single black person named Vislosky.” Going on to talk about Black names, especially at that point, is also about as tone deaf as you can get. Why not throw in the joke about, “I guess you don’t have to worry about getting a tan,” while you’re at it because it’s just as bad. Vislosky very much comes across as the token Black character written by someone who doesn’t know any Black people and so resorts to stereotypes and tropes. Another look that is not going to age well.
The C storyline, about the death masks, was mildly interesting but ultimately disappointing. We meet this sweet old lady once, her story floats throughout, and then we get a lukewarm ending about her grannie’s corpse having been an unwilling model for American mannequins. We either need a lot more about that story or cut it completely.
In sum, this whole book reads like a greedy attempt to jump on the sensationalism of an international pandemic, and it is not a good look for anyone involved. Regardless of whether it was written pre-COVID or not, this is not the time or the place to have Tempe dealing with a virulent virus, especially as a backstory that gets no conclusion. Semi-partnering with a Black female cop who is badly written isn’t good at any time.
This book should be pulled from production and completely re-worked. I know that won’t happen, but it should. Tempe Brennan and her fans deserve better.
I received this ARC from #Netgalley.