Back in the summer of 1914, Kit Rivers and Daisy Hills trysted in what seemed like an endless playtime.
So did Kit's supposed fiancee Emily Pendennys (Emmy) and Alex Winters, a traveling photographer who was working for the studio Lady Rivers commissioned to do a portrait of Emmy. While she had waited that day for Lady Rivers to get back to the portrait, Alex had enthralled Emmy with his passion for photography and his discussion on how the angle of light and just the right setting could make all the difference to a portrait. Rupert was also fond of Alex, and fascinated enough to take a few lessons from him as well.
Then England declared war on Germany. Kids were out of school at age 16, if they attended at all or for the full time, and so they volunteered for service, all of them, at 16 (and possibly younger), the age at which Kit and Rupert signed up with Kit's father's regiment as officers, and the servants and tenants of Rosecraddick Manor signed up to follow them into battle.
Just as Kit had used pen and paper to write poetry about the horrors of war, Alex had used his camera to capture the same horrors. He had photos of Kit and Rupert as well as others, all of them looking much older than they were. The horrors were etched on their gaunt faces, and uniforms that had fit snugly at home were now baggy. Mud was everywhere, its depth entrapping horses, men, and equipment.
While on the first day Alison had gone through some of the bags and boxes with friend Pippa, and they had come across photos and memorabilia from their childhood, the second day, her son Jamie's fiancee Cally had gone through the boxes with Alison and discovered, under the lining of an old, smoky-smelling and seemingly empty suitcase, the photos, and the love letters, between Emmy and Alex. The letters revealed why Alison's grandma Ivy had had a falling out with her own mother, Emmy, and why Grandma Ivy was such a stern person who insisted people shouldn't rake over the past. These werec questions Alison's mum had either not known the amswer to, or was too far gone into Alzheimer's to recall.
The story tangles up some, though not as much as "The Letter" did. The ultimate decision, which Matt (curator of the Rosecraddock Manor house restored as a museum to Kit Rivers) eagerly awaits, lies in the hands of Jamie, when he returns from his tour in Afghanistan.
Although theoretically, you could read this book before "The Letter," I recommend you read this one AFTER you read "The Letter," as this one will make more sense that way.