Although the plot of Betsy Ashton’s first Mad Max novel, Unintended Consequences, has plenty of intrigue to keep those pages turning, the heart of the novel is its characters. There are the women; I believe Ms. Ashton calls them her “dames.” And they are dames indeed. We meet the three friends—Raney, Eleanor, and Maxine, our narrator—as they gather “at a small table in Le Bistro in Soho.” They are “gossiping about their grandchildren,” and waiting for the opening of a show by a new artist at a fashionable gallery. It is, at this early moment in the novel, a New York story.
But Maxine is from Virginia and soon after they arrive at the gallery she receives a call that her daughter, Merry, has been in a serious automobile accident. Max drops everything, calls her car service, and heads to the airport. Much of the narrative follows her to the hospital in Richmond and to her discovery that Merry is in surgery, bleeding into her brain, in a coma. To say anything more about Merry would be a spoiler; we are pulled along with her and the family and friends who have convened in the hospital waiting room, and we get news as they do. And Ashton doesn't just develop each of these characters; she fills out in sometimes painfully realistic detail the dynamics of the relationships among them.
Equally strong are the supporting characters who serve as chorus and backdrop for the “dames.” There is Whip, Merry’s husband and the father of Maxine’s two grandchildren, Emilie and Alex, and The Colonel, Whip’s father. There is Bette, Merry’s best friend and the one who made the emergency call to Max at the gallery. We even get a feeling for Norm, Maxine’s driver in New York.
Altogether, Unintended Consequences is worth your time and a pleasurable, suspenseful reading experience that leaves you ready to meet these characters again.