The Library of Esoterica brings out the bibliophile in me! I received so much pleasure flipping through its pages. The font is neatly set, the pages are thick, and the book has that perfect book smell - it was very pleasing to take my time with this one!
Tarot has a few essays and tarot chronologies that are straightforward, including the history of tarot and oracle decks that does a good job of delineating where some of its legendary claims (Egyptian roots) come from (white man making shit up), and an exquisite showcase to some of the earliest historical decks in existence, think medieval Italian art paintings with gold foil.
Tarot shows tarot decks as well as tarot-influenced artwork for all the cards of the Major and Minor Arcana. There is a short discussion on each card, a quote here and there from major tarot figures -generally a long-dead member of some hermetic order, but others are more contemporary- its correspondences including astrological sign and element, and general interpretation. This is then followed by cards from different tarot decks interspersed with artworks.
Because this is Taschen, it was high-brow. Many of the decks had captions that said it was rare, limited print and hard to find. For those that didn't say so, when I Googled them, I found that they were. There were also quite a few decks that were created to promote a band, a magazine, a fashion label, or an ad for a company. There were also quite a few decks that were starting to become familiar because it seemed Jessica Hundley was obsessed with the cards and had to have them for each section. Familiar names included The Star Tarot, UUSI's Pagan Underworlds, Margarete Peterson, Tarot Balbo, Medieval Scampi, the OG version of the Brotherhood of the Light tarot and a few more that I have not remembered its names.
The decks leaned towards European art history aesthetic - Renaissance or minimalistic and abstract. There were some shamanistic decks that were great to see, and there were some popular decks by BIPOC creators like Manzel's Tarot, Neo Tarot, Mystic Mondays, as well as some other unique decks that featured archetypes that pulled from Mexican or Japanese culture. I saw Tarot Nefertari in there, one of my favourite decks with Egyptian iconography.
What could have been improved? An essay on the major tarot card publishing companies would have been a fascinating look at the business of tarot. The popularity of tarot. Cultural appropriation of decks that depict BIPOC and cultural ceremonies that are created by white people. I'm split on whether I would have liked to see more newer decks in the book; I liked that many of them were older and that I didn't know about them but I don't think I needed to see more than 1 card created by a fashion label house or an American band for promotional purposes. I would have swapped those out for influential decks that are popular now like Spirit Speaks or something.
Overall, I really enjoyed this, and I also found some new decks to add my collection! I have the Astrology book next from the Library of Esoterica and I can't wait to get into it!