For as long as I can remember, I have adored Russian fairy tales and folklore with its amazing creations of the firebird, Koschei the Deathless, and, especially, the Baba Yaga. When I read The House with Chicken Legs by Sophie Anderson, I was enthralled with how she was able to bring such a fresh and original perspective on the myth of Baba Yaga. It instantly became one of my favorite books and I knew I would look forward to anything that she wrote. I was over-the-moon-thrilled when she sent me a copy of her latest work, The Girl Who Speaks Bear, not the least because it will not be released here in the United States until 2020.
The Prologue begins with the magical words of, “I remember the bear who raised me” Like any great storyteller, Sophie Anderson deftly weaves a story that is both magical and emotional – a delicate balance that she does with apparent ease that the reader is both drawn in to the adventure of the tale as well as the desire of a girl, Yanka, to know her true story. And there is the central drive of this novel: the importance and power of stories. Not only the fairy tales we tell, which contain truth, but the stories about who we are, where we came from, and understanding ourselves. This is the power that fairy tales and folklore have had ever since our ancestors began telling them and re-telling them.
Sophie Anderson is a skilled storyteller. She understands the capacity that a great tale can have on the reader and listener. Her words like any lasting fairy tale have a simplicity that reveals deep complexities about the need for a person to understand themselves and the very world around them. “They call me Yanka the Bear,” the protagonist tells us, “Not because of where I was found – only a few people know about that. They call me Yanka the Bear because I’m so big and strong.” Yes, she was discovered in a bear cave as a baby, which makes her feel separate and an outsider in her village, but then she awakens one morning to find her legs have become those of a bear.
This image is a powerful one of isolation, loneliness, and being different from others. Anderson uses this imagery to make the story not only magical as any told by Alexander Afanasyev, the Brothers Grimm, or Hans Christian Andersen but makes our empathy for Yanka grow as she leaves the village to undertake a journey into the forest to find out who she is. That is a question that all of us ask and hope to understand throughout our lives. To know who we are and where we belong. As in all fairy tales, forests are places of mystery, darkness, threat, danger, and of the struggle to understand. Psychologists have written extensively about how forests symbolize man’s need to understand the unconscious. As Carl Jung wrote, “The primordial language natural to these psychic processes, and no intellectual formulation comes anywhere near the richness and expressiveness of mythological imagery. Such processes are concerned with the primordial images [Urbilder = archetypes], and these are best and most succinctly reproduced by figurative language.”
Fairy tales are filled with these images or archetypes, but the great author can write them in such a creative way that one becomes so involved in the story that it is only after the fact that one begins to process the significance of their meaning. Sophie Anderson uses familiar characters and images from Russian fairy tales and breathes new life into them in a way that amazes and delights the reader. The story made me want to turn the page, to keep reading more to find out what happens next, and the more I read, the more invested I became in Yanka’s journey and in getting to know the people, animals, and magical figures that populate this incredible story. There’s a line in the book that summarized exactly how I felt about Anderson’s novel, it’s “A reminder of all that’s magical and mysterious in the world.”