Los Angeles. The City of Angels. For a town that thinks it's pretty, there's plenty of ugly to go around. That's where the Foolkiller comes in - taking a scalpel to warts, expurgating the cancer that grows in society's gut When an ex-con named Darius Goode is brutally murdered just two days out of Lompoc, it barely makes the police blotter. But when signs point to Goode being the latest victim of the clandestine hate-crime organization known as the White Angels, the Foolkiller has to get involved. Thus begins a bloody search that takes him from the Hollywood Hills to the city's back alleys and eventually across the path of the one vigilante whose legend exceeds even his own. Yep, him Collects Foolkiller: White Angels #1-5.
Gregg Hurwitz is the critically acclaimed, New York Times and internationally bestselling author of 20 novels, including OUT OF THE DARK (2019). His novels have been shortlisted for numerous literary awards, graced top ten lists, and have been published in 30 languages.
He is also a New York Times Bestselling comic book writer, having penned stories for Marvel (Wolverine, Punisher) and DC (Batman, Penguin). Additionally, he’s written screenplays for or sold spec scripts to many of the major studios, and written, developed, and produced television for various networks. Gregg resides in Los Angeles.
Merely making a single cameo three issues in, FoolKiller MAX attempts to take first and then install second the person and personae of The Punisher in order to use this titanic figure to propel our (ostensibly lackluster) FoolKiller. Featuring probably the dumbest gimmick(s) of all time, cane sword, tarot cards, and a not-so-dissimilarly-familiar-tragic origin tale, our Z level primary hero is barely kept above water by his other’s duochromatic insertion, and a story befitting of this below-dirt-level-quality is the fetid result.
This one really surprised me. I picked it up due to The Punisher appearance, and was really glad I did. It basically read like a good Punisher story. You had some really evil villains in The White Angels, a white supremacist group. If anything, they were almost too over the top, but they came across as really evil b@astards. Then you had The Punisher and Foolkiller, who definitely fought fire with fire. I'm sure I wouldn't have liked this story nearly as much without The Punisher involved, but he played a major part and this was a good one.
It does require major suspension of disbelief in parts, as Foolkiller is going around killing huge groups of heavily armed men with just a sword, but like a Tarantino film it just comes across as cool.
This one is not for the squeamish as it has a LOT of violence and rough language, but if you are a fan of The Punisher MAX series you'd probably like this one.
Reprints Foolkiller: White Angels #1-5 (July 2008-January 2009). Mike Trace is on another assignment. As Foolkiller, he’s taking on a hate group called the White Angels who are targeting minorities. When he discovers the Punisher is also on the trail of the White Angels, Foolkiller realizes he might have a reluctant partner in Frank Castle. With the body count growing, Foolkiller will sort out the fools but could become a target himself.
Written by Gregg Hurwitz, Foolkiller: White Angels is a Marvel limited series. Featuring art by Paul Azaceta, the series is a follow-up to the previous Foolkiller 2007-2008 limited series which like this volume was released under the Marvel MAX imprint.
Foolkiller was a ’90s series that I kind of liked. The character put away his goofy pirate look from the 1970s, donned a leather outfit, and began killing. It was gratuitous and pretty typical of the 1990s, but it also didn’t hurt that Foolkiller (the Greg Salinger Foolkiller) was from Noblesville, Indiana right near where I grew up…and one of the few “heroes” from Indiana. The Trace MAX Foolkiller is pretty much the Punisher with a sword…I don’t feel that his path against the foolish is as fun as the Earth-616 Foolkiller.
The comic deals with gritty realism, but the Trace character can easily chop his way through body parts and people with little effort. I didn’t ever feel any worry for the character because both he and the Punisher made the jobs look a bit too easy. The assassin came and was pretty much stopped with little effort. It wasn’t like I felt there was much danger or risk.
The comic tried to distinguish the Punisher and Foolkiller’s actions. The Foolkiller is making “art” while the Punisher is just killing and not trying to make it look pretty. If this was the plotline of the story, I would have liked to see it expanded. I think the Punisher should have tried to understand the Foolkiller and the Foolkiller should have tried to understand the Punisher…it felt like they started to explore it and the had to wrap-up the “team-up”. It also felt like the Punisher should have been in the final issue to really cement his role in the collection.
The Foolkiller: White Angels series also has a big problem. As of 2019, there has never been a follow-up series to the comic. This volume feels like a real lead-up to the next volume. The assassin is maimed and out for justice and the police are begrudgingly having to bring in Foolkiller. It is set-up for the future, but nothing came of it…leaving the reader the ultimate fool for thinking there would be a payoff.
This has to be ugliest and most poorly written comic book that I had ever read. The artwork is simply ugly most of the time, most obviously done by tracing rather than drawing. The colouring is just hard too look at. I understand they were trying to go for a grim and dark palette, but there's a difference between that and only using shades of black and brown for an entire series. The shadows are so strong that sometimes you can barely tell the characters apart (i'm talking about Foolkiller and Punisher, since all the others are just generic masked thugs). That's actually for the best, since the characters themseleves are plain hard to look at anyway.
Regarding the story, this must be what a 10 year old that watches too much wrestling and plays edgy video games imagines a venegence story to look like. This interpretation of Foolkiller is written badly, angsty and way too edgy with bad lines that struggle too much to sound bad ass and deep but fall flat. One could argue this book is written for preteens but the violence and graphic content would argue otherwise, so there is no excuse!
The whole plot line, although written in 2009, seems actually more apropiate for the political climate of 2018. The use of buzz words and overwall good but badly argumented intent again gives the impression that this was written by a person who has little grasp of the real world. This plot could've been handled amazingly by other writers since at its base it is actually really intriguing and captivating. But the asanine execution only damages this furthermore.
It starts and ends well, but the bulk of it is just mindless extreme violence. when Steve Gerber created the Foolkiller, he requested that the character be kept off the covers of Man-Thing #3-4 so as not to sensationalize the character, which appeared on the scene at almost the same time as The Punisher debuted in The Amazing Spider-Man #129. The Punisher guest stars in this series, but apparently sales weren't high enough to pick up on sickle Moon's revenge plot at the end.
When Hurwitz announced the first Foolkiller MAX mini, Steve Gerber was supportive of it because he was creating a new character, Mike Trace, and just using the Foolkiller concept loosely. The first volume was quite good and had excellent art that fell off in later issues. This one starts promisingly enough by making the villains white supremacists, but it's mostly about how disgustingly Trace and Castle can kill them.
Following in my footsteps of strange Punisher crossovers is this gem. I have no idea who the Foolkiller is but he is an interesting protagonist.
The story takes place in LA. A group of white supremacists called the White Angels are lynching illegal aliens and minorities. This blatant murder attracts the notice of the Foolkiller, a vigilante who always leaves his kills in some artistic state (reminds me of the killer from the Hannibal tv series). When he crosses paths with the Punisher, who is tracking a gun-runner affiliated with the White Angels, the story takes off.
This was a very dark, gritty and violent tale. The art is never quite on par with the story, but there may be those who like this style. For me it lacks detail. But the story is a good one. While the White Angels seem rather a bland group for a TPB, there is more to them. I enjoyed the different styles between the Punisher (who uses guns) and Foolkiller (who uses a katana). The writing was well done and I enjoyed the tale. If I had only one complaint it's the art. I would recommend this to any Punisher fan, as well as those who like a dark and violent tale.
Gratuitous revenge fantasy, with no wit or substance. Hurwitz' first Foolkiller book was nothing special, but it seemed at least somewhat interested in the subtleties of guilt and the ugliness of vigilantism. This is just irredeemably ugly people being slaughtered in a flurry of ostensibly righteous gore.