Stop the World: Snapshots from a Pandemic

by Lise McClendon, George Arion, Meredith Blevins

HOW WILL YOU REMEMBER THE PANDEMIC? 40 authors from around the world set out to record their innermost feelings-- to offer inspiring, heartfelt, creative takes on the Covid-19 pandemic. Crime fiction, elegant and angry poetry, and gut-wrenching personal all paint a picture of the year and help us make sense of the sacrifices we've made in 2020. Thank you for your generous all profits donated to charity. A brainchild of editor Lise McClendon, the anthology was shepherded by her with her co-editors— Taffy Cannon, Kate Flora, and Gary Phillips— to bear witness to the events taking place all around us, and especially within us, as we grapple with disease, isolation, death, and, yes, a healthy dose of chaos. Some writers chose to mine their own psyches and experiences, whether the challenges of life in lockdown or their struggles with productivity and focus. Others felt called to wry, dark fiction or poetry. Across the globe the reactions portray a similar anger, pain, and struggle from writers from the US, Canada, Scotland, Ireland, France, Germany, Northern Ireland, Spain, Italy, and Romania. Our lives have been forever changed by these times. Whether a chance encounter with a mural on a utility box, to the lockdown in New York City and dystopian fiction, these writers never stopped imagining and exploring their worlds. Stuck at home, watching the news in horror, helping these writers' imaginations kept clicking right along (although their productivity sometimes took a hit.) As mystery writers the editors found many of their fellow crime writers willing to contribute, as was the well-known Romanian journalist and writer George Arion, true crime writer Caitlin Rother, German mystery writer Tatjana Kruse, thriller writer Robin Burcell, travel writer Tim Cahill, and many more. Poetry by 92nd St. Y Literature Director Wendy Salinger, Irish poet Paul Jeffcutt, haiku poet Z.J. Czupor, and crime writers Jim Nisbet, Gerald So, and Keith Snyder adds its own special punch between essays and stories. Illustrations are included. STOP THE WORLD George Arion Meredith Blevins Eoghan Egan John Shepphird Gary Phillips Adriana Licio Mike Monson Merrilee Robson John Clark Piet Tiegeler Travis Richardson Richard Cass Tim Cahill Jody Jaffe Caitlin Rother Naomi Hirahara Kate Flora Donna Moore Lise McClendon Tatjana Kruse Dan Fesperman Tami Haaland Taffy Cannon Matt Coyle Marian Stanley John Rember J. Madison Davis Sarah M. Chen Wendy Hornsby Robin Burcell Sharan Newman Jacqui Brown Craig Lancaster Z.J. Czupor Gerald So Allen Morris Jones Wendy Salinger Jim Nisbet Paul Jeffcutt Keith Snyder

196 pages, Kindle Edition

Published August 4, 2020

About the author

Lise McClendon is a fiction writer living in the Rocky Mountains of Montana. She has been a film reviewer, a film maker, a journalism professor, and a PR flack. Since her first novel, The Bluejay Shaman, in 1994, she has served on the national board of Mystery Writers of America and the International Association of Crime Writers/North America, as well as on faculty of the Jackson Hole Writers Conference where each year she critiques, speaks, and learns from writers new and old.

Check out the Lise McClendon Facebook page: https://www.facebook.com/LiseMcClendon

Lise McClendon also writes as Rory Tate in the 2011 thriller, JUMP CUT. Her new novel by Rory Tate is PLAN X, available now. Read her latest novel, Château des Corbeaux, 17th in the Bennett Sisters mystery series that began with Blackbird Fly.

Reviews

[Ann · Rating 4 out of 5]

A wide variety of authors, and variety of pandemic influenced impressions. Hopeful, sad, wistful, silver linings, surprises, grieving, wondering, adapting, living, life. Proceeds go to charities, the impact stays with you.

[Carol Ward · Rating 5 out of 5]

This is a wonderful combination of anecdotes, personal essays, fictional accounts, and poetry, all giving us a slice of living with the pandemic. I think it, and books like it, are going to be important reminders of what life was like, and I can see it being used in future history classes.